This vintage live action/animated vampire video is the opening sequence for the pilot version of Vampire (Banpaiya), an old TV series created by Osamu Tezuka. Originally broadcast in Japan in the late '60s, the 26-part series centers around a vampire (looks like a werewolf) who comes from a vampire village to Tokyo and lands a job as an animator with Osamu Tezuka (who plays himself). Doubtless the freaky live action/animated style blew a few minds.
Old-school anime bots go wild in this video pieced together from the robot battle scenes in Toei's 1965 animated film Gulliver no Uchuu Ryokou ("Gulliver's Space Travels" or "Gulliver's Travels Beyond the Moon"). The video was created by Steven Wagner of Astropolitan Pictures, and the soundtrack is Japanoise band Melt-Banana's "Alpha Boost," which was remixed for Salvo Beta's Evil Against Evil compilation.
Kappa, arguably Japan's most well-known creature of legend, are mischievous river imps notorious for luring people -- particularly children -- into the water to drown and eat them. They smell like fish, enjoy cucumbers and sumo, and are said to be very courteous despite their malicious tendencies.
Although kappa are typically about the size of a child and greenish in color, they can vary widely in appearance. They frequently have a turtle-like shell and scaly skin, but sometimes their skin is moist and slick, or coated in fur. Most walk upright on their hind legs, but they are occasionally seen on all fours. Regardless of body type, the top of the kappa's head usually features a bowl-shaped depression containing water. The water inside this bowl is the source of the kappa's power.
The Edo period (1603 to 1867) saw some serious scientific literature devoted to the study of these creatures. Suikokouryaku (1820), for example, is a compendium of kappa-related information gathered from a variety of sources from Japan and China. The book, which is housed in the Iwase Bunko Library, includes kappa sketches by artist Kurimoto Tanshu. Here are a few.
The kappa on the left, sketched by Ito Chobei, was captured during the Meiwa period (1764 to 1772) in Edo, somewhere in present-day Tokyo's Edogawa ward. When the creature was shown to Ota Chogen, a noted herbalist of the time, he identified it as a kappa -- he happened to have a kappa sketch with him that showed a creature with strikingly similar features. According to the text in the book, this kappa measured 60 cm (2 ft) tall and had slippery skin like that of a catfish.
The middle picture above shows a type of kappa with no shell, and the picture on the right shows a kappa that was caught in a net in Mito, Japan in 1801. This kappa had a prominent chest, a crooked back and three anuses.
Later in the Edo period, an illustrated guide to 12 types of kappa (Suiko juni-hin no zu) was produced based on information taken from Suikokouryaku. A portion of this document is shown above. Check out the complete, high-resolution version here.
Ito Keisuke, a well-known man of medicine and prolific natural history artist in the Edo period, sometimes included depictions of mysterious creatures with his animal drawings -- like the kappa on the left above, for example. The middle picture shows a kappa that was observed in one of the moats around Edo castle in the late 18th century. The picture on the right shows a kappa observed in the early 17th century in what is now the city of Hita in Oita prefecture (Kyushu). This kappa looked sort of like a turtle standing on its hind legs, and it had a depression on its head, webbed fingers, and splotches on its chest and abdomen.
The neneko (or neko) kappa, shown on the left above, was sketched by Akamatsu Sotan in his 1855 work entitled Tonegawa zushi ("Illustrated History of the Tone River"). This kappa was known to move to a new location along the river each year, causing trouble wherever it went.
The image on the right shows a kappa scroll and kappa hand belonging to Sougenji (a.k.a. Kappa-dera, or "kappa temple") located in the Ueno-Asakusa area of Tokyo. The temple is one of countless places in Japan that has stories and legends of kappa associated with it. According to this temple's legend, the surrounding area was once a basin with poor drainage, making it prone to flooding. A local raincoat maker (the Japanese word for "raincoat" is "kappa") took it upon himself to construct a series of drainage ditches, which he was able to complete with the help of a kappa living in the Sumida River. It is said that people fortunate enough to lay eyes on this kappa were blessed with success in business.
For lots more background information and kappa links, check here.
Kurimoto Tanshuu (1756 - 1834) sketched wildlife during the Edo period. Check out the National Diet Library links below for more of his fantastic illustrations.
- Senchuufu: 275 pages of creepy crawlies (3 volumes)
- Tako-kurage-ika rui zumaki: 16 images of octopi, jellyfish and squid
- Igyozusan: 10 images of unusual fish (folding scroll)
- Gyofu: 51 images of stingrays and unusual fish
- Gyofu: 60 pages of fish (2 scrolls)
- Mamboukou: 18 images from a book on mambou (sunfish)
- Igyozusan/Seikaihyakurin: 60 images of fish (2 volumes)
- Hyakucho fuzanketsu: 5 images from a scroll of birds
- Karei zui: 38 images of flatfish (scroll)
- Choujuugyo shaseizu: 5 images of various animals (scrolls)
[Via: armchair aquarium]
They're big. They're bad. They're dekotora ("decoration trucks"). Explore some of the internet's best dekotora photo collections here: Link 1, Link 2 (third button down, on the left), Link 3, Link 4, Link 5, Link 6, Link 7. And for a small dose of dekotora history, check out this intro to one of the Torakku Yaro ("Trucker") movies, the 10-part series released by Toei in the late 70s that spawned Japan's dekotora boom.
Keep on truckin'...
