Tag: ‘Monster’

Upstairs at Kitaro’s: Mini monster peepshow

24 Sep 2009

Several yōkai (Japanese folk monsters) inhabit the upstairs closet at the Kitarō Chaya teahouse in Chōfu (Tōkyō). Visible through peepholes in the door, these traditional monsters -- which are based on old folktales from across Japan -- appear in the popular GeGeGe no Kitarō manga/anime by Shigeru Mizuki, a long-time resident of Chōfu. (Click the [+] to enlarge each image.)

Monster in closet, upstairs at Kitaro Chaya teahouse --
Otoroshi [+]

The Otoroshi, a hairy creature depicted in Edo-period books and picture scrolls, perches atop the gates to shrines and temples, waiting to snatch up impious and ill-intentioned people passing below. [More]

Monster in closet, upstairs at Kitaro Chaya teahouse --
Abura-sumashi [+]

The Abura-sumashi (lit. "Oil Presser"), a folk monster from Kumamoto prefecture known for harassing mountain travelers, is believed to be the reincarnated spirit of an oil thief. Long ago, oil was essential for lighting and heating homes, and the divine punishment for people guilty of stealing this valuable commodity -- particularly from temples and shrines -- was reincarnation as a yōkai. [More]

Monster in closet, upstairs at Kitaro Chaya teahouse --
Kappa [+]

The Kappa, probably the most well-known yōkai in Japan, is a mischievous and often dangerous river imp. [More]

Monster in closet, upstairs at Kitaro Chaya teahouse --
Tsuchigumo [+]

The Tsuchigumo is a large blood-sucking spider sometimes found under the floorboards of old houses. Details about this creature vary from tale to tale, and some theories suggest the monster's origins can be traced back to the exaggerated and embellished stories of encounters with mountain-dwelling people of ancient Japan, who were also referred to as "tsuchigumo" (lit. "ground spiders"). [More]

Monster in closet, upstairs at Kitaro Chaya teahouse --
Kurage no Hinotama [+]

The Kurage no Hinotama is a jellyfish-shaped fireball (will-o-wisp) found near the sea. An account from the mid-18th century tells of a samurai who encountered one such ghostly flame on a warm breezy night at Zenshoji temple in Ishikawa prefecture. The man tried to slash the floating apparition with his sword, but to no avail. Unscathed by the attack, the fireball discharged a sticky red sap-like substance onto the man's face. [More]

Monster in closet, upstairs at Kitaro Chaya teahouse --
Peepholes in the closet doors upstairs

* * * * *

In addition to the small collection of yōkai art upstairs, the Kitarō Chaya includes a gift shop and a tiny cafe that serves GeGeGe no Kitarō-themed drinks and snacks. The teahouse is located just outside the main entrance to Jindaiji temple, which is a 20-minute bus ride from Chōfu station (bus #34, north side of station, 200 yen).

Sonosheet cover art

11 Sep 2009

Vintage sonosheet cover art --
Mirrorman

In the 1960s and 1970s, Japan saw an explosion in the popularity of sonosheets -- cheap, flexible phonograph records printed on thin sheets of vinyl. Widely available from a variety of publishers, the most popular sonosheets featured theme music from TV anime, manga and tokusatsu, and they often came packaged inside booklets featuring colorful artwork. The sonosheet boom was short-lived, though -- many companies went under as the market became flooded in the 1970s, and the phenomenon all but disappeared by the 1980s. Here is a small sample of the vast array of sonosheet cover art from that era.

Vintage sonosheet cover art --
Ultra Q [+]

Vintage sonosheet cover art --
Batman vs. Iceman

Vintage sonosheet cover art --
Vampire

Vintage sonosheet cover art --
Captain Ultra

Vintage sonosheet cover art --
Batman (front cover) [+]

Vintage sonosheet cover art --
Batman (back cover) [+]

Vintage sonosheet cover art --
Ambassador Magma [+]

Vintage sonosheet cover art --
GeGeGe no Kitaro (front cover) [+]

Vintage sonosheet cover art --
GeGeGe no Kitaro (back cover) [+]

Vintage sonosheet cover art --
Falcon of Shidenkai [+]

