Archives: March 2010

Photos: Expo ’70

16 Mar 2010


Expo '70 [Asahi newsreel]

The 1970 World's Fair -- a.k.a. Expo '70 -- opened in Osaka 40 years ago this week. A total of 77 countries attended the event and the number of visitors surpassed 64 million people, making it one of the largest and best attended expositions in history. This was the first World's Fair to be held in Japan, a nation that had experienced an extremely rapid period of development in the 1960s. The theme of the Expo was "Progress and Harmony for Mankind," and the aim was to showcase the possibilities of modern technology to create a foundation for a high quality of life and peace throughout the world. Here are some photos and videos from the event.

Expo '70 --
Tower of the Sun [petespix75]

Expo '70 --
Toshibia-IHI Pavilion [m-louis]

Expo '70 --
Expo Tower [Anton Rauben Weiss]

Expo '70 --
Switzerland Pavilion [m-louis]

Expo '70 --
Netherlands Pavilion [nyclondonguy]

Expo '70 --
Gamera vs. Monster X (battle at the Expo)


[Gamera vs. Monster X trailer (and more)]

Expo '70 -- Expo '70 --
Japan Telecommunications Pavilion // Sumitomo Fairy Tale Pavilion [Anton Rauben Weiss]

Expo '70 --
Bulgaria Pavilion [Dimiter Dimitrov]

Expo '70 --
Gas Pavilion [rbdx]

Expo '70 -- Italy Pavilion [nyclondonguy]

Expo '70 --
Fountain designed by Isamu Noguchi [petespix75]

Expo '70 -- Expo '70 --
Robots [rbdx] // [rbdx]

Expo '70 -- Barbie goes to Expo '70 [eizzily]

Expo '70 --
Takara Beautilion Pavilion [Anton Rauben Weiss]

Expo '70 --
US Pavilion [More]

Expo '70 --
Furukawa Pavilion [m-louis]

Expo '70 --
USSR Pavilion [petespix75]

Expo '70 -- Expo '70 --
Korea Pavilion // Takara Beautilion Pavilion [m-louis]

Expo '70 --
Expo '70 sign on Osaka street [Thomas Abercrombie via a girl named Steve]

Expo '70 --
Wacoal-Riccar Pavilion [rbdx]

Expo '70 --
Expo ropeway [Anton Rauben Weiss]


[Antropik ★ Expo 70]

Expo '70 --
Expo '70 scenery [petespix75]

Expo '70 --
Furukawa Pavilion [nyclondonguy]

Expo '70 -- Expo '70 --
Brochures for USSR and Belgium [More]

Expo '70 --
West Germany Pavilion [Stockhausen]

Expo '70 --
Textiles Pavilion [m-louis]

Expo '70 --
The Tower of the Sun [m-louis]

Expo '70 --
Netherlands Pavilion [petespix75]

Expo '70 --
Expo '70 monorail [petespix75]


[Expo '70 Osaka]

Expo '70 --
Fountains by Isamu Noguchi [Anton Rauben Weiss]

Expo '70 --
Aerial view of Green Pavilion [Stellavista]

Yume

12 Mar 2010

Animation and music by Shunsuke Saito.


+ Video

Vintage PopSci: Volcano bombs, yubiwaza & more

11 Mar 2010

Popular Science recently put its entire 137-year archive online. Here are a few summaries of some of the older, more captivating stories about Japan from the collection.

* * * * *

"Can We Blast Japan from Below?" (January 1944) is an article by an eminent geologist who proposes bombing Japan's volcanoes as a strategy for winning the war.

Popular Science, Jan 1944 --

Given Japan's seismic instability and the explosive nature of volcanoes, dropping bombs into volcanic craters might, in the words of the author, "cause such a vomiting of lava and ash as to hasten the day of unconditional surrender."

* * * * *

"Japanese Home Life" (May 1893) examines daily domestic routines, including the telling of ghost stories around the fireplace at night. The article includes a spooky tale about shape-shifting badgers.

* * * * *

Popular Science, Jan 1971--

The January 1971 issue includes a short article about a "Wankel/electric hybrid concept car from Japan," an environmentally-friendly urban transport vehicle that resembles a helicopter cockpit.

