The Japan Aerospace Exploration Agency (JAXA) and public broadcaster NHK have succeeded in capturing the world's first high-definition video of the moon taken from lunar orbit. The 8x time-lapse video was shot using an HDTV camera aboard the KAGUYA lunar explorer, a.k.a. SELENE (SELenological and ENgineering Explorer), while in orbit 100 kilometers (62 miles) above the lunar surface.
JAXA has posted an online version of the video, which is divided into two parts. The first part was shot on west side of the Ocean of Storms as the explorer moved from south to north, and the second part was shot from a location north of the Ocean of Storms (Oceanus Procellarum) as the explorer moved toward the north pole. The footage was taken on October 31.
This still was taken from the first part of the video, which was shot on the west side of the Ocean of Storms as KAGUYA moved from south to north. The dark area on the right side of the screen is the "ocean," and the bright area on the left is called the "highland."
This still, which also shows the west side of the Ocean of Storms, was taken from the end of the first part of the video. The Repsold crater, which measures 107 kilometers (66 miles) across, is visible in the center of the image, near the bottom.
This still, taken from the second part of video, shows an area north of the Ocean of Storms, near the north pole. At this high latitude, the low-angle sunlight casts long shadows in the craters.
The online video does not include the much-anticipated shot of the earth rising over the lunar horizon, but perhaps NHK is saving it for when they broadcast the footage in its full, high-definition glory.
On November 7, lingerie maker Triumph International Japan unveiled the "My Chopsticks Bra," which features a pair of cups that resemble bowls of rice and miso soup, and a set of collapsible chopsticks that tuck into either side. The My Chopsticks Bra is the latest addition to Triumph's line of concept lingerie designed to boost awareness of environmental issues.
Triumph unveils the My Chopsticks Bra as Japanese consumers are becoming more aware of the negative impact that disposable chopsticks have on the environment. While it is becoming increasingly trendy for people to reduce waste by carrying around their own reusable chopsticks, Japanese consumers still go through an estimated 25 billion pairs (90,000 tons) of disposable chopsticks each year, which amounts to 200 pairs per person.
Triumph lingerie model Yuko Ishida, who ordinarily carries around a pair of her own chopsticks, says she hopes people think of the environment when they see this bra, adding that "the chopsticks on the sides help add a little extra volume to your bust."
Since 2004, Triumph has designed a number of eco-minded concept bras, including the Eco-globe Bra, the microwaveable Warm Biz Bra, and the No! Shopping Bag Bra.
Psychedelic J-rock trio Yura Yura Teikoku's video for "Beautiful," the lead single from their recently released "Hollow Me" album, is an enchanting, if not disgusting, toilet-room tale of tortured poo painter meets saintly statuesque giantess, directed by mangaka Masakazu Amahisa (see his Denki Groove videos) and Yasuyuki Yamaguchi (see his previous Yura Yura Teikoku videos). As they say, beauty is in the eye of the beholder.
U-Tsu-Shi-O-Mi is an interactive "mixed reality" humanoid robot that appears as a computer-animated character when viewed through a special head-mounted display. A virtual 3D avatar that moves in sync with the robot's actions is mapped onto the machine's green cloth skin (the skin functions as a green screen), and the sensor-equipped head-mounted display tracks the angle and position of the viewer's head and constantly adjusts the angle at which the avatar is displayed. The result is an interactive virtual 3D character with a physical body that the viewer can literally reach out and touch.
Researcher Michihiko Shoji, formerly of NTT DoCoMo, helped create U-Tsu-Shi-O-Mi as a tool for enhancing virtual reality simulations. He is now employed at the Yokohama National University Venture Business Laboratory, where he continues to work on improving the virtual humanoid. The system, which currently requires a lot of bulky and expensive equipment to run, will likely see its first real-world applications in arcade-style video games. However, Shoji also sees a potential market for personal virtual humanoids, and is looking at ways to reduce the size and cost to make it suitable for general household use.
J-breakbeat duo Hifana's video for "Connect" -- the title track from their latest CD+DVD -- stars KZO Machine and Cowman 3000 as funky robot shoppers for sale in a sweet TV shopping channel hallucination. Press "Buy" to get yours now.
Hifana are on the W+KTokyoLab label and the video is directed by +Cruz and WOOOOG, with animation and design by Mark Okon, Genki Ito and Ian Lynam.
This video clip from Japanese TV program "Best House 123" shows the top three glow-in-the-dark sea creatures selected by Hokkaido University professor Yoshihiro Omiya, a specialist in the study of bioluminescent organisms.
3. Firefly squid: This blue-glowing squid, Japan's most famous bioluminescent creature, measures 5 to 7 centimeters long and is often found at depths greater than 200 meters. In spring, when firefly squid rise to the surface to spawn en masse, they become Toyama's great tourist attraction and end up on dinner plates nationwide. One reason the firefly squid glows is to hide itself from predatory fish swimming below. When the squid lights up its bottom surface, fish looking up have a hard time seeing it because it blends with the sky above.