Vintage sonosheet cover art --
Kaiki Daisakusen (front cover) [+]

Vintage sonosheet cover art --
Kaiki Daisakusen (back cover)

Vintage sonosheet cover art --
Daikaij?sen

Vintage sonosheet cover art --
Space boy Soran [+]

Vintage sonosheet cover art --
Thunderbirds [+]

Vintage sonosheet cover art --
Tetsujin Tiger Seven/ Inazuman/ Diamond Eye

Vintage sonosheet cover art --
Ultraman (front cover)

Vintage sonosheet cover art --
Ultraman (back cover)

Vintage sonosheet cover art --
Henshin Ninja Arashi

Vintage sonosheet cover art --
Frankenstein [+]

Vintage sonosheet cover art --
Robot Detective (front cover)

Vintage sonosheet cover art --
Robot Detective (inside) [+]

Vintage sonosheet cover art --
Space Monsters

Vintage sonosheet cover art --
Ultra Seven

[More]

Sketches of hell by Kyosai

16 Jul 2009

Prolific Meiji-period artist Kawanabe Kyōsai (1831-1889), well-known in the West for his darkly humorous illustrations, was commissioned by Scottish surgeon and Japanese art collector William Anderson (1842-1900) to produce a large number of comic paintings in the 1870s. Anderson's collection, which today forms the core of the Japanese paintings at the British Museum, included the handful of fanciful depictions of hell shown below. (Click the "+" under each image to enlarge.)

Illustration by Kawanabe Ky?sai --
Torture in Hell [+]

Illustration by Kawanabe Ky?sai --
Enma, King of Hell [+]

Illustration by Kawanabe Ky?sai --
Enma's Judgment [+]

Illustration by Kawanabe Ky?sai --
Protest to Enma [+]

Illustration by Kawanabe Ky?sai --
Burning at the Stake [+]

Illustration by Kawanabe Ky?sai --
Monster Assault [+]

Illustration by Kawanabe Ky?sai --
Pandora's Box [+]

Illustration by Kawanabe Ky?sai --
Bashing a Monster into the Ground [+]

Illustration by Kawanabe Ky?sai --
Monster Battle [+]

Illustration by Kawanabe Ky?sai --
Hawk Counterattack [+]

Illustration by Kawanabe Ky?sai --
Retribution: Animals vs. Man [+]

Illustration by Kawanabe Ky?sai --
Retribution: Mice vs. Cat [+]

All-purpose tanuki testicles (prints by Kuniyoshi)

23 Jun 2009

In the mid-1840s, ukiyo-e master Utagawa Kuniyoshi (1797-1861) created a number of woodblock prints showing legendary tanuki (raccoon dogs) using their humorously large scrota in creative ways.

Tanuki print by Utagawa Kuniyoshi --
River fishing

Tanuki print by Utagawa Kuniyoshi --
Shelter from evening showers

Tanuki print by Utagawa Kuniyoshi --
Rokurokubi (long-necked monster) disguise

Tanuki print by Utagawa Kuniyoshi --
Net fishing

Tanuki print by Utagawa Kuniyoshi --
Making dashi (soup stock)

Tanuki print by Utagawa Kuniyoshi --
Weightlifting

Tanuki print by Utagawa Kuniyoshi --
Catfish mallet

Tanuki print by Utagawa Kuniyoshi --
Coming and going

Tanuki print by Utagawa Kuniyoshi --
Making mochi

Tanuki print by Utagawa Kuniyoshi --
Visiting Konpira, the guardian deity of seafaring

Tanuki print by Utagawa Kuniyoshi --
Boy's festival

Tanuki print by Utagawa Kuniyoshi --
Cause of chronic abdominal pain

Tanuki print by Utagawa Kuniyoshi --
Shichifukujin (the Seven Lucky Gods) disguise

Tanuki print by Utagawa Kuniyoshi --
Fortune-telling tent

Tanuki print by Utagawa Kuniyoshi --
Shop signs

Tanuki print by Utagawa Kuniyoshi --
River crossing

Tanuki print by Utagawa Kuniyoshi --
Towboat

Tanuki print by Utagawa Kuniyoshi --
Seine fishing

See more of Kuniyoshi's tanuki images at Kuniyoshi Project (1, 2).