* * * * *

"Upside-down Skyscrapers Proposed in Japan" (January 1929) describes a proposal to build an 80-floor subterranean building that descends 1,100 feet below ground. The envisioned structure -- dreamed up by architects seeking earthquake-proof designs after the Great Kanto Earthquake of 1923 -- would include electric lights, telephones and high-speed elevators, and would cost an estimated $11 million to complete.

* * * * *

Popular Science, Oct 1917 --

"Nasty Job This -- Cleaning Customers' Ears" (October 1917) takes a brief look at what used to be a common service provided by Japanese barbers.

* * * * *

"Odd Rules Hamper Our Cars Abroad" (October 1930) examines some of the peculiar difficulties that American automakers faced when trying to sell cars abroad. In Japan, for example, the law used to forbid private citizens from owning maroon-colored cars -- this color was reserved for the royal family. Yellow cabs also proved to be unpopular because, according to the article, the color is associated with mourning. Japanese laws also required tail-light switches to be located at the rear of the vehicle, and special mudflaps had to be attached whenever it began to rain (to prevent pedestrians from being splashed). Taxis also had to be outfitted with two horns -- an electric horn and and a bulb horn -- and it was customary for each taxi driver to employ an assistant whose primary duty was to operate the auxiliary horn as they sped through the streets.

* * * * *

"Strange Medicines" (October 1887) discusses the spread of Western medicine through Japan. The author explores the back streets of Osaka in search of traditional medicine and explains, among other things, the old-school trade of kuroyaki (charred animals).

* * * * *

"Japan's Greeting to the New Year," (May 1921) briefly describes a Japanese New Year practice where children put on fantastic masks made of paper.

Popular Science, May 1921 --

According to the article, the symbolic masks often represent traditional figures and "have a special meaning, other than just being grotesque."

* * * * *

"Animal and Plant Lore" (July 1891) examines the use of human saliva in various forms of folk medicine from around the world. The article presents a Japanese folk remedy for curing the numbness in the lower extremities that inevitably occurs when sitting too long with legs folded in the traditional formal style. To restore feeling in your legs, you should wet a piece of straw with saliva, stick it to your forehead, and chant "shibire kyo e agare" -- lit. "numbness, go up to Kyo (Kyoto)."

* * * * *

The February 1964 issue includes a long and wordy advertisement for a $1.98 booklet that teaches the secret art of Yubiwaza, an easy-to-master self-defense technique that turns one's finger into a powerful weapon.

Popular Science, Feb 1964 --

According to the ad, Yubiwaza is an "effective means of defense against hoodlums, bullies, wise guys and juvenile delinquents who respect neither lives nor property."

[More: Popular Science articles on Japan]

Tokyo terror: Severed samurai head in Otemachi

10 Mar 2010

A severed samurai head buried in central Tokyo has struck fear and awe in the hearts of locals for over 1,000 years.

Taira no Masakado's head --
The head that refused to die

The head -- supposedly buried in the Otemachi district -- belongs to Taira no Masakado, a rebellious warrior who led an insurgency against the central government in the 10th century. At the height of his power, Masakado proclaimed himself emperor -- an act that aroused the wrath of the government and ended in his decapitation. The samurai failed to become ruler of Japan, but his severed head has remained a persistent source of trouble for over 1,000 years.

Here is a brief history of the head.

903 - 940 AD: Taira no Masakado was born and raised in eastern Japan. After leading a minor rebellion and assuming control of eight provinces in northern Kanto, Masakado declared himself the new emperor of Japan. The established emperor, based in Kyoto, responded by putting a bounty on his head. Two months later, Masakado was killed in battle. His decapitated head was transported to Kyoto and put on public display as a warning to other would-be rebels.

Taira no Masakado's head --
Masakado's head on display in Kyoto

Strangely, Masakado's head did not decompose. Three months later, it still looked fresh and alive, though the eyes had grown more fierce and the mouth had twisted into a horrifying grimace. One night, the head began to glow, and it lifted into the air and flew off in the direction of Taira no Masakado's hometown.

