In 1969, Shōnen Sunday magazine featured a series of illustrated articles entitled “Computopia,” which depicted life in a pleasant future pervaded by computers. Here are three illustrations from the series (1, 2, 3).
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- Future Classroom
“The Rise of the Computerized School,” illustrated by Shigeru Komatsuzaki, takes a peek inside the classroom of the future, where the teacher is an image on a screen and students sit at desks equipped with computers. When the teacher presents a problem, the students input the answer into their computers. If an answer is incorrect, the students use a light pen to make revisions on the monitor until the computer says it is right.
For the purpose of maintaining order, the future classroom will come equipped with watchful robots that rap students on the head if they lose focus or act up. [View full image]
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- Future Home
This illustration by Toshio Okazaki, entitled “Computer Life in 20 Years,” depicts what the typical household might look like 20 years in the future — in 1989 — after computers have become an integral part of daily life.
In this high-tech home, dad chats on the videophone while the wall-mounted home computer spits out a newspaper and the automatic air conditioner cools the room.
Junior’s eyes are glued to the 3D TV while an autonomous vacuum robot cleans the floor nearby. A hovercraft floats in the sky outside the window.
Mom performs calculations on a miniature home computer.
The home is also furnished with nifty devices such as an automatic iron, an autonomous wheeled table that keeps food warm, and a kitchen robot that sets the table and takes care of the dishes. [View full image]
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- Future Hospital
“The Amazing Unmanned Operating Room,” illustrated by Teruya Yamamoto, takes a peek inside the computerized hospital of the future.
In this unmanned operating room, a computer-controlled robot arm is performing a heart transplant with cool precision. The patient’s heart has been removed and placed on the adjacent table. Before inserting the new artificial heart, the computer waits for instructions from the human doctor, who is monitoring the procedure on a screen in the next room. [View full image]
Towering over Wakasu Kaihin Park in Tokyo’s Koto ward is one of the largest wind turbines in Japan, a 100 meter (330 ft) tall power generator built by Ishikawajima-Harima Heavy Industries (IHI) in 2004, which outputs 1,950 kilowatts of electricity and is adorned with images of Astro Boy, Phoenix, Black Jack, Sharaku (the Three-eyed One), Unico and other Osamu Tezuka manga characters.
According to this NTV news report, the life-sized humanoid robot was developed as a realistic training aid for medical workers. In addition to sporting a suit of human-like skin, the robot sweats, convulses, moans, cries tears, and exhibits symptoms not unlike a real human patient infected with the H1N1 virus. If the robot does not receive the proper treatment, the symptoms gradually worsen until it stops breathing.
The news report fails to mention who created the robot, but it looks like it might be a distant cousin of the emergency care simulator developed by IMI.
In Hakodate, the battle rages on between alien squid from the planet Ikaaru and giant robots shaped like the city’s landmarks. In their latest offensive, the dastardly squid invaders have muscled their way into the trailer for “It’s on Me” (Watashi Dasuwa), a new film shot on location in Hakodate.
The film, which debuts today at the Tokyo International Film Festival, is a low-key drama about a woman who returns to her hometown to spread the wealth she accumulated in Tokyo.
Although the story itself has nothing to do with aliens (and unfortunately no extraterrestrials actually appear in the film), it happens to be set in Hakodate, which is home to an unconventional tourism campaign involving giant robots that defend the city against alien cephalopods seeking revenge on a population that eats too much squid. This tourism campaign has now wrapped its tentacles around the film.
The new and improved trailer, which was recently posted on the film’s YouTube channel, is nearly identical to the original version, except for the appearance of alien invaders. Only in Hakodate.
An 18th-century picture scroll featuring a procession of Japanese demons and monsters is for sale on eBay. This 11.25 meter (37 ft) long work depicts the Hyakki Yakō (lit. “Night Parade of One Hundred Demons”) — a deadly parade of demons and yōkai (traditional monsters) that, according to Japanese folklore, would often take place on summer nights. The Hyakki Yakō was a popular theme in Japanese visual art during the Edo period, and portrayals of these processions, while frightening, often incorporated a sense of humor. Here are a few images of the scroll, which is currently priced at $15,000.
The Tokyo cityscape becomes the ultimate light show in this video for “I Will Be Here,” the recent collaboration single by Dutch DJ Tiësto and Australian dance music group Sneaky Sound System. Directed by Masashi Muto.
Humanoid robot Saya works reception at Takashimaya main entrance [+]
Saya, a female humanoid robot that can recognize and respond to human speech, spent the past several days working as a receptionist at the prestigious Takashimaya department store in Tokyo’s Nihonbashi district.
Developed in 2004 by professor Hiroshi Kobayashi of the Tokyo University of Science, the speech-capable robot can provide about 700 programmed responses to questions and commands — enough to direct customers to the appropriate floor, make small talk, and answer a few basic questions about herself and her background.
Pneumatic actuators in Saya’s head allow her to move her neck, mouth and eyes while she speaks. She can produce facial expressions ranging from happiness and surprise to sadness and anger.