‘Monster movie’ baseball game posters

10 Jun 2009

The Chiba Lotte Marines might suck, but their game posters rule. Sighted at JR Kaihin-Makuhari station, these retro movie-style posters depict the home team heroes defending the city from attack by villainous monster opponents.

Chiba Lotte Marines monster baseball game poster --
Marines vs. Giants

Chiba Lotte Marines monster baseball game poster --
Marines vs. Swallows

Chiba Lotte Marines monster baseball game poster --
Marines vs. Bay Stars

Chiba Lotte Marines monster baseball game poster --
Marines vs. Dragons

Chiba Lotte Marines monster baseball game poster --
Marines vs. Carp

Chiba Lotte Marines monster baseball game poster --
Marines vs. Tigers

[Link]

Cup Noodle monsters

03 Jun 2009

The stomach contents of famous monsters are revealed in this series of Brazilian ads for Cup Noodles (a.k.a. "genuine Japanese fast food").

Cup Noodle monster --
Godzilla [+]

Cup Noodle monster --
Kanegon [+]

Cup Noodle monster --
Gomora [+]

Cup Noodle monster --
Alien Baltan [+]

[Via: I Believe in Advertising]

See also: Hungry (for giant prehistoric beasts)?

Movie monster illustrations by Yasushi Torisawa

21 May 2009

Character designer and kaiju evolutionist Yasushi Torisawa produced a fantastic set of classic Toho movie monster illustrations for the summer 2008 edition of Uchusen magazine.

Kaiju illustration by Yasushi Torisawa --
Godzilla vs. Biollante [+]

Hedora - Illustration by Yasushi Torisawa --
Hedorah [+]

Rodan - Illustration by Yasushi Torisawa --
Rodan [+]

King Ghidrah & Gigan - Illustration by Yasushi Torisawa --
King Ghidorah & Gigan [+]

Green Gargantua - Illustration by Yasushi Torisawa --
The Green Gargantua [+]

Brown Gargantua - Illustration by Yasushi Torisawa --
The Brown Gargantua [+]

King Ghidrah vs Gorosaurus - Illustration by Yasushi Torisawa --
King Ghidorah vs. Gorosaurus [+]

Baragon - Illustration by Yasushi Torisawa --
Baragon [+]

Monster mummies of Japan

06 Mar 2009

Lurking in the halls of Buddhist temples and museums across Japan are a host of monster mummies -- the preserved remains of demons, mermaids, kappa, tengu, raijū, and even human monks. Here are a few remarkable specimens for the adventurous and brave at heart.

- Demon mummies

It might seem odd that Buddhist temples in Japan house the occasional stray mummified demon (oni), but then again it probably makes sense to keep them off the streets and under the watchful eye of a priest.

Triple-faced demon mummy --
Three-faced demon head at Zengyōji temple [Photos]

Zengyōji (善行寺) temple in the city of Kanazawa (Ishikawa prefecture) is home to the mummified head of a three-faced demon. Legend has it that a resident priest discovered the mummy in a temple storage chamber in the early 18th century. Imagine his surprise.

Nobody knows where the demon head came from, nor how or why it ended up in storage.

The mummified head has two overlapping faces up front, with another one (resembling that of a kappa) situated in back. The temple puts the head on public display each year around the spring equinox.

Demon mummy -- Another mysterious demon mummy can be found at Daijōin temple in the town of Usa (Oita prefecture).

The mummy is said to have once been the treasured heirloom of a noble family. But after suffering some sort of misfortune, the family was forced to get rid of it.

The demon mummy changed owners several times before ending up in the hands of a Daijōin temple parishioner in 1925. After the parishioner fell extremely ill, the mummy was suspected of being cursed.

The parishioner quickly recovered from his illness after the mummy was placed in the care of the temple. It has remained there ever since. Today the enshrined demon mummy of Daijōin temple is revered as a sacred object.

A much smaller mummy -- said to be that of a baby demon -- was once in the possession of Rakanji Temple at Yabakei (Oita prefecture).

Unfortunately, it was destroyed in a fire in 1943.

