Tag: ‘Vintage’

19th-century ghost scrolls

01 Aug 2008

Every August, as Japanese spirits return en masse from the otherworld, Tokyo's Zenshoan temple (map) exhibits a spine-chilling collection of 19th-century ghost scroll paintings. Here are a few. (Click the "+" under each image to enlarge.)

Ghost scroll at Zenshoan temple -- Ghost scroll at Zenshoan temple --
Ghost [+] // Sea Monster [+]

"Ghost" by Iijima Koga is a portrait of a floating, kimono-clad female apparition with all the ghastly physical features you hope to find in an undead spirit -- bony hands, a head of stringy hair, and a pained grimace revealing a mouth full of black teeth. "Sea Monster" by Utagawa Hoen depicts an umi-bozu lurking near a boat anchored at shore, with the moon located precisely where the monster's mouth should be.

* * * * *

Ghost scroll at Zenshoan temple --
The Ghost of a Blind Female Street Singer [+]

Utagawa Hiroshige's "Ghost of a Blind Female Street Singer" portrays the restless spirit of a street performer, one white unseeing eye wide open, carrying a shamisen as she drifts above the surface of a river on the way to her next performance.

* * * * *

Ghost scroll at Zenshoan temple -- Ghost scroll at Zenshoan temple --
Kohada Koheiji [+] // Willow and the Moon [+]

Utagawa Kunitoshi's "Kohada Koheiji" shows the main character of a famous Edo-period novel (published 1803) by Santo Kyoden. In the story, after Koheiji is killed by his wife and her lover, his gangly ghost returns to haunt them by peering through the mosquito netting surrounding their bed. (This character is also the subject of ukiyo-e artist Hokusai's famous print "The Ghost of Kohada Koheiji.") "Willow and the Moon" by Koson might at first glance appear as nothing more than a peaceful moonlit scene at the water's edge, but look again -- the moon and clouds form a menacing face in the sky, and the bare willow branches form a scraggly head of hair.

* * * * *

Ghost scroll at Zenshoan temple --
Kaidan Chibusa Enoki: The Ghostly Tale of the Wet Nurse Tree [+]

This painting by Ito Seiu, the godfather of Japanese bondage (kinbaku), depicts a scene from Kaidan Chibusa Enoki, an old horror story in which the ghost of a dead painter returns to protect his baby from his murderer, a wandering samurai who fell in love with his wife while he was away painting. This scroll shows the ghost holding the baby while standing under a waterfall at Juniso (where Tokyo's Shinjuku Chuo Park is now located).

* * * * *

Ghost scroll at Zenshoan temple -- Ghost scroll at Zenshoan temple --
Ghost [+] // Ghost of the Wharf [+]

The subject of "Ghost" by Rinrin is a spirit with an eerie blank stare and gaunt ribs visible under its clothing, and who appears to be melting away. Shibata Zeshin's "Ghost of the Wharf" depicts a feeble-looking apparition relaxing on a pier, casually glancing at something over its shoulder.

* * * * *

Ghost scroll at Zenshoan temple -- Ghost scroll at Zenshoan temple --
Ghost in the Rain [+] // Ghosts of Husband and Wife [+]

Ikeda Ayaoka's "Ghost in the Rain" shows a forlorn-looking female apparition outside in a storm, with flames rising up from where her feet should be. "Ghosts of Husband and Wife" by Otai is a portrait of what appears to be an undead married couple -- a subject rarely seen in ghost scroll paintings. The sinister pair are pictured clutching a human skull. The husband is wearing a traditional Buddhist funerary headdress worn by the dead, and he has blood smeared on his face.

* * * * *

Ghost scroll at Zenshoan temple -- Ghost scroll at Zenshoan temple --
Ghost with a Severed Head [+] // Ghost [+]

Kawakami Togai's "Ghost with a Severed Head" shows a female apparition lovingly cradling a man's decapitated head. The subject of "Ghost" by Gyoshin is a pathetic, emaciated figure with thinning hair and blackened teeth. There seems to be a hint of humor in his expression.

* * * * *

These and dozens more hanging scroll paintings of ghosts are on display throughout the month of August at Zenshoan temple, located near Nippori station in Tokyo (map).