The head grew weary on the long flight home, and it came to rest in the village of Shibasaki (present-day Otemachi, Tokyo). The villagers picked up the head, cleaned it, and buried it in a mound at Kanda Myojin shrine.

950: Ten years after the head was laid to rest, the burial mound began to glow and shake violently, and the ghost of a bedraggled samurai started to make regular appearances in the neighborhood. The frightened locals offered special prayers that seemed to put the spirit to rest.

1200~: At the beginning of the 13th century, a temple belonging to the powerful Tendai Buddhist sect was built adjacent to Kanda Myojin shrine. This apparently upset the spirit of Masakado, and the people in the area were stricken by plague and natural calamities as a consequence.

1307: Nearly a century later, a priest from an Amida Buddhist sect -- which took a more liberal, accessible approach to Buddhism than the Tendai sect -- built an invocation hall here and tended the shrine of Masakado, thus easing the spirit's anger.

Taira no Masakado --
Over time, Taira no Masakado came to be regarded as a deity in east Japan

1616: Kanda Myojin shrine, which had elevated Masakado to deity status, was moved to a new site to make room for the mansions of the feudal lords stationed in Edo. The burial mound and headstone were left behind in the garden of one of the mansions.

1869: After the fall of the feudal system, the Meiji government constructed their Finance Ministry building next to the burial site. The mound and headstone were left untouched.

1874: The government issued a formal declaration condemning Masakado as having been an "enemy of the emperor." His deity status at Kanda Myojin shrine was revoked.

1923: The Great Kanto Earthquake and the ensuing fires all but destroyed the mound and stone monument. The Finance Ministry building burned to the ground. Before rebuilding, the ministry excavated the grave site in search of the skull, but found nothing. They decided to erect a temporary building on the premises.

1926: Building over the burial site turned out to be a terrible decision. Finance minister Seiji Hayami died suddenly of illness, and 13 other ministry officials met similar fates over the next two years. Many workers became ill or were injured in mysterious accidents on the premises. People believed that Taira no Masakado had cursed the new building.

1928: The ministry removed part of the structure covering the burial site and began holding annual purification rituals. At first there was great enthusiasm for the rituals, but interest faded over the years.

Taira no Masakado's head --
Masakado's head takes to the skies

1940: A fire sparked by lightning burned down the Finance Ministry building and several other government offices in the Otemachi district. The day was remembered as being exactly 1,000 years after the death of Taira no Masakado. The old earthquake-damaged stone monument was rebuilt, and the site was rededicated to the samurai rebel. The Finance Ministry moved, and the land around the burial site became the property of the Tokyo municipal government.

1945: After World War II, US occupation forces seized control of the property and began to clear the land to create a parking lot. Progress was hindered by a series of suspicious accidents. In one accident, a worker died next to the grave when the bulldozer he was driving flipped over. After local officials explained the significance of the burial site to the US forces, they decided to leave part of the parking lot unfinished.

1961: Control of the property was handed back to Japan, and the parking lot was removed. Purification rituals were conducted, and the burial site was once more dedicated to Taira no Masakado. But when new buildings were constructed next to the burial mound, workers again fell ill. A figure with disheveled hair reportedly began to appear in photographs taken in the area. In an attempt to calm the spirit, representatives from local businesses started to pray at the burial site on the 1st and 15th of each month.

Taira no Masakado's tomb --
The final resting place of Masakado's head - Google Street View // Google Maps

1984: In response to public pressure following the broadcast of an NHK television drama based on the life of Taira no Masakado, his deity status at Kanda Myojin shrine was reinstated.

1987: A string of freak accidents and injuries occurred during the filming of Teito Monogatari ("Tokyo: The Last Megalopolis"), a historical fantasy whose villain seeks to destroy Tokyo by awakening Masakado's spirit (watch the movie trailer). To prevent accidents on the set, it is now common practice for TV and movie producers to pay their respects at the burial site before bringing Taira no Masakado to the screen.

In the more than 1,000 years since Masakado's head fell from the sky, Tokyo has grown into the world's largest metropolis and the area around the burial site has become the financial center of Japan. But to this day, local business people remain wary of the power of the head in their midst, and the surrounding companies take great pains to keep Masakado's vengeful spirit in check. Supposedly, no office worker in the vicinity wants to sit with their back toward the burial site, and nobody wants to face it directly.

