Tag: ‘Art’

Edo-period UFO

07 Sep 2006

The Iwase Bunko Library has in its possession a document entitled Hyouryuukishuu ("Tales of Castaways"), which was printed during the late Edo period (1603-1868).

Utsuro-bune scroll

The document recounts the stories of Japanese sailors who find themselves in foreign lands after becoming lost at sea, as well as castaway foreigners washed ashore on the beaches of Japan. To the Japanese people, who at the time had been living in a prolonged period of national isolation, these exotic tales must have seemed very fantastic.

Among these stories is the account of a wrecked ship with a very mysterious appearance.

Edo-period UFO scroll

According to the document, this vessel washed ashore at Harashagahama in Hitachi-no-kuni (present-day Ibaraki prefecture). The body of the ship, described as 3.3 meters tall and 5.4 meters wide, had been built from red sandalwood and iron and was fitted with windows of glass or crystal. The mysterious characters of an unknown alphabet were found inscribed inside the vessel.

Edo-period UFO scrollAboard the drifting vessel was a finely dressed young woman with a pale face and red eyebrows and hair. She was estimated to be between 18 and 20 years old. Because she spoke an unfamiliar tongue, those that encountered her were unable to determine from whence she came. In her arms she clutched a plain wooden box that appeared to be of great value to her, as she would allow nobody to approach it.

The document shows a portion of the text found inside the ship (see left).

Other Edo-period documents describe variations of this mysterious encounter. Toen Shousetsu (1825), a book by Kyokutei Bakin (who is most famous for his 106-volume samurai epic Nansou Satomi Hakkenden) tells the story of the same encounter, referring to the strange vessel as the utsuro-fune ("hollow ship"). Another variation of this tale appears in Ume no Chiri (1844), penned by a relatively unknown author named Nagahashi Matajirou. A thorough analysis of these two variations of the story can be found in a translated article by Kazuo Tanaka titled "Did a Close Encounter of the Third Kind Occur on a Japanese Beach in 1803?"

Contemporary fans of the paranormal know this ship as the Edo-period UFO.

[Link: Hyouryuukishuu in the Iwase Bunko Collection]

Pimp my Dream Tanker

05 Sep 2006

Dream Tanker

The Dream Tanker, one of the largest liquified natural gas (LNG) tankers in the world, now travels in style. Comedian-turned-painter Jimmy Onishi and 40 elementary school students have designed monster-sized psychedelic murals for the ship's spherical tanks. The total area covered by the murals is large enough to cover 100 buses.

The 120,000-ton Dream Tanker, owned by an affiliate of Osaka Gas, measures 289.5 meters (950 feet) long and 49 meters (160 feet) wide. With 4 independent spherical tanks measuring 43 meters (140 feet) in diameter, the tanker can hold up to 67,000 tons of LNG.

Osaka Gas decided to decorate the tanker with graphics in celebration of the company's 100th anniversary. The company asked Kansai-area elementary school students to draw pictures, which Jimmy Onishi then incorporated into his giant images of a fish, crab, shrimp and turtle. Sumitomo 3M Ltd. then used computers to process the images and printed them onto a special adhesive film, which was attached to the tanks.

The total surface area of the images amounts to about 4,000 square meters (43,000 square feet, or 1 acre), prompting Sumitomo 3M to submit an application to the Guinness Book of World Records to officially establish the work as the world's largest graphic design on a mode of transportation.

For more images, visit the official Dream Tanker website (Flash alert!). After you get past the Flash introduction, click on the second button on the right. That will take you to a control interface where you can zoom in on the ship and view it from different angles.

[Source: Garbagenews]

Mermaid mummies

11 Aug 2006

In 18th- and 19th-century Edo (present-day Tokyo), sideshow carnivals known as misemono were a common feature of the landscape. These wildly popular shows featured crafts, acrobats and animals in a kaleidoscopic blend of attractions that were believed to bring luck, fortune and health to the audience. One attraction commonly featured at these shows was the mermaid.

Mermaid at misemono

Sideshow carnivals in Europe and America in the 1800s also featured mermaids, many of them from Japan and the West Indies. The most famous of these mermaids was P.T. Barnum's Feejee Mermaid, which is believed to have been created around 1810 by a Japanese fisherman. The art of creating faux mermaids was perfected by fishermen and often involved stitching the heads and upper bodies of monkeys onto the bodies of fish.

P.T. Barnum's Fiji Mermaid
(P.T. Barnum's Feejee Mermaid)

A few of these old, mummified mermaids can still be found in the care of temples and shrines around Japan.

