Archives: 2010

Cyber-Shinto videos by AUJIK

21 Sep 2010

AUJIK, a mysterious Shinto group that believes all things in nature -- including the products of human technology -- possess a soul, have created a series of videos showing organic/synthetic artifacts intended to bridge the gap between the natural and artificial worlds.

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+ Polygon Graffiti: an Uguisu Morph

This video features a selection of computer-generated artifacts at various locations around Japan.

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+ a Forest within a Forest

This video, narrated by a masked AUJIK member named Nashi, explores some of the group's thoughts on technological singularity and artificial selection. AUJIK suggests that the tension between "original" nature (trees, rocks, animals, etc.) and "refined" nature (human technology) is decreasing, and that the two are converging. The group believes it is possible to accelerate this convergence by creating organic/synthetic artifacts such as the ones that appear in the video.

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+ YUKI

This video shows two children interacting with a robotic tree in a snowy landscape.

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+ KIIA

This video shows an organic robotic artifact growing from a tree trunk. The music was created from the sound of cicadas.

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+ an Anomalous Garden

In this video, an AUJIK member named Madoka explains her thoughts on pattern recognition and how it relates to emotions and consciousness.

[More: QNQ/AUJIK]

Japanese cityscapes with monster-sized wildlife

17 Sep 2010

Artist Shuichi Nakano's "Searching for Paradise" paintings depict Godzilla-sized animals towering over the urban sprawl of Japan.

Painting by Shuichi Nakano --
夢の途中 (In the midst of a dream)

Painting by Shuichi Nakano --
初秋の風、夏の余韻 (Early autumn wind, lingering memory of summer)

Painting by Shuichi Nakano --
5時25分の寒気 (Chill at 5:25)

Painting by Shuichi Nakano --
真昼の記憶 (Memory of noon)

Painting by Shuichi Nakano --
荒天の予感 (Premonition of storm)

Painting by Shuichi Nakano --
帰り道を忘れて (Forgetting the way home)

Painting by Shuichi Nakano --
(Title unknown)

Painting by Shuichi Nakano --
春の園 (Spring garden)

Painting by Shuichi Nakano --
楽園を捜して (Searching for paradise)

Fade Out: Laser-excited luminescent image display

16 Sep 2010

Fade Out, an eye-catching visual display system developed by media artists Daito Manabe and Motoi Ishibashi, uses laser beams to "print" ephemeral glow-in-the-dark images on a wall-mounted screen coated with photoluminescent paint.


+ Video

After the computer receives and processes a digital image (in this case, a webcam snapshot), ultraviolet laser beams are fired at the photoluminescent screen to produce square pixels of glowing green light. Subtle gradations are created by controlling the timing of the laser shots and allowing the darker portions of the image to fade. The completed image gradually disappears as the glow of the screen grows dim.

The novelty of the system seems to make it well-suited for use in entertainment and advertising, and the creators are now looking at ways to create glowing images in liquid and on irregular surfaces.

Here is some video of the system being tested on a human face.


+ Video

[Via: World Business Satellite]

HRP-4: Athletic robot worker

16 Sep 2010

Kawada Industries and Japan's National Institute of Advanced Industrial Science and Technology (AIST) have updated their 10-year-old line of HRP humanoid robots with an athletic machine they hope to develop into a menial worker.

HRP robot -- HRP robot -- HRP robot --
HRP-4: Menial worker of the future?

The blue and white humanoid -- named HRP-4 -- stands 1.51 meters (5 ft) tall and boasts the body of a track-and-field athlete. The robot's 34 joints are more flexible than those of previous models, and at 39 kilograms (86 lbs), it weighs 4 kilograms (8.8 lbs) less than last year's entertainment-oriented HRP-4C fembot.


+ Video

At the unveiling on Wednesday, the agile robot demonstrated a range of skills that may come in handy in the workplace, such as the ability to stand on one foot, twist its waist, strike poses, follow spoken commands, recognize faces, and track objects by moving its head. Its five-fingered hands are also more dexterous than those of its predecessors.

Kawada and AIST plan to begin selling the robots to universities and research institutions in January 2011 at a starting price of 26 million yen ($305,000) each.

[Sources: Nikkei, AIST]

Mecha art by Naochika Morishita

15 Sep 2010

Hagane Bito, a book of collected works by freelance artist Naochika Morishita, is teeming with illustrations of anime robots. Here are a few.

Mecha illustration by Naochika Morishita --
Gundam heads

Mecha illustration by Naochika Morishita --
Daijyushin

Mecha illustration by Naochika Morishita --
Gundam

Mecha illustration by Naochika Morishita --
GM Custom

Mecha illustration by Naochika Morishita --
Gundam vs. Elmeth

Mecha illustration by Naochika Morishita --
Jaburo

Mecha illustration by Naochika Morishita --
Jaburo-2

Mecha illustration by Naochika Morishita --
Z Mobile Suit-2

Mecha illustration by Naochika Morishita --
Dom

Mecha illustration by Naochika Morishita --
Wing Gundam Zero Custom

Mecha illustration by Naochika Morishita --
MagiDragon

Mecha illustration by Naochika Morishita --
Scopedog and Berserga

Mecha illustration by Naochika Morishita --
Dom Tropen

Mecha illustration by Naochika Morishita --
V Gundam RX-93 Nu Gundam (Thanks, Ian!)