During her stint at Takashimaya from October 14 to 18, Saya dressed like her human co-workers in a Takashimaya receptionist uniform. She also wore makeup by RMK (view a close-up). Curious shoppers seemed amused by her presence, and many stopped at the reception counter to ask questions and chat.
Although she responded appropriately most of the time, the cyber-receptionist occasionally seemed to misunderstand what people said. For example, one person complimented Saya by saying, “You are pretty,” but the robot flashed a look of disdain and responded with, “Are you crazy?”
Yōkai Daizukai, an illustrated guide to yōkai authored by manga artist Shigeru Mizuki, features a collection of cutaway diagrams showing the anatomy of 85 traditional monsters from Japanese folklore (which also appear in Mizuki’s GeGeGe no Kitarō anime/manga). Here are a few illustrations from the book.
The Kuro-kamikiri (”black hair cutter”) is a large, black-haired creature that sneaks up on women in the street at night and surreptitiously cuts off their hair. Anatomical features include a brain wired for stealth and trickery, razor-sharp claws, a long, coiling tongue covered in tiny hair-grabbing spines, and a sac for storing sleeping powder used to knock out victims. The digestive system includes an organ that produces a hair-dissolving fluid, as well as an organ with finger-like projections that thump the sides of the intestines to aid digestion.
The Makura-gaeshi (”pillow-mover”) is a soul-stealing prankster known for moving pillows around while people sleep. The creature is invisible to adults and can only be seen by children. Anatomical features include an organ for storing souls stolen from children, another for converting the souls to energy and supplying it to the rest of the body, and a pouch containing magical sand that puts people to sleep when it gets in the eyes. In addition, the monster has two brains — one for devising pranks, and one for creating rainbow-colored light that it emits through its eyes.
The Doro-ta-bō (”muddy rice field man”), a monster found in muddy rice fields, is said to be the restless spirit of a hard-working farmer whose lazy son sold his land after he died. The monster is often heard yelling, “Give me back my rice field!” Anatomical features include a gelatinous lower body that merges into the earth, a ‘mud sac’ that draws nourishment from the soil, lungs that allow the creature to breathe when buried, and an organ that converts the Doro-ta-bō’s resentment into energy that heats up his muddy spit. One eyeball remains hidden under the skin until the monster encounters the owner of the rice field, at which time the eye emerges and emits a strange, disorienting light.
The Hyōsube, a child-sized river monster (a relative of the kappa) from Kyushu that lives in underwater caves, ventures onto land at night to eat rice plants. The monster has a relatively small brain, a nervous system specialized in detecting the presence of humans, thick rubbery skin, sharp claws, two small stomachs (one for rice grains and one for fish), a large sac for storing surplus food, and two large oxygen sacs for emergency use. A pair of rotating bone coils produce an illness-inducing bacteria that the monster sprinkles on unsuspecting humans.
Yanagi-baba (”willow witch”) is the spirit of 1,000-year-old willow tree. Anatomical features include long, green hair resembling leafy willow branches, wrinkled bark-like skin, a stomach that supplies nourishment directly to the tree roots, a sac for storing tree sap, and a cane cut from the wood of the old tree. Although Yanagi-baba is relatively harmless, she is known to harass passersby by snatching umbrellas into her hair, blowing fog out through her nose, and spitting tree sap.
The Mannen-dake (”10,000-year bamboo”) is a bamboo-like monster that feeds on the souls of lost travelers camping in the woods. Anatomical features include a series of tubes that produce air that causes travelers to lose their way, syringe-like fingers the monster inserts into victims to suck out their souls, and a sac that holds the stolen souls.
The Fukuro-sage — a type of tanuki (raccoon dog) found in Nagano prefecture and Shikoku — has the ability to shapeshift into a sake bottle, which is typically seen rolling down sloping streets. The bottle may pose a danger to people who try to follow it downhill, as it may lead them off a cliff or into a ditch. The Fukuro-sage usually wears a large potato leaf or fern leaf on its head and carries a bag made from human skin. The bag contains a bottle of poison sake. Anatomical features include a stomach that turns food into sake, a sac for storing poison that it mixes into drinks, and a pouch that holds sake lees. The Fukuro-sage’s urine has a powerful smell that can disorient humans and render insects and small animals unconscious.
Kasha, a messenger of hell, is a fiery monster known for causing typhoons at funerals. Anatomical features include powerful lungs for generating typhoon-force winds that can lift coffins and carry the deceased away, as well as a nose for sniffing out funerals, a tongue that can detect wind direction, and a pouch containing ice from hell. To create rain, the Kasha spits chunks of this ice through its curtain of perpetual fire.
The Bisha-ga-tsuku is a soul-stealing creature encountered on dark snowy nights in northern Japan. The monster — which maintains a body temperature of -150 degrees Celsius — is constantly hidden behind a fog of condensation, but its presence can be detected by the characteristic wet, slushy sound (”bisha-bisha“) it makes. Anatomical features include feelers that inhale human souls and cold air, a sac for storing the sounds of beating human hearts, and a brain that emits a fear-inducing aura. The Bisha-ga-tsuku reproduces by combining the stolen human souls with the cold air it inhales.