Here's a photo of a mermaid mummy at Zuiryuji Temple in Osaka, which was bestowed to the temple as an offering from a Sakai-area trader in 1682. The temple also has in its possession the mummies of a kappa and a small dragon, both of which can be found by exploring the site at the link below.

Mermaid at Zuiryuji Temple in Osaka
(Link: Nightmare's Psychiatry Examination)

Another mummified mermaid is preserved at Myouchi Temple in the city of Kashiwazaki in Niigata prefecture. The mermaid is about 30 cm long and is holding its hands up near its cheeks -- apparently a common pose for mummified mermaids. The proprietors of the temple keep the mermaid in a small wooden chest out of view, but according to the account at the link below, they will allow you to check it out if you ask nicely.

Mermaid at Myouchi
(Link: One person's visit to Myouchi Temple)

The next photo shows a mermaid mummy at Karukayado Temple outside the city of Hashimoto in Wakayama prefecture. The 50-cm long mummy has fangs that protrude from its wide open mouth, and both of its hands are raised to its cheeks, like the previous mermaid. Its lower body is covered in scales, and there appear to be the vestiges of fins on its chest, as well as a pair of nipple-like protuberances.

Mermaid (unknown)
(Link: Photos of Karukayado Temple)

The next photo (left) shows the mummy owned by a Shinto sect headquartered in the city of Fujinomiya near the base of Mt. Fuji. At 170 cm tall and 1,400 years old, it is the largest and oldest known mermaid mummy in Japan. The mermaid has an unusually large head that is bald, except for some hair growth that extends from its forehead to its nose. Its eyes and mouth are open. It has webbed hands with sharp claws, and a 20-cm long tail. The lower body has a bone structure similar to that of a fish, but it is unclear whether or not the upper body has a bone structure. The entire body shows signs of having been ravaged by moths.

Legend has it that this mermaid appeared to Prince Shotoku (Shotoku Taishi) as he was passing along the shores of Lake Biwa (about 1,400 years ago). The hideous beast told the prince about how it had been transformed into a mermaid as punishment for making a living as a fishermen within the boundaries of an animal sanctuary. The mermaid claimed that over many years it had come to a clear understanding of the horrors of destroying life, and that it was prepared to move on to the next world. As a final wish before dying, though, it asked the prince to establish a temple using the mermaid's body as a centerpiece, where it could be used to educate people about the sanctity of life. The mermaid then died. The prince took the mermaid's body and set up a temple as requested. But after a number of strange occurrences, the mummy was passed on to another temple. The mummy changed hands several times before ending up at its current location at the base of Mt. Fuji.

Fuji mermaid speaks to Shotoku Taishi
(Link: Fuji mermaid)

Also claiming a connection to this legend is Kannon Shoji Temple in Shiga prefecture, which is nicknamed the "mermaid temple." This temple professes to be the one established by Prince Shotoku at the request of the mermaid. The temple reportedly has an old, 50-cm mermaid on the premises, though no images are available online.

And finally, here are a few sketches of mermaids drawn by Keisuke Ito (1803 - 1901), a man who played an instrumental role in introducing Western medicine to Japan. In addition to establishing a method for smallpox vaccination in Japan and helping to set up what is today known as Nagoya University, he drew numerous sketches of plant and animal specimens. Buried deep in the volumes of sketches he made of marine animals, which show a variety of rather fantastic, but mostly realistic-looking fish, are the following specimens:

Mermaids depicted by Ito Keisuke
(Link: Fish volume 3, pp.23-24)

Mermaids depicted by Ito Keisuke
(Link: Fish volume 1, page 162)

You can browse the entire Ito Keisuke collection here. There is at least one more mermaid sketch buried in the book -- and lots of other surprises.

(Many thanks to mermaid hunter Juan Cabana for the inspiration to search for these mermaids. Check out his museum here and purchase his found creatures here.)

Matchbox madness

03 Aug 2006

Match World, a virtual museum devoted to the match, hosts an online collection of hundreds of matchbox labels from the late 1800s to the 1930s. Here are a few from the "Company Brand Matches" room:

Octopus matchbox

Robot matchbox

Kannon matchbox Bee and snail matchbox

Squid matchbox

Note: You can find more labels if you browse the "Database" (instead of browsing by "Category"). Click on the thumbnails for larger images and additional information. (The gallery's Flash interface may not work very well in some browsers.)