[Images from Yureiga-shu: Zenshoan/Sanyutei Encho Collection, published by Zenshoan, 2000]

Music (& film) posters by Tadanori Yokoo

23 Jun 2008

Tadanori Yokoo, one of Japan's most prolific and internationally recognized graphic designers, has created a number of psychedelic posters for notable musicians.

Poster by Tadanori Yokoo --
Earth, Wind & Fire, 1976 [Enlarge]

Poster by Tadanori Yokoo --
Santana - Lotus, 1974 [Enlarge]

Poster by Tadanori Yokoo --
The Beatles, 1972 [Enlarge]

Poster by Tadanori Yokoo --
Emerson, Lake & Palmer concert poster, 1972 [Enlarge]

Poster by Tadanori Yokoo --
Tangerine Dream, 1976 [Enlarge]

Poster by Tadanori Yokoo --
Beatles - Star Club, 1977 [Enlarge]

Poster by Tadanori Yokoo --
Cochin Moon, 1978 [Enlarge]

Poster by Tadanori Yokoo --
Holst - The Planets, 1979 [Enlarge]

Poster by Tadanori Yokoo --
Earth, Wind & Fire, 1993 [Enlarge]

* * * * *

Yokoo is also known to have designed the occasional movie poster, including these three psychedelic beauties for Roger Corman's "The Trip."

Poster by Tadanori Yokoo --
The Trip, 1968 [Enlarge]

Poster by Tadanori Yokoo --
The Trip, 1968 [Enlarge]

Poster by Tadanori Yokoo --
The Trip, 1968 [Enlarge]

Seven mysterious creatures of Japan

27 May 2008

Bigfoot. The Loch Ness Monster. The Abominable Snowman. Tales of unidentified mysterious animals have long intrigued and captured the imagination of people around the world -- and Japan is no exception. Here is a brief introduction to 7 of the island nation's most notorious cryptids, complete with grainy photographs where available. Whether you regard these tales as fact or fiction, their impact on the culture where they were encountered is undeniable.

* * * * *

- Hibagon

Hibagon --

The Hibagon (a.k.a. Hinagon) is a cryptic hominid, similar to Bigfoot, inhabiting the area around Mt. Hiba in northern Hiroshima prefecture. According to numerous eyewitness accounts from the early 1970s, the Hibagon stands about 1.5 to 1.7 meters (about 5 ft) tall, weighs an estimated 80 to 90 kilograms (about 180 lbs), is covered in a thick coat of black or brown fur (sometimes it is reported as having a spot of white fur on its chest or arms), and has an unusually large triangular head and intelligent human-like eyes. The Hibagon received its name from the local animal control board.

Hibagon -- The first known Hibagon sighting occurred on July 20, 1970 in the area around Mt. Hiba near the border with Tottori prefecture. Three days after the initial sighting, the furry ape-like creature was seen again walking through a rice paddy in the nearby rural town of Saijo. A total of 12 sightings were reported that year, and mysterious footprints were found in the snow that December.

Numerous Hibagon sightings were reported in areas surrounding Mt. Hiba in the summers between 1971 and 1973, as increased human activity during the hunting season forced the creature down from the mountain. On August 15, 1974, the Hibagon was photographed as it hid behind a persimmon tree. Unusual footprints measuring 20 centimeters (9 in) long were found nearby. After this photo was taken, the Hibagon went back into hiding, only to be seen two more times -- once in 1980 and again in 1982 -- before disappearing forever.

Hibagon --

The Hibagon may have disappeared long ago, but the residents of Saijo have not forgotten. The town has adopted the likeness of the creature as its mascot, and souvenir shops sell Hibagon Eggs and other cryptid ape-themed sweets. [More]

* * * * *

- Tsuchinoko

Tsuchinoko --
Tsuchinoko -- Reality? Myth? Or mistaken identity?

The Tsuchinoko is a snake-like cryptid found throughout Japan, except in Hokkaido and the Okinawan islands. Reports describe the Tsuchinoko as having a thick, stubby body measuring 30 to 80 centimeters (12 to 30 in) in length, often with a distinct neck, gray, brown or black scaly skin, and venomous fangs. Some accounts suggest the Tsuchinoko has a loud, high-pitched squeak and can jump as far as one meter.

