On September 30, about 900 volunteers participating in a hands-on rice farming tour began the annual harvest of the Inakadate village (Aomori prefecture) rice paddy art, which this year depicted a pair of famous Hokusai woodblock prints created with four different varieties of rice.
View more photos of rice paddy art HERE.
[Photos via: Inakadate Village, Mainichi, Sankei, Yomiuri]
Anne's Fitting Show, an interactive ad display that allows shoppers to dress up a holographic incarnation of Japanese supermodel Anne Watanabe in World's "Untitled" brand clothing, has been set up on the first floor of the Takashimaya department store in Shinjuku. Anne, who is the daughter of actor Ken Watanabe, is shown in the flesh on the right (her holograms are on the left).
The 3D ad system features an external touch-screen control panel that allows aspiring fashion coordinators to select from 4 situations -- "Date," "Work," "Party" and "Holiday" -- and arrange 12 different fall/winter outfits for Anne's hologram, who walks around in the glass-enclosed booth showing off the selected clothes. The interactive 3D ad, said to be the world's first of its kind in the fashion industry, relies on Danish advertising media company viZoo's Free Format holographic film technology.
Anne's Fitting Show will be on display until September 24.
[Sources: Sankei Web, Shinjuku Keizai Shimbun]
Kiri-origami artist Taketori cuts and folds paper to make realistic-looking insects. Each critter is crafted from a single sheet, without glue, and paint is often used to add to the realism. Check out his gallery of 60+ beasties (click the "?????" link on the right side of the page to display the thumbnail images).
Stag beetle
Lucanus maculifemoratus vs. Japanese rhinoceros beetle
Woodlouse on a hydrangea leaf
Ants vs. oriental longheaded locust
Stag beetle
Paper wasp
Centipede
[Links: Gallery, Taketori homepage via Gizmodo Japan]
While frightening the birds away, about 60 scarecrows along a stretch of the Route 280 Bypass in Aomori are attracting the attention of passing motorists.
The scarecrow display, which includes one modeled after sumo wrestler Asashoryu scandalously playing soccer (pictured right), is part of Kakashi Road 280 (kakashi means "scarecrow"), a recently established annual September event designed to stimulate the local economy and welcome the 2010 opening of Tohoku Shinkansen Shin-Aomori station.
Organizers hope to eventually create 150 scarecrows to watch over the 15-kilometer stretch of road.
Scarecrows are also known to populate the roadsides in other parts of Japan. The photos below are from Machida (a Tokyo suburb) and Nara.
More photos of Machida scarecrows: 1, 2, 3
[Via: Mainichi]
In these video stills from a Japanese TV news report, law enforcement officers engage in hand-to-hand combat with a mock terrorist armed with a curry-rice banner -- the kind commonly placed on sidewalks in front of restaurants. The training exercise was designed to test the response to an invasion by foreign terrorists coming ashore at Tokyo Bay. It is unclear whether curry restaurants are considered a likely terror target, but the fact that the enemy obtained his deadly weapon in a part of town where restaurants are scarce shows a remarkable level of sophistication. We can all take comfort in knowing that law enforcement agencies recognize the potential threat and are training appropriately. Either that, or these images are fake.
[Link: Netamichelin via Korokoro Zaeega]
Researchers from the Tissue Engineering Department at the University of Tokyo Hospital and venture company Next 21 are using 3D inkjet printers to produce tailor-made artificial bones for use in facial reconstructive surgery. Following initial trials performed on a Welsh corgi and 10 people over the past year and a half, the researchers are set to begin a more extensive second round of human testing this autumn.
To make an artificial bone with this technology, a 3D computer model of the bone is first created based on the patient's X-ray and CT scan data. The computer model is then sliced into a large number of cross-sections and the data is sent to a special 3D inkjet printer, which works sort of like an ordinary inkjet printer by transferring tiny droplets of liquid onto a surface. However, unlike ordinary printers that print on paper, this one prints onto thin layers of powdered alpha-tricalcium phosphate (alpha-TCP). The "ink" is a water-based polymer adhesive that hardens the alpha-TCP it comes into contact with. By repeatedly laying down the powder and printing successive layers on top of one another, the printer is able to physically reproduce the desired bone to an accuracy of one millimeter.