These photos show painted cardboard shelters in the homeless city that took root in the underground sprawl of Shinjuku station's western wing in the mid-1990s. A deadly fire swept through the community in February 1998, forcing the inhabitants out and conveniently allowing the city to proceed with long-awaited plans to construct the moving walkway that now exists there. The paintings were also lost in the fire.
The cardboard house painters were Junichiro Take, who once spent 22 days in jail for performing his art in Shinjuku station, along with Takeo Yoshizaki, Yasuhiro Yamane, Itohisa Takano and others. Check out the full gallery here and read more background information here.
See more photos at Eyedia's gallery of Shinjuku cardboard house paintings.
[Via: No-sword]
This October, Japan's National Science Museum (Ueno, Tokyo) will host an exhibit of monster-related cultural artifacts, including the mummies of a mermaid and tengu (long-nosed goblin), as well as a selection of items documenting other traditional Japanese monsters like the kappa.
Scheduled to run from October 17 to November 12, the exhibit will feature about 100 historical items concerning legendary beasts and apparitions (yokai) from the Edo period to the present day. The exhibit is organized by the National Science Museum and the Ikimono Bunkashi Gakkai, whose members include Imperial Prince Akishinomiya.
On September 19, experts armed with state-of-the-art equipment began taking X-rays of the mummified tengu and mermaid, which belong to the Hachinohe City Museum in Aomori prefecture. The specimens, both of which are about 30 centimeters long, are commonly believed to be artistic creations made sometime during the first half of the 19th century. The tengu is believed to be an elaborate sculpture whose materials include paper, the head of a monkey and the body of a bird. The mermaid, also regarded as a sculptural work, is believed to consist of a wooden upper body attached to the tail of an actual fish.
The exhibit will feature the X-rays of both creatures.
[Source: Kyodo via Weekly Teinou Bee Woman]
The Iwase Bunko Library has in its possession a document entitled Hyouryuukishuu ("Tales of Castaways"), which was printed during the late Edo period (1603-1868).
The document recounts the stories of Japanese sailors who find themselves in foreign lands after becoming lost at sea, as well as castaway foreigners washed ashore on the beaches of Japan. To the Japanese people, who at the time had been living in a prolonged period of national isolation, these exotic tales must have seemed very fantastic.
Among these stories is the account of a wrecked ship with a very mysterious appearance.
According to the document, this vessel washed ashore at Harashagahama in Hitachi-no-kuni (present-day Ibaraki prefecture). The body of the ship, described as 3.3 meters tall and 5.4 meters wide, had been built from red sandalwood and iron and was fitted with windows of glass or crystal. The mysterious characters of an unknown alphabet were found inscribed inside the vessel.
Aboard the drifting vessel was a finely dressed young woman with a pale face and red eyebrows and hair. She was estimated to be between 18 and 20 years old. Because she spoke an unfamiliar tongue, those that encountered her were unable to determine from whence she came. In her arms she clutched a plain wooden box that appeared to be of great value to her, as she would allow nobody to approach it.
The document shows a portion of the text found inside the ship (see left).
Other Edo-period documents describe variations of this mysterious encounter. Toen Shousetsu (1825), a book by Kyokutei Bakin (who is most famous for his 106-volume samurai epic Nansou Satomi Hakkenden) tells the story of the same encounter, referring to the strange vessel as the utsuro-fune ("hollow ship"). Another variation of this tale appears in Ume no Chiri (1844), penned by a relatively unknown author named Nagahashi Matajirou. A thorough analysis of these two variations of the story can be found in a translated article by Kazuo Tanaka titled "Did a Close Encounter of the Third Kind Occur on a Japanese Beach in 1803?"
Contemporary fans of the paranormal know this ship as the Edo-period UFO.
[Link: Hyouryuukishuu in the Iwase Bunko Collection]
Archaeologists in the town of Umi in Fukuoka prefecture have excavated a piece of earthenware shaped as the head of a creature with googly eyes and a big grin. Opinions are divided about whether this artifact, which was unearthed from a site dating back to the Muromachi period (1336 to 1573 AD), is supposed to represent the head of a demon, dragon, snake or kappa.
Kappa are mythical (or real, according to some) creatures that live in Japanese rivers and ponds. Known as pranksters, kappa are notorious for luring people (particularly small children) into water and drowning them. They also like to eat cucumbers. Some theories suggest that the word kappa comes from the Portuguese capa, which refers to the "robe" worn by Portuguese monks who came to Japan in the 16th century. The kappa's hairstyle also resembles the tonsured hair of the monks. (Further reading: Wikipedia entry for kappa.)
The artifact, which is now on display at Umi Museum, measures 5.4 cm (2 in.) tall and is believed to be one of the feet of a larger earthenware vessel. It appears that a sharp bamboo implement was used to shape the eyes and mouth.
"If this is a kappa," says museum director Koji Hiranouchi, "it is a very old representation. The craftsman was probably playing around when he made it."
Others believe the artifact is supposed to represent some sort of reptile or amphibian.
[Source: Iza!]
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If you ever decide to keep a kappa as a pet, check out the indispensable Kappa no Kaikata (How to Raise a Kappa), a 26-part series of animated shorts on Animax, with English subtitles (viewable on YouTube). These videos will help you avoid some of the pitfalls of raising a kappa. For example, the first episode shows the disastrous effects of what happens when you feed kappa-maki (cucumber sushi rolls) to your kappa. Evidently, wasabi disagrees with its digestive system.