Tsuchinoko --

The earliest known written record of the Tsuchinoko dates back to the 7th century, where it appears in the Kojiki (Records of Ancient Matters), the oldest surviving book in Japan. In some legends, the Tsuchinoko can speak, has a tendency to tell lies, and enjoys the taste of alcohol.

Tsuchinoko --

Skeptics dismiss Tsuchinoko sightings as simple cases of mistaken identity, suggesting the creatures are nothing more than snakes in the process of digesting large meals, or perhaps even escaped exotic pets such as the blue-tongued lizard.

Tsuchinoko --

Regardless, local tourist boards in rural areas frequently organize Tsuchinoko hunts to attract visitors, promising large sums of money to any participant lucky enough to capture one. The town of Itoigawa in Niigata prefecture, for example, has a hunt scheduled for June 8, 2008 and is offering a 100 million yen (about $1 million) reward to whoever brings one back alive. [More]

* * * * *

- Kusshii

Kusshii --

Kusshii is a giant lake monster believed to inhabit Hokkaido's Lake Kussharo, a large freshwater lake located in an environment and climate similar to that of the famed Loch Ness. According to eyewitness accounts, Kusshi is 10 to 20 meters (30 to 60 ft) long and has humps on its back, a long neck and a pair of horns on its head. Reports suggest it can swim as fast as a motorboat. Kusshii's most famous appearances include a 1973 sighting by 40-member team of biologists from Hokkaido University, as well as 15 separate reports by tourists in 1974.

* * * * *

- Isshii

Isshii --

Isshii, another Japanese cryptid lake monster, is believed to inhabit Kagoshima prefecture's 20,000-year-old Lake Ikeda, the largest caldera lake in Kyushu. The creature is similar in appearance to Kusshii, but larger.

Isshii entered the public consciousness in September 1978, after more than 20 people reportedly witnessed a giant creature moving at a blistering speed through the water. Widespread news coverage of the sighting brought a flood of tourists to the lake, and in December of the same year, a photograph was taken showing what some believe is the back of the creature poking through the water surface. Since 1990, a number of home videos have emerged showing mysterious activity just under the water surface, but none of the videos are widely seen as irrefutable proof of Isshii's existence.

Some theories suggest Isshii could be an unidentified descendant of the Plesiosaur, while others believe it to be some sort of giant eel. Other theories suggest the sightings can be explained as rogue waves generated by winds unique to the lake.

Rogue waves cannot, however, explain what happened in 1961, when a large-scale search was conducted for a US military jet believed to have crashed in the lake. Sonar equipment used in the search reportedly revealed a large rock-shaped object moving through the water below, and records indicate that divers on the lake floor were nearly attacked by a large, unidentified creature.

* * * * *

- Giant Snake of Mt. Tsurugi

Mt. Tsurugi, the second highest peak on the island of Shikoku, is steeped in mystery. According to one local legend, the mountain is actually a giant man-made pyramid, and another legend says that a hoard of King Solomon's secret treasure lies buried within. A giant snake believed to be guarding that treasure has been sighted on many occasions.

Giant snake of Mt. Tsurugi -- In May 1973, a group of 4 forestry workers reportedly encountered a 10 meter (33 ft) long snake as big around as a telephone pole. The creature was described as having shiny black scales, and it reportedly made a loud chirping sound. In the months that followed, local officials organized a large-scale hunt for the snake, enlisting the help of hundreds of volunteers. While the creature was not apprehended, the searchers did find what appeared to be giant snake tracks that measured 40 centimeters (16 in) wide and passed alongside fallen trees.

A local history museum has in its collection a large jawbone measuring 34 centimeters (13 in) across, which many believe belongs to the giant snake. Others speculate it belongs to a shark.

* * * * *

- Takitaro

Takitarou --

The Takitaro is a type of giant fish measuring up to 3 meters (10 ft) long, which is found in Yamagata prefecture's Lake Otoriike. Located nearly 1,000 meters above sea level, the remote mountain lake was created ages ago when an earthquake triggered a massive landslide that dammed up a mountain stream.

The Takitaro appears in a number of stories throughout the 20th-century. In 1917, for example, a pair of men are said to have captured a 1.5 meter (5 ft) long fish that was large enough to feed 20 floodgate construction workers for 4 days. In 1982, a group of mountain climbers above the lake observed a fish over 2 meters (6.5 ft) long in the clear water below. This sighting grabbed headlines nationwide.