[Link: Match World Virtual Museum: Company Brand Matches Room]

Ghost scroll collection at Zenshoan temple

01 Aug 2006

Ghost scroll at Zensho-an templeEvery August, Zenshoan temple in Tokyo opens the doors to its Yurei-ga Gallery, a private collection of Edo-period ghost scrolls. The 50 silk paintings, most of which date back 150 to 200 years, depict a variety of apparitions from the forlorn to the ghastly.

The scrolls were collected by Sanyu-tei Encho, a famous storyteller (rakugo artist) during the Edo era who studied at Zenshoan. Encho is said to have collected the scrolls as a source of inspiration for the ghostly tales he loved to tell in summer.

Telling ghost stories has long been a popular summer pastime in Japan, and many people believe that chilling tales have the power to take the edge off the dreadful heat. Stories of shadowy souls also make a nice, macabre complement to all the August rituals (bon festivals, memorial ceremonies, grave cleaning, etc.) performed to welcome the spirits of departed ancestors as they return en masse to the earthly world.

The ghost scrolls are on display from August 1 to 31, from 10 AM to 5 PM. Zenshoan temple is located a five-minute walk from Sendagi station (in Taito ward) on the Chiyoda subway line. The entrance fee is 300 yen.

If you can't make it to the temple, check out an online version of the gallery at the link below.

[Link: Yurei-ga Gallery]

Denki Groove videos

27 Jul 2006

Animated videos from Denki Groove's Nisenyon Summer ("Summer 2004") DVD.


Mr. Empty, followed by Chuunen Punk ("Middle-aged Punk")


Cafe De Oni


Hikenai Gitaa O Hikun Da Ze ("Play The Guitar You Can't Play")

Solid gold lobster

20 Jul 2006

Gold lobsterA golden lobster has been placed on display at the Ginza Tanaka jewelry store in Nagoya.

Crafted from 500 grams (1.1 lb.) of pure gold, the creature is a detailed life-sized reproduction of an Ise-ebi lobster (Japanese spiny lobster, or Panulirus japonicus). It measures 34 cm (13 in.) long and 19 cm (7 in.) tall. The asking price is 5 million yen (about US$40,000).

Ise-ebi lobsters are often bestowed as gifts on special occasions in Japan. According to a shop attendant, this golden crustacean can serve as both a celebratory offering and a good luck talisman.

Customers react in various ways when they see the realistic-looking golden lobster. Some of them say they expect it to start moving, while others say it looks delicious.

[Source: Asahi Shimbun]

Image of Raijin (God of Thunder) appears in rice field

14 Jul 2006

Raijin (God of Thunder) appears in rice field A giant image of Raijin, the God of Thunder, has appeared in a rice field in the village of Inakadate in Aomori prefecture. The different colors consist of different varieties of rice -- the green areas are tsugaru-roman (the local variety), while the purple, yellow and red areas consist of so-called kodaimai, or ancient strains of rice. Mid-August is reportedly the best time to view the rice field.

Not shown in the photo is the image of Fujin, the God of Wind, presumably located in a nearby field. Fujin and Raijin usually appear together and are perhaps most well-known for their depiction in the Fujin-Rajin Folding Screen (Fujin-Raijin Zu Byobu), an Edo-period work by Tawaraya Soutatsu. The original screen is on display at Kennin-ji Temple in Kyoto and has been officially designated a national treasure.

[Source: Yomiuri]

Nihonga meets fast food at Kyoto KFC

12 Jul 2006

Long ago, an event known as the Byobu Matsuri ("Folding Screen Festival") was held each year in conjunction with Kyoto's famed Gion Matsuri, during which the wealthier residents of Kyoto would open their homes to the public to show off their valuable art collections. Today, in what is being billed as a modern-day re-enactment of that custom, nine Kyoto-area establishments are displaying works of art as part of the Nihonga Byobu Matsuri Exhibit.

Col. Sanders/nihonga mashup

Among the participating hosts of the exhibit are two Kentucky Fried Chicken restaurants in Kyoto's Chukyo district, which are displaying folding screens and hanging scrolls by painter Taro Yamamoto, known for incorporating Western fast food iconography into nihonga (Japanese-style painting).

KFC's Shijo-gawara restaurant is displaying two of Yamamoto's works, including a gilded folding screen depicting the face of Colonel Sanders and the Japanese flag floating above a classic pine tree (pictured above).

KFC & Coca-Cola/nihonga mashupsKFC's Shinkyogoku branch is displaying three of Yamamoto's works, including a gilded folding screen depicting Colonel Sanders holding an Ito Jakuchu-style chicken and a hanging scroll featuring a can of Coca-Cola.

The Nihonga Byobu Matsuri Exhibit is being held from July 7 to 17.

[Source: Asahi Shimbun]