Demon mummy --
Baby demon mummy at Rakanji temple

* * * * *

- Mermaid mummies

In Edo-period Japan -- particularly in the 18th and 19th centuries -- mermaid mummies were a common sight at popular sideshow carnivals called misemono. Over time, the practice of mermaid mummification blossomed into an art form as fishermen perfected techniques for stitching the heads and upper bodies of monkeys onto the bodies of fish.

The mummy pictured below is a prime example of a carnival mermaid. It appears to consists of fish and other animal parts held together with string and paper.

Feejee mermaid gaff --
Mermaid mummy at the National Museum of Ethnology, Leiden

The mummified creature was obtained by Jan Cock Blomhoff while serving as director of Dejima, the Dutch trading colony at Nagasaki harbor, from 1817 to 1824. It now resides at the National Museum of Ethnology in Leiden.

Another old mermaid mummy exhibited at a museum in Tokyo several years ago appears to belong to the founder of the Harano Agricultural Museum.

Fiji mermaid gaff --
Mysterious mermaid mummy

The mummy's origin is unknown, but the collector says it was found in a wooden box that contained passages from a Buddhist sutra written in Sanskrit. Also in the box was a photograph of the mermaid and a note claiming it belonged to a man from Wakayama prefecture.

>>> More mermaid mummies

* * * * *

- Kappa mummies

Like the mermaid mummies, many kappa (river imp) mummies are thought to have been crafted by Edo-period artists using parts of animals ranging from monkeys and owls to stingrays.

Kappa mummy --
Kappa mummy at the National Museum of Ethnology, Leiden (Netherlands)

This mummified kappa, which now resides in a Dutch museum, appears to consist of various animal parts put together in a seamless whole. It is believed to have been created for the purpose of carnival entertainment in the Edo period.

Another mummified kappa can be found at Zuiryūji temple in Osaka.

Kappa mummy --
Kappa mummy at Zuiryūji Temple, Osaka [Photo]

The 70-centimeter long humanoid purportedly dates back to 1682.

Another notable kappa mummy can be seen in a seemingly unlikely place -- at a sake brewery in the town of Imari (Saga prefecture).

Kappa mummy --
Kappa mummy at Matsuura Brewery

According to a company brochure, the mummified kappa was discovered inside a wooden box that carpenters found hidden in the ceiling when replacing the roof over 50 years ago.

Reckoning the creature was an old curiosity their ancestors had passed down for generations, the company owners built a small altar and enshrined the kappa mummy as a river god.

>>> Read more about the kappa.

* * * * *

- Raijū

With a limited scientific understanding of the sky above, the common person in Edo-period Japan looked upward with great awe and mystery. Supernatural creatures called raijū (雷獣) -- lit. "thunder beast" -- were believed to inhabit rain clouds and occasionally fall to earth during lightning strikes.

The earliest known written records of the raijū date as far back as the late 18th century, though the creature appears to borrow characteristics from the nue -- a cloud-dwelling, illness-inducing chimera first described in The Tale of the Heike, a 12th-century historical epic.

Details about the raijū's appearance vary. Some Edo-period documents claim the raijū resembled a squirrel, cat or weasel, while others describe it as being shaped more like a crab or seahorse.

Raiju Raiju
Raijū depicted in the Kanda-Jihitsu (ca. 1800) // Raijū seen in Tottori, 1791

However, most descriptions agree that the raijū had webbed fingers, sharp claws, and long fangs that, by some accounts, could shoot lightning. The beast also sometimes appeared with six legs and/or three tails, suggesting the ability to shape-shift.

One illustrated document tells of a raijū that fell from the sky during a violent storm on the night of June 15, 1796 in Higo-kuni (present-day Kumamoto prefecture).

Raiju
Illustration of raijū encountered on June 15, 1796

Here, the raijū is described as a crab-like creature with a coat of black fur measuring about 11 centimeters (4 inches) thick.

Another notorious encounter took place in the Tsukiji area of Edo on August 17, 1823. Two versions of the incident offer different descriptions of the beast.

Raiju
Raijū encounter, August 17, 1823 - Version 1

One document depicts the raijū as being the size of a cat or weasel, with one big bulging eye and a single long horn, like that of a bull or rhino, projecting forward from the top of its head.