The Kijimunaa is a playful forest sprite inhabiting the tops of Okinawan banyan trees. Anatomical features include eye sockets equipped with ball bearings that enable the eyeballs to spin freely, strong teeth for devouring crabs and ripping out the eyeballs of fish (a favorite snack), a coat of fur made from tree fibers, and a nervous system adapted for carrying out pranks. The Kijimunaa’s brain contains vivid memories of being captured by an octopus — the only thing it fears and hates.
In recent days, Japan’s major automakers have been releasing details about the concept cars they plan to unveil at the upcoming Tokyo Motor Show, which will be held from October 24 to November 4, 2009 at Makuhari Messe near Tokyo. Environmental friendliness appears to be the common theme.
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- Toyota FT-EV II
Toyota will debut the FT-EV II, an ultra-compact electric vehicle.
Toyota FT-EV II
With a range of 90 kilometers (56 mi) and a top speed of around 100 kph (62 mph), the FT-EV II — which stands for “Future Toyota Electric Vehicle II” — is designed for short-distance urban driving.
Despite the vehicle’s tiny size, there is seating for four inside. The designers were able to free up interior space by removing items found in traditional vehicles, such as the brake and acceleration pedals, which have been replaced by joystick controls. Other features include a dye-sensitized solar panel, electric sliding doors, and a retro-futuristic interior.
Toyota FT-EV II
By incorporating a variety of communications functions into the dashboard, Toyota aims to demonstrate how the electric vehicle might function as a powerful information device in the networked society of the future.
Toyota FT-EV II
In addition to connecting with navigation services, the FT-EV II can download music and movie content, make recommendations tailored to individual preferences, and communicate with the driver’s home network, thus allowing the driver cruise the information superhighway while tooling around town. [More]
Equipped with a six-speed automatic transmission, the new Kiyora is powered by a fuel-efficient 1.3-liter gasoline engine that gets up to 75 mpg with the help of regenerative braking, advanced aerodynamics and a system that shuts the engine off at stops. [More]
Honda’s EV-N concept, which looks like a 21st-century version of the classic Honda N600 of the late 60s and early 70s, has a solar roof that charges the battery-powered motor, interchangeable seat fabrics, and a car-to-car communications system in the front bumper.
Using the latest in balancing technology obtained from Honda’s ASIMO robot, the U3-X is capable of detecting slight changes in weight shift and adjusting its directional path accordingly. By leaning, the rider can steer the U3-X forward, backward, side-to-side and diagonally, as seen in the video below.
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- Honda CR-Z
Although Honda still calls it a concept car, the CR-Z hybrid hatchback is slated for production early next year in Japan.
Inside the cockpit, the driver sits front and center behind a futuristic-looking instrument panel and a steering wheel that resembles a pair of joysticks.
The five-door compact crossover combines sporty driving with environmental performance, and its exterior and interior are inspired by dune buggies and motorcycles.
Inside, the framework of the seats and doors is partially exposed for an unfinished look, and the center console is designed to resemble a motorcycle fuel tank and seat. [More]
Billed as an environmentally-friendly grand touring car, the Subaru Hybrid Tourer Concept is a four-passenger hybrid vehicle equipped with gullwing doors for a sense of openness.
During normal driving, the all-wheel drive Hybrid Tourer is powered by a 2.0-liter direct-injection turbocharged gasoline engine. The vehicle’s two electric motors are used for low-speed driving and recharging the lithium-ion batteries, and for providing an boost when extra acceleration is needed. [More]
The PX-MiEV’s front and rear wheels are powered by two permanent magnet synchronous motors, while a 1.6-liter gasoline engine powers the front wheels and works as a generator. The vehicle’s smart control system automatically switches between the various driving modes depending on the vehicle speed, battery level, and road conditions.
A 3-way battery charging system allows the vehicle to be charged using either a 100-volt or a 200-volt domestic supply, or a high-power quick-charging station. In addition to powering the motors, the battery can also supply electricity to user’s home during the daytime when domestic power consumption is highest, and it can be used used as an emergency power source in the event of a natural disaster. Devices can also be plugged into the vehicle’s 100-volt AC auxiliary socket in the rear luggage compartment.
The PX-MiEV uses heat reflective glass and paint for a cool interior. Each of the four seats is equipped with an individual air conditioner, while a negative-ion aroma humidifier and oxygen enricher improve the comfort level and reduce fatigue.
Safety features include a monitor that displays a composite image of the vehicle’s immediate surroundings, as well as a driver monitoring system that uses a camera to detect drowsy eyes. If the system detects a lapse in concentration, the driver is alerted by a series of attention-getting lights, sounds, vibrations, and smells. [More]
Outfitted with Yamaha’s Vocaloid singing voice synthesizer software, the HRP-4C female fashion model humanoid robot developed by AIST earlier this year has been entertaining CEATEC Japan visitors with renditions of popular songs.