Three years later, in 1985, a team of scientists went to the lake in search of the Takitaro. Sonar equipment revealed the presence of giant fish, and the scientists identified some smaller specimens as relatives of ancient salmon that likely became trapped in the lake when it was formed long ago. The true identity of the giant Takitaro, however, remains a mystery, but some believe it is a mutant descendant of these ancient fish.

* * * * *

- Kappa

Kappa (river imps) have appeared in countless stories and folk legends for centuries, and they rank among Japan's most well-known cryptids. While most people nowadays regard the amphibious child-sized troublemakers as pure myth, stories of kappa encounters still crop up from time to time, such as the following two reports from Japan's southern island of Kyushu.

Kappa -- Kappa -- Kappa --

Report 1 -- Slimy Footprints at the River's Edge: At around 11 PM on August 1, 1984 in the town of Tsushima in Nagasaki prefecture, a squid fisherman named Ryu Shirozaki was walking home from the local pier after work. As he passed near the Kuta river, he came upon a small group of children playing at the water's edge. While it was not entirely uncommon to encounter people fishing in the river at night, it was rather surprising to see youngsters there.

As Shirozaki approached the children, he was struck by how bizarre they appeared in the moonlight. He could make out swarthy faces, unusually spindly arms and legs, and glistening skin. Suspicious, Shirozaki called out to them as he neared, but they seemed startled and quickly disappeared into the water.

The next morning when he returned to the same spot, Shirozaki discovered a set of moist, teardrop-shaped footprints on the nearby pavement. The prints, which appeared to consist of a slimy substance that had begun to coagulate under the hot morning sun, stretched for about 20 meters. Each footprint measured 22 centimeters (about 10 in) long and 12 centimeters (5 in) wide, and they were spaced about 50 to 60 centimeters (about 2 ft) apart.

Shirozaki and a few curious onlookers immediately suspected the footprints belonged to a kappa. People began to gather around as the news spread quickly through town, and all agreed the prints belonged to a kappa. In the minds of many residents, the footprints confirmed the existence of the river imps they knew through local legends.

When police forensic investigators arrived on the scene, they determined that the slimy footprints consisted of an unknown secretion. They took a sample to the lab for analysis, but the results unfortunately turned out to be inconclusive because the sample was too small. The police eventually dropped their investigation, and the mystery of the slimy footprints was never solved.

Report 2 -- The Unclean Guest: Another recent kappa encounter occurred on June 30, 1991 in the town of Saito in Miyazaki prefecture, when an office worker named Mitsugu Matsumoto and his wife Junko returned home for the evening. Upon opening the front door, the Matsumotos were confronted with a strange smell inside their home. Inside, they found dozens of small, wet footprints around the front door and in the hallway, bathroom, and two tatami rooms. At first they suspected a burglar, but they soon realized nothing had been stolen.

The police briefly surveyed the house, but found nothing except a floor soiled by 30 footprints, each measuring about 7 centimeters long and 6 centimeters wide, and having 4 or 5 toes. To Matsumoto, the footprints did not look human, nor did they appear to belong to any animal he could imagine.

Later that night, as Mrs. Matsumoto was putting laundry away, she discovered an unusual orange stain on some clothing. The next morning, as Matsumoto inspected the house more closely, he discovered a deposit of orange liquid on the portable stereo in the tatami room. He took a sample to the local public health center for analysis, and the results indicated the liquid had an extremely high iron content and a chemical composition resembling spring water.

Troubled by the incident, Matsumoto decided to visit a shaman. After listening to Matsumoto's story, the shaman encouraged him not to worry, explaining that the kappa indigenous to the nearby swamp enjoyed playing the occasional prank on local residents. The kappa were harmless, the shaman told him.

Harmless, perhaps, but Matsumoto found the kappa difficult to clean up after. He tried using detergent, paint thinner and gasoline to remove the footprints and orange stains, but nothing seemed to work.