Strong, lightweight and porous, the printed bones have characteristics similar to natural bone, and because they are tailored to fit exactly where they need to go, they are quick to integrate with the surrounding bone. The printed bone is also designed to be resorbed by the body as the surrounding bone slowly grows into it and replaces it.
In initial human trials conducted between March 2006 and July 2007, the effectiveness and safety of the artificial bones were tested in plastic surgery operations performed on 10 male and female patients between the ages of 18 and 54. In the second round of trials beginning this autumn at 10 medical institutions across Japan, the researchers plan to print up and implant synthetic bones in 70 volunteer patients with face or skull bones that have been damaged or removed due to injury or surgery.
While the printed bones are still not considered strong enough to replace weight-bearing bones, they are ten times stronger than conventional artificial bones made from hydroxylapatite, a naturally occurring mineral that is also the main component of natural bone. The printed bones are also cheaper and easier to make than hydroxylapatite implants, which must be sintered, or heated to a high temperature to get the particles to adhere to each other. In addition to taking longer to produce, sintered implants also take longer for the body to resorb.
The next round of human trials will be conducted at Dokkyo Medical University, Saitama Medical University, Tokyo Dental College, University of Tokyo, Juntendo University, Tsurumi University, Kyoto University, Osaka Medical College, Kobe University and Osaka City General Medical Center.
The researchers hope to make the technology commercially available by 2010.
[Source: Fuji Sankei, The Chemical Daily]
Each August in the city of Yokkaichi in Mie prefecture, a giant mechanical effigy of Onyudo, a legendary Japanese monster, is paraded through the streets during the Grand Yokkaichi Festival. The mechanized puppet, said to be the largest karakuri ningyo in Japan, stands between 6.3 and 9 meters (20 to 30 feet) tall depending on how far its neck is extended. The giant Onyudo wows spectators by swinging its arms, bobbing its head around on its long neck, moving its eyes and mouth, and sticking out its tongue as it is wheeled through the streets to the accompaniment of taiko drums.
Here's a short video.
Onyudo, whose name literally means "large monk," appears in a number of folk tales across Japan. While his physical appearance and characteristics vary from story to story, he is always large, ranging anywhere from 2 meters (6 ft. 6 in.) tall to as large as a mountain. Onyudo usually appears as a giant person or an indistinct shadow, though he is known to have the ability to shape-shift.
In most cases, Onyudo is a malevolent figure that can cause people to fall ill simply by looking at them. Some stories identify him as being a fox or tanuki (raccoon dog) that has shape-shifted (a common ability for these animals in Japanese folklore), but in most stories, his true identity remains a mystery.
The Japanese Wikipedia entry for Onyudo (大入道) includes a nice selection of stories from different areas and time periods. Here are a few.
In Hokkaido during the Kaei period (c. 1850), native Ainu communities reported seeing Onyudo near Lake Shikotsu and Mt. Fuppushidake. It is said that he could drive people to madness and cause them to lose consciousness just by looking at them with his large eyeballs.
In Toyama prefecture, people with medical conditions staying at the Kanetsuri hot springs to cure their diseases claim to have seen a 15- to 18-meter (50 to 60 feet) tall Onyudo, who was described as being surrounded by a beautiful rainbow-colored halo.
In 1937 near Akabane station in Tokyo, a military officer delivering an akagami (draft card) had a frightening encounter with Onyudo at a railroad crossing near Akabane-Hachiman Shrine. Here, Onyudo appeared as a soldier. Four days later, the officer was hit by a train at the same railroad crossing. While stories rarely identify Onyudo as a human spirit, this story suggests the Onyudo was the vengeful ghost of either a new recruit that had committed suicide or a soldier that had been accused of failure and bludgeoned to death by a superior officer.
In some cases, Onyudo is helpful. For instance, according to an old story in the town of Ishii in the Myozai district of Tokushima prefecture, an 8.5-meter (28 feet) tall Onyudo would show up to help mill the rice whenever it accumulated at the local water mill. However, the Onyudo only worked alone, and if anyone tried to observe him while he worked, he would turn angry and frighten them away.