2. Bioluminescent plankton: Measuring 0.1 centimeter long and found in oceans around the world, this type of dinoflagellate glows blue when disturbed. Professor Omiya keeps a flask of the light-emitting plankton in his fridge, because just looking at the cool blue glow helps him relax when he's feeling stressed. While bioluminescent creatures are generally believed to emit light in order to intimidate their enemies, attract mates or defend themselves from predators, it is not entirely clear why this plankton glows.
1. Bioluminescent comb jelly: This 10 to 15 centimeter long gelatinous deep-sea creature, found at dark ocean depths of more than 200 meters, glows seven different colors in an otherworldly display of light. Many questions remain unanswered about why this comb jelly glows, making it a fantastic rainbow-colored mystery.
This video clip from Trivia no Izumi shows how frogs cope with severe indigestion. After a disagreeable meal, a frog can empty its stomach by ejecting the entire organ inside-out through its mouth and washing it with its front legs before swallowing it back down.
The host of the show explains that a frog throws up in much the same way that humans do, but its stomach pops out because of its relatively wide and soft esophagus. Incidentally, some people believe frogs are right-handed because the ejected stomach protrudes to the right and they mainly use their right front leg to wash it.
Each August in the city of Yokkaichi in Mie prefecture, a giant mechanical effigy of Onyudo, a legendary Japanese monster, is paraded through the streets during the Grand Yokkaichi Festival. The mechanized puppet, said to be the largest karakuri ningyo in Japan, stands between 6.3 and 9 meters (20 to 30 feet) tall depending on how far its neck is extended. The giant Onyudo wows spectators by swinging its arms, bobbing its head around on its long neck, moving its eyes and mouth, and sticking out its tongue as it is wheeled through the streets to the accompaniment of taiko drums.
Onyudo, whose name literally means "large monk," appears in a number of folk tales across Japan. While his physical appearance and characteristics vary from story to story, he is always large, ranging anywhere from 2 meters (6 ft. 6 in.) tall to as large as a mountain. Onyudo usually appears as a giant person or an indistinct shadow, though he is known to have the ability to shape-shift.
In most cases, Onyudo is a malevolent figure that can cause people to fall ill simply by looking at them. Some stories identify him as being a fox or tanuki (raccoon dog) that has shape-shifted (a common ability for these animals in Japanese folklore), but in most stories, his true identity remains a mystery.
The Japanese Wikipedia entry for Onyudo (大入道) includes a nice selection of stories from different areas and time periods. Here are a few.
In Hokkaido during the Kaei period (c. 1850), native Ainu communities reported seeing Onyudo near Lake Shikotsu and Mt. Fuppushidake. It is said that he could drive people to madness and cause them to lose consciousness just by looking at them with his large eyeballs.
In Toyama prefecture, people with medical conditions staying at the Kanetsuri hot springs to cure their diseases claim to have seen a 15- to 18-meter (50 to 60 feet) tall Onyudo, who was described as being surrounded by a beautiful rainbow-colored halo.
In 1937 near Akabane station in Tokyo, a military officer delivering an akagami (draft card) had a frightening encounter with Onyudo at a railroad crossing near Akabane-Hachiman Shrine. Here, Onyudo appeared as a soldier. Four days later, the officer was hit by a train at the same railroad crossing. While stories rarely identify Onyudo as a human spirit, this story suggests the Onyudo was the vengeful ghost of either a new recruit that had committed suicide or a soldier that had been accused of failure and bludgeoned to death by a superior officer.
In some cases, Onyudo is helpful. For instance, according to an old story in the town of Ishii in the Myozai district of Tokushima prefecture, an 8.5-meter (28 feet) tall Onyudo would show up to help mill the rice whenever it accumulated at the local water mill. However, the Onyudo only worked alone, and if anyone tried to observe him while he worked, he would turn angry and frighten them away.
Yokkaichi's Onyudo also appears to have been rather friendly, according to this website. One day long ago when Yokkaichi was a little merchant town, a large young man appeared at a small local shop and asked the owner to hire him. The shop owner, named Kyuroku, politely refused to employ the large man because the shop was too cramped to accommodate him. But the young man insisted, explaining to Kyuroku that he had just arrived from the countryside in search of work. Kyuroku eventually decided to hire him and gave him a room in his house behind the shop.
Mysteriously, the business began to thrive. Things went so well that after three years, Kyuroku asked the young man to marry his daughter so that he could one day inherit the shop. The young man refused the offer, saying he only wished to continue working as he had been.
Late one night the next summer, Kyuroku woke from his sleep and decided to step outside for some cool air. As he walked past the young man's room, he noticed the glow of an oil lantern inside, visible through the shoji screen. The light cast a large shadow on the shoji that stopped Kyuroku dead in his tracks. He saw the ghastly, dark shape of a head attached to a long sinuous neck, slowly twisting and turning back and forth. Kyuroku watched in horror as the shadow snaked its head to the lantern and began to lick the oil. The head at the end of that horrible neck clearly belonged to the young man.
Kyuroku passed out from fear and fell to the floor. After waking the next morning, he cautiously went to the young man's room and peeked inside. The room was empty except for the man's striped kimono, which lay neatly folded on the floor. He had disappeared without a trace.
Nobody knows what happened to the large mysterious man, but the town of Yokkaichi built the mechanical Onyudo effigy to pay him their respects and wish for his safety.