[Note: This post includes information from Shin-ichiro Namiki's Nippon No Kaiki Hyaku, 2007 (published in Japanese)]

Woodblock prints of men posing as birds (1809)

16 May 2008

In early 19th-century Japan, it became fashionable for the culturally sophisticated theatergoing population of Edo to entertain themselves at parties by imitating the voices and gestures of famous actors. As this fad spread, people began to expand their repertoires by mimicking animals, and as animal poses became all the rage at parties, writers and artists collaborated to produce illustrated books containing model examples of these poses. One such document written by poet Santo Kyoden in 1809 included copies of these Utagawa Toyokuni ukiyo-e prints of men imitating birds.

Miburi-e by Utagawa Toyokuni --
Crow pose

Miburi-e by Utagawa Toyokuni --
Hawk pose

Miburi-e by Utagawa Toyokuni --
Duck pose

The work, titled Harasuji Omuseki (?????), consisted of several volumes that also featured poses for animals other than birds. Waseda University has an online copy of Volume 3, which includes the animal poses below.

Miburi-e by Utagawa Toyokuni --
Chicken pose

Miburi-e by Utagawa Toyokuni -- Miburi-e by Utagawa Toyokuni --
Crane pose, Owl pose

Miburi-e by Utagawa Toyokuni --
Squid pose

Miburi-e by Utagawa Toyokuni --
Goby pose

Miburi-e by Utagawa Toyokuni --
Shrimp pose

Kintaro ukiyo-e prints

02 May 2008

Kintaro (a.k.a. "Golden Boy"), a popular child folk hero embodying strength and bravery, appears in statues, storybooks, anime, manga, noh, kabuki and candy. He was also the subject of numerous Edo-period woodblock prints.

Various legends say that Kintaro was raised by a Yamamba ogress in the mountains, where he learned to communicate with animals. In this Kuniyoshi print, Kintaro wears a dragon haramaki and referees a sumo match between a rabbit and a monkey, while an eerie blue demon and tengu look on.

Kintaro --
Kintaro Referees Sumo Bout Between Rabbit & Monkey (Kuniyoshi, ca. 1830)

As a youngster, Kintaro developed superhuman strength that enabled him to crush boulders, fight monsters and demons, uproot trees, and defeat bears at sumo. In this Yoshitsuya print, Kintaro demonstrates his unparalleled fighting skills by overpowering a giant python. His trademark axe is pictured at the bottom.

Kintaro --
Model Warrior of Japan: Kintaro (Yoshitsuya, 1856)

The next series of prints, also by Yoshitsuya, show Kintaro with monsters and animals at various times of the year.

Kintaro --
Kintaro at New Year's, Throwing Beans to Dispel Demons (Yoshitsuya, ca. 1840)

Kintaro --
Kintaro in the Third Month, Refereeing Sumo between Rooster & Crow Tengu (Yoshitsuya, ca. 1840)

Kintaro --
Kintaro in the Fifth Month, Riding a Carp (Yoshitsuya, ca. 1840)

Kintaro --
Kintaro in the Ninth Month, Riding a Bull (Yoshitsuya, ca. 1840)

Kintaro appears to be based on a real person named Sakata no Kintoki, a powerful Heian-period (794 to 1185 AD) warrior whose legendary status has grown with time. This Kuniyoshi print shows the young warrior wrestling a giant carp under a waterfall.

Kintaro --
Kintaro Struggles with Giant Carp (Kuniyoshi, ca. 1835)

Kintaro is closely associated with Children's Day (May 5), when parents of young boys typically display Kintaro dolls -- usually riding a large carp -- in the hope that their kids grow up to be brave and strong.

[More: Kintaro (Wikipedia)]

Kaibo Zonshinzu anatomy scrolls (1819)

25 Apr 2008

The Kaibo Zonshinzu anatomy scrolls, painted in 1819 by Kyoto-area physician Yasukazu Minagaki (1784-1825), consist of beautifully realistic, if not gruesome, depictions of scientific human dissection.

Kaibou zonshinzu --

Unlike European anatomical drawings of the time, which tended to depict the corpse as a living thing devoid of pain (and often in some sort of Greek pose), these realistic illustrations show blood and other fluids leaking from subjects with ghastly facial expressions.

Kaibou sonshinzu --

The fact that the bodies used in scientific autopsies in Edo-period Japan generally belonged to heinous criminals executed by decapitation adds to the grisly nature of the illustrations.

Kaibo sonshinzu --

According to the Keio University Library (where these documents are currently stored), the two scrolls contain 83 illustrations based on Minagaki's observations of over 40 bodies. They are regarded as the best collection of early 19th-century anatomical drawings by a Japanese hand.