Yokkaichi's Onyudo also appears to have been rather friendly, according to this website. One day long ago when Yokkaichi was a little merchant town, a large young man appeared at a small local shop and asked the owner to hire him. The shop owner, named Kyuroku, politely refused to employ the large man because the shop was too cramped to accommodate him. But the young man insisted, explaining to Kyuroku that he had just arrived from the countryside in search of work. Kyuroku eventually decided to hire him and gave him a room in his house behind the shop.
Mysteriously, the business began to thrive. Things went so well that after three years, Kyuroku asked the young man to marry his daughter so that he could one day inherit the shop. The young man refused the offer, saying he only wished to continue working as he had been.
Late one night the next summer, Kyuroku woke from his sleep and decided to step outside for some cool air. As he walked past the young man's room, he noticed the glow of an oil lantern inside, visible through the shoji screen. The light cast a large shadow on the shoji that stopped Kyuroku dead in his tracks. He saw the ghastly, dark shape of a head attached to a long sinuous neck, slowly twisting and turning back and forth. Kyuroku watched in horror as the shadow snaked its head to the lantern and began to lick the oil. The head at the end of that horrible neck clearly belonged to the young man.
Kyuroku passed out from fear and fell to the floor. After waking the next morning, he cautiously went to the young man's room and peeked inside. The room was empty except for the man's striped kimono, which lay neatly folded on the floor. He had disappeared without a trace.
Nobody knows what happened to the large mysterious man, but the town of Yokkaichi built the mechanical Onyudo effigy to pay him their respects and wish for his safety.
Motion Portrait is a killer little piece of digital animation technology that easily transforms an ordinary digital photograph of a face into a living 3D animation that can blink and move its eyes, turn its gaze to follow the movement of the mouse cursor, express a range of emotions, sneeze and more -- all in a matter of seconds. In addition to being fast and easy to use, Motion Portrait is much lighter than conventional 3D animation engines, making it ideal for use in cellphones, handheld games and other portable devices.
Originally developed at the Sony Kihara Research Center two years ago, Motion Portrait now belongs to Motion Portrait Inc., which was founded this July after the research center closed its doors last year. As the company continues to develop Motion Portrait, it is on the lookout for new ways to put the technology to use.
While the technical details are being kept secret, the company says Motion Portrait works by automatically recognizing the eyes, nose, mouth and other facial features in ordinary digital photographs to create an instant three-dimensional map of the head. The data is then run through Motion Portrait's Expression Engine to create a range of facial expressions. Here are a few examples of Motion Portrait at work: 1, 2, 3.
In addition to photographs of human faces, Motion Portrait can also breathe life into pictures of pets, with a little manual input. Check out this fun yet sinister-looking dog (pictured above). Grrrr!
The technology can also be used to create anime from illustrations, and it is already being used in a PSP game -- the Promise of Suzumiya Haruhi (Suzumiya Haruhi No Yakusoku) by Bandai Namco Games -- due out in early August. With the ability to create a wide range of facial animations from a single image, Motion Portrait promises to reduce game development costs and improve quality. In addition, when used in conjunction with the company's voice recognition technology, Motion Portrait automatically syncs the animated lips with voice data to create realistic-looking talking mouths. Here are two anime examples: 1, 2.
The company also sees potential uses for Motion Portrait in advertising and in creating avatars used on social networking sites. Further, as a simulation tool, beauty salons can use Motion Portrait to show customers how they might look with different hairstyles and makeup, and eyeglass shops can use it to help customers choose their next pair of eyeglasses.
No word yet on when Motion Portrait will be made available to the general user.
[Source: Motion Portrait via IT Media]
Each year, farmers in the town of Inakadate in Aomori prefecture create works of crop art by growing a little purple and yellow-leafed kodaimai rice along with their local green-leafed tsugaru-roman variety. This year's creation -- a pair of grassy reproductions of famous woodblock prints from Hokusai's 36 Views of Mount Fuji -- has begun to appear (above). It will be visible until the rice is harvested in September.
The residents of Inakadate have been drawing pictures with rice since 1993. Here are a few crops from the recent past, found at this site.
2006
2005
2002
While Inakadate is Japan's most famous rice paddy decorating town, a couple of other places in Japan have joined in the fun.
Yonezawa, Yamagata prefecture, 2007
Yonezawa, Yamagata prefecture, 2006
Nishio, Aichi prefecture (2005, 2006)
UPDATE (Oct 1, 2007): Check out photos of the 2007 harvest HERE.