Raiju
Raijū encounter, August 17, 1823 - Version 2

In the other account, the raijū has a more roundish look and lacks the pointy horn.

In Volume 2 of Kasshi Yawa ("Tales of the Night of the Rat"), a series of essays depicting ordinary life in Edo, author Matsuura Seizan writes that it was not uncommon for cat-like creatures to fall from the sky during thunderstorms. The volume includes the story of a family who boiled and ate one such creature after it crashed down onto their roof.

Given the frequency of raijū sightings, it should come as no surprise that a few mummies have turned up.

In the 1960s, Yūzanji temple in Iwate prefecture received a raijū mummy as a gift from a parishioner. The origin of the mummy, as well as how the parishioner obtained it, is a mystery.

Raiju
Raijū mummy at Yūzanji temple

The mummy looks like that of a cat at first glance, but the legs are rather long and the skull has no visible eye sockets.

Raiju
Raijū mummy at Saishōji temple [Photo]

A similar raijū mummy is on display at Saishōji temple in Niigata prefecture.

* * * * *

- Tengu mummy

Another legendary supernatural sky creature is the tengu, a dangerous demon often depicted in art as being part human and part bird. The Hachinohe Museum (Aomori prefecture) in northern Japan is home to a tengu mummy, which is said to have once belonged to Nambu Nobuyori, a Nambu clan leader who ruled the Hachinohe domain in the mid-18th century.

Tengu mummy
Tengu mummy at Hachinohe Museum

The mummy, which appears to have a humanoid head and the feathers and feet of a bird, is believed to have originated in the town of Nobeoka (Miyazaki prefecture) in southern Japan. Theories suggest the tengu mummy made its way north after being passed around between members of Japan's ruling samurai families, some of whom were deeply interested in collecting and trading these curiosities.

* * * * *

- Self-mummified monks

A few Buddhist temples in northern Japan are home to "living mummies" known as sokushinbutsu (即身仏). The preserved bodies are purportedly those of ascetic monks who willingly mummified themselves in the quest for nirvana.

Self-mummified monk
Shinnyokai-Shonin "living mummy" at Dainichibo Temple (Yamagata prefecture)

To become a living mummy, monks had to undergo a long and grueling three-step process.

Step 1: For 1,000 days, the monks would eat a special diet of nuts and seeds, and engage in rigorous physical training to strip the body of fat.

Living monk
Tetsumonkai-Shonin "living mummy" at Churenji temple (Yamagata prefecture)

Step 2: For another 1,000 days, they would eat only bark and roots in gradually diminishing amounts. Toward the end, they would start drinking tea made from the sap of the urushi tree, a poisonous substance normally used to make Japanese lacquer bowls, which caused further loss of bodily fluid. The tea was brewed with water from a sacred spring at Mt. Yudono, which is now known to contain a high level of arsenic. The concoction created a germ-free environment within the body and helped preserve whatever meat was left on the bone.

Living monk
Arisada Hōin, 300-yr-old "living mummy" at Kanshūji temple (Fukushima)

Step 3: Finally, the monks would retreat to a cramped underground chamber connected to the surface by a tiny bamboo air pipe. There, they would meditate until dying, at which point they were sealed in their tomb. After 1,000 days, they were dug up and cleaned. If the body remained well-preserved, the monk was deemed a living mummy.

Unfortunately, most who attempted self-mummification were unsuccessful, but the few who succeeded achieved Buddha status and were enshrined at temples. As many as two dozen of these living mummies are in the care of temples in northern Honshu.

The Japanese government outlawed the practice of self-mummification in the late 19th century.

>>> More background info on living mummies

Video: Starfish Hitler

06 Feb 2009

Via The Echinoblog's profile of starfish-themed monsters in Japanese cinema come these classic clips of Starfish Hitler, a Government of Darkness (G.O.D.) villain who battled superhero Kamen Rider X on TV in 1974.


+ Part 1: Kamen Rider X vs Starfish Hitler


+ Part 2: Kamen Rider X vs Starfish Hitler

[Link: The Echinoblog]