Mecha illustration by Naochika Morishita --
Cockpit

Mecha illustration by Naochika Morishita --
Scopedog

Mecha illustration by Naochika Morishita --
GM vs. Zaku

Mecha illustration by Naochika Morishita --
Gouf

Mecha illustration by Naochika Morishita --
GM Cold District Type

Mecha illustration by Naochika Morishita --
Gundam RX-78-2

[More: OZKai, ! * `n@men!cht ]

Addictive ads, 1894-1954

14 Sep 2010

Here is a collection of Japanese advertisements for drinks and smokes (1894-1954).

Vintage ad --
Hero Cigarettes, 1894

Vintage ad --
Tokio Beer, 1896-1906

Vintage ad --
Chūyū Cigarettes, 1900

Vintage ad --
Peacock Cigarettes, 1902

Vintage ad --
Kabuto Beer, 1911

Vintage ad --
Dai Nippon Brewery Company, 1912

Vintage ad --
Kembang Beer (Sakura Beer export label), 1912-1916

Vintage ad --
Sakura Beer, 1924

Vintage ad --
Umegatani sake, 1926

Vintage ad --
Sakura Beer, 1928-1932

Vintage ad --
Cascade Beer, 1929

Vintage ad --
Yebisu Beer, 1930

Vintage ad --
Minori Cigarettes, 1930

Vintage ad -- Vintage ad --
"Tobacco Profits for National Defense" Week, 1930 // Hibiki Cigarettes, 1932

Vintage ad --
Urara Cigarettes, 1932

Vintage ad --
Kirin Beer, 1933

Vintage ad --
Zuigan sake, 1934

Vintage ad --
Takara shōchū, 1935-1938

Vintage ad --
Gekkeikan sake, 1935-1938

Vintage ad --
"Defense for country, tobacco for society" (South Kyoto Tobacco Sellers' Union), 1937

Vintage ad --
Sakura Beer, 1938

Vintage ad --
Kirin Beer, 1939

Vintage ad --
Anti-black market poster (violators face 3 years in prison, 50,000 yen fine), 1948

Vintage ad --
Message from Japan Monopoly Corporation, 1954

[Sources: Tabako Omoshiro Catalog Zukan (Kodansha, 1987) and Meiji/Taisho/Showa O-Sake No Hōkoku Graffiti (Kokusho, 2006)]

Video: Surreal animation by Naoyuki Tsuji

10 Sep 2010

Here is an excerpt from artist Naoyuki Tsuji's "A Feather Stare at the Dark" (2003), a simplistic, yet hauntingly surreal, hand-drawn animation made from charcoal drawings.


+ Video

A unique characteristic of Tsuji's minimalist style is that each frame is created by partially erasing and redrawing the scene on the same sheet of paper. Traces of the previous frames remain visible as the dream-like action unfolds, creating an uncanny sense of motion and the passage of time.

Animated simulation of asteroid hitting Earth

08 Sep 2010

A dramatic computer-animated simulation, produced by NHK Japan and the National Film Board of Canada, depicts what would happen if an asteroid measuring 500 kilometers (300 mi) in diameter collided with Earth.


+ Video

The massive asteroid -- larger than Japan's main island of Honshu -- is traveling at a speed of over 720,000 kilometers per hour (450,000 mph) when it crashes into the Pacific about 1,500 kilometers (1,000 mi) south of Japan. The impact causes the crust of the Earth to peel away like the skin of an orange, in what is called a "crust tsunami." Japan and a large portion of Asia are disintegrated, and chunks of burning rock as large as city blocks are hurled into the atmosphere before raining back down on the planet.

The crater from the impact measures 4,000 kilometers (2,500 mi) across, and the rim stands 7,000 meters (23,000 ft), higher than many mountains on Earth today.

Moments after the impact, a blanket of rock vapor as hot as the sun spreads quickly across the planet, decimating every living thing in its path. The entire planet is covered within one day. The oceans boil under the intense heat, evaporating at a rate of 5 centimeters (2 in) per second until they vanish.

After a year, the rock vapor starts to dissipate and temperatures begin to drop. Within 1,000 years, the evaporated water vapor -- which does not escape into space due to the Earth's size and gravity -- cools, condenses, and falls back as torrential rain. The oceans start to fill, and life begins again.

It is thought that asteroid impacts of this magnitude have happened six times in the past.

This simulation was featured in "Miracle Planet" (Episode 1 - The Violent Past), a five-part documentary about the 4.6-billion-year history of the Earth.

Video: Inter // States

08 Sep 2010

Inter // States is the latest Tokyo time-lapse piece by photographer Samuel Cockedey. The soundtrack is "Paradigm Flux (Tokyo Cut)" by Woob, from the new "Paradigm Flux" EP (listen).