Kaibosonshinzu --

The first scroll includes a handwritten compliment by Philip von Siebold, the German physician credited with being the first European to teach Western medicine in Japan, who was reportedly impressed by the quality of the drawings when he observed them in 1826.

Kaibozonshinzu --

Siebold's note, in Dutch, reads: "This anatomical research has been carried out with great diligence and should therefore achieve great recognition."

Kaibouzonshinzu --

In 2003, Japan's Ministry of Culture designated Kaibo Zonshinzu an important cultural property, saying that the scrolls, which were produced as a result of actual observation and based on Dutch scholarship, demonstrate the level of knowledge that medical science reached in the Edo period.

Kaibousonshinzu --

[Link: Kaibo Zonshinzu via Ectoplasmosis >> Morbid Anatomy >> Bibliodyssey]

80-year-old Gakutensoku robot revived (w/video)

25 Apr 2008

Gakutensoku --

Asia's oldest "modern" robot, an 80-year-old golden-skinned humanoid from Osaka, has been brought back to life thanks to a project organized by the Osaka Science Museum. Gakutensoku, a 3.2 meter (10 ft 6 in) tall automaton powered by compressed air, can tilt its head, move its eyes, smile, and puff up its cheeks and chest as instructed -- just as the original did 80 years ago -- thanks to a 20-million-yen ($200,000) computer-controlled pneumatic servo system that replicates the movement of the original system of inflatable rubber tubes. (Watch the video.)

Built in 1928 by biologist Makoto Nishimura, Gakutensoku was first exhibited in Kyoto as part of the formal celebration of the Showa Emperor's ascension to the throne. The robot traveled to a number of expos and wowed onlookers with its mad calligraphy skills before going missing in Germany. Now, decades later, Gakutensoku (or at least a modern version of it) is finally coming home to Osaka.

Gakutensoku --

The reanimated Gakutensoku will star as the main attraction at the newly renovated Osaka Science Museum beginning July 18.

[Source: Asahi]

Video: WABOT-2 android plays keyboard (1985)

22 Apr 2008

WABOT-2 --

WABOT-2, an intelligent humanoid keyboard player developed by Waseda University in the 1980s, was considered the most advanced robot of its time. In addition to camera eyes that could read musical notation and deft hands that could tap out tunes of average difficulty, WABOT-2 could listen to accompanying singers and adjust its tempo, as well as carry on basic conversation. The android demonstrated its musical skills at Expo '85 in Tsukuba, Japan with a performance of Kitaro's new age classic "Silk Road." (Watch a clip.)

Built in order to develop the basic technology, strength and skills for robots of the 21st century, WABOT-2 was equipped with a hierarchical system of 80 microprocessors modeled after the human nervous system, and its arms and legs had 50 degrees of freedom -- more than any other robot in existence at the time. Waseda University regards WABOT-2 as a landmark achievement in the evolution of personal robots.

[Video: The Computer Chronicles (1985 broadcast) - Parts 1, 2, 3]

Kage-e: Shadow pictures

18 Apr 2008

Kage-e ("shadow pictures") -- a popular form of Edo-period woodblock print -- were appreciated by children and adults and commonly used as party gags. These pictures consist of two parts: a "shadow" image and a "real" image. The shadow image, which typically bears the shape of a common, easily identifiable object, is viewed first. The real image, viewed second, reveals the surprising true identity of the shadow.

Here's a nice example by ukiyoe master Kuniyoshi (ca. 1852). It shows what appear to be the silhouettes of goldfish...

Kage-e shadow picture --

But look again...

Kage-e shadow picture --

It's a flying tanuki crushing a hunter under the weight of its mammoth testicles.

Here are a few more kage-e by Hiroshige (ca. 1842). The shadows cast on shoji doors belong to men in interesting poses.

Kage-e shadow picture --
Pine tree

Kage-e shadow picture --
Uguisu (Japanese bush warbler) on a plum branch

Kage-e shadow picture --
Salt-dried fish

Kage-e shadow picture --
Kettle

Kage-e shadow picture --
Hawk

Kage-e shadow picture --
Stone lantern

Kage-e shadow picture --
Goose on a rock

[Related: Joge-e: Two-way pictures]