[Note: This is the latest in a series of weekly posts on Japanese urban legends. Check back next week for more.]

Yusaku Kamekura posters

04 Mar 2010

Here is a collection of posters by the father of Japanese graphic design, Yusaku Kamekura.

Poster by Yusaku Kamekura --
Sofu Teshigahara, One Man Show, 1954 [+]

Poster by Yusaku Kamekura --
Nikon, 1954 [+]

Poster by Yusaku Kamekura --
Gropius and Bauhaus Exhibition, 1954 [+]

Poster by Yusaku Kamekura --
Nikon Mikron Binoculars, 1955 [+]

Poster by Yusaku Kamekura --
Graphic '55 Exhibition, 1955 [+]

Poster by Yusaku Kamekura --
Fuji Photo Contest, 1955 [+]

Poster by Yusaku Kamekura --
Atomic Energy for Peaceful Industry, 1956 [+]

Poster by Yusaku Kamekura --
Nikon SP, 1957 [+]

Poster by Yusaku Kamekura --
Terror and Sorrow! Cancer! 1959 [+]

Poster by Yusaku Kamekura --
"Design" Magazine Cover, 1959 [+]

Poster by Yusaku Kamekura --
Nikkorex 35, 1960 [+]

Poster by Yusaku Kamekura --
Nikkor Lens, 1960 [+]

Poster by Yusaku Kamekura --
Poster for 18th Olympic Games, 1961 [+]

Poster by Yusaku Kamekura --
Rayon and Synthetic Fibres of Japan, 1961 [+]

Poster by Yusaku Kamekura --
Rayon and Synthetic Fibres of Japan, 1962 [+]

Poster by Yusaku Kamekura --
Election Poster, 1967 [+]

Poster by Yusaku Kamekura --
Japan World Exposition, Osaka, 1967 [+]

Poster by Yusaku Kamekura --
Office Design Exhibition, 1970 [+]

Poster by Yusaku Kamekura --
Nikomat, 1971 [+]

Poster by Yusaku Kamekura --
Tokyo International Design Competition for Lighting Fixtures, 1973 [+]

Poster by Yusaku Kamekura --
The 8th Annual Tokyo International Lighting Design Competition, 1977 [+]

Poster by Yusaku Kamekura --
The 9th Annual Tokyo International Lighting Design Competition, 1979 [+]

Poster by Yusaku Kamekura --
The 10th Tokyo International Lighting Design Competition, 1983 [+]

Poster by Yusaku Kamekura --
Hiroshima Appeals, 1983 [+]

[From "The Works of Yusaku Kamekura," Rikuyosha, 1983]

Cursed Kleenex commercial

03 Mar 2010

An eerie Kleenex commercial featuring a baby red demon sparked a host of rumors and fears after airing on Japanese TV in the mid-1980s. (Watch at your own risk.)


+ Video

After the ad ran, rumors began to circulate about the unfortunate fate of everyone involved. Keiko Matsuzaka, the actress in the commercial, was rumored to have become pregnant with a demon child. Others claim she was institutionalized after suffering a mental breakdown. The young actor who played the red demon is said to have died suddenly under mysterious circumstances. And one by one, the entire production staff either fell ill or suffered unfortunate accidents.

The song in the commercial also gained notoriety. Some viewers thought the lyrics sounded like a German curse, and there were claims that the sound of the music varied according to the time of day. Whenever the commercial aired late at night, the singer's angelic voice would transform into the raspy voice of an old woman, bringing misfortune to all who heard it.

Needless to say, there is no truth to these claims. The producers simply wanted a dreamy fairy tale look for the commercial, and they chose the song "It's A Fine Day" (recorded by Jane) for its cheerful message. The commercial failed to get the desired response.

[Note: This is the latest in a series of weekly posts on Japanese urban legends. Check back next week for more.]

Video: Tokyo/Glow

01 Mar 2010

A glowing "walk signal" man takes a leisurely stroll through Tokyo at night.

[Link: Tokyo/Glow via Tokyomango]