Tag: ‘Paranormal’

Monsters gather in Tokyo, get X-rayed

22 Sep 2006

Monsters invade Tokyo --

This October, Japan's National Science Museum (Ueno, Tokyo) will host an exhibit of monster-related cultural artifacts, including the mummies of a mermaid and tengu (long-nosed goblin), as well as a selection of items documenting other traditional Japanese monsters like the kappa.

Scheduled to run from October 17 to November 12, the exhibit will feature about 100 historical items concerning legendary beasts and apparitions (yokai) from the Edo period to the present day. The exhibit is organized by the National Science Museum and the Ikimono Bunkashi Gakkai, whose members include Imperial Prince Akishinomiya.

On September 19, experts armed with state-of-the-art equipment began taking X-rays of the mummified tengu and mermaid, which belong to the Hachinohe City Museum in Aomori prefecture. The specimens, both of which are about 30 centimeters long, are commonly believed to be artistic creations made sometime during the first half of the 19th century. The tengu is believed to be an elaborate sculpture whose materials include paper, the head of a monkey and the body of a bird. The mermaid, also regarded as a sculptural work, is believed to consist of a wooden upper body attached to the tail of an actual fish.

The exhibit will feature the X-rays of both creatures.

[Source: Kyodo via Weekly Teinou Bee Woman]

Edo-period UFO

07 Sep 2006

The Iwase Bunko Library has in its possession a document entitled Hyouryuukishuu ("Tales of Castaways"), which was printed during the late Edo period (1603-1868).

Utsuro-bune scroll

The document recounts the stories of Japanese sailors who find themselves in foreign lands after becoming lost at sea, as well as castaway foreigners washed ashore on the beaches of Japan. To the Japanese people, who at the time had been living in a prolonged period of national isolation, these exotic tales must have seemed very fantastic.

Among these stories is the account of a wrecked ship with a very mysterious appearance.

Edo-period UFO scroll

According to the document, this vessel washed ashore at Harashagahama in Hitachi-no-kuni (present-day Ibaraki prefecture). The body of the ship, described as 3.3 meters tall and 5.4 meters wide, had been built from red sandalwood and iron and was fitted with windows of glass or crystal. The mysterious characters of an unknown alphabet were found inscribed inside the vessel.

Edo-period UFO scrollAboard the drifting vessel was a finely dressed young woman with a pale face and red eyebrows and hair. She was estimated to be between 18 and 20 years old. Because she spoke an unfamiliar tongue, those that encountered her were unable to determine from whence she came. In her arms she clutched a plain wooden box that appeared to be of great value to her, as she would allow nobody to approach it.

The document shows a portion of the text found inside the ship (see left).

Other Edo-period documents describe variations of this mysterious encounter. Toen Shousetsu (1825), a book by Kyokutei Bakin (who is most famous for his 106-volume samurai epic Nansou Satomi Hakkenden) tells the story of the same encounter, referring to the strange vessel as the utsuro-fune ("hollow ship"). Another variation of this tale appears in Ume no Chiri (1844), penned by a relatively unknown author named Nagahashi Matajirou. A thorough analysis of these two variations of the story can be found in a translated article by Kazuo Tanaka titled "Did a Close Encounter of the Third Kind Occur on a Japanese Beach in 1803?"

Contemporary fans of the paranormal know this ship as the Edo-period UFO.

[Link: Hyouryuukishuu in the Iwase Bunko Collection]

Found artifact resembles kappa head?

29 Aug 2006

Excavated artifact resembles kappa head?Archaeologists in the town of Umi in Fukuoka prefecture have excavated a piece of earthenware shaped as the head of a creature with googly eyes and a big grin. Opinions are divided about whether this artifact, which was unearthed from a site dating back to the Muromachi period (1336 to 1573 AD), is supposed to represent the head of a demon, dragon, snake or kappa.

Kappa are mythical (or real, according to some) creatures that live in Japanese rivers and ponds. Known as pranksters, kappa are notorious for luring people (particularly small children) into water and drowning them. They also like to eat cucumbers. Some theories suggest that the word kappa comes from the Portuguese capa, which refers to the "robe" worn by Portuguese monks who came to Japan in the 16th century. The kappa's hairstyle also resembles the tonsured hair of the monks. (Further reading: Wikipedia entry for kappa.)

The artifact, which is now on display at Umi Museum, measures 5.4 cm (2 in.) tall and is believed to be one of the feet of a larger earthenware vessel. It appears that a sharp bamboo implement was used to shape the eyes and mouth.

"If this is a kappa," says museum director Koji Hiranouchi, "it is a very old representation. The craftsman was probably playing around when he made it."

Others believe the artifact is supposed to represent some sort of reptile or amphibian.

[Source: Iza!]

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If you ever decide to keep a kappa as a pet, check out the indispensable Kappa no Kaikata (How to Raise a Kappa), a 26-part series of animated shorts on Animax, with English subtitles (viewable on YouTube). These videos will help you avoid some of the pitfalls of raising a kappa. For example, the first episode shows the disastrous effects of what happens when you feed kappa-maki (cucumber sushi rolls) to your kappa. Evidently, wasabi disagrees with its digestive system.

Mermaid mummies

11 Aug 2006

In 18th- and 19th-century Edo (present-day Tokyo), sideshow carnivals known as misemono were a common feature of the landscape. These wildly popular shows featured crafts, acrobats and animals in a kaleidoscopic blend of attractions that were believed to bring luck, fortune and health to the audience. One attraction commonly featured at these shows was the mermaid.

Mermaid at misemono

Sideshow carnivals in Europe and America in the 1800s also featured mermaids, many of them from Japan and the West Indies. The most famous of these mermaids was P.T. Barnum's Feejee Mermaid, which is believed to have been created around 1810 by a Japanese fisherman. The art of creating faux mermaids was perfected by fishermen and often involved stitching the heads and upper bodies of monkeys onto the bodies of fish.

P.T. Barnum's Fiji Mermaid
(P.T. Barnum's Feejee Mermaid)

A few of these old, mummified mermaids can still be found in the care of temples and shrines around Japan.

Here's a photo of a mermaid mummy at Zuiryuji Temple in Osaka, which was bestowed to the temple as an offering from a Sakai-area trader in 1682. The temple also has in its possession the mummies of a kappa and a small dragon, both of which can be found by exploring the site at the link below.

Mermaid at Zuiryuji Temple in Osaka
(Link: Nightmare's Psychiatry Examination)

Another mummified mermaid is preserved at Myouchi Temple in the city of Kashiwazaki in Niigata prefecture. The mermaid is about 30 cm long and is holding its hands up near its cheeks -- apparently a common pose for mummified mermaids. The proprietors of the temple keep the mermaid in a small wooden chest out of view, but according to the account at the link below, they will allow you to check it out if you ask nicely.

Mermaid at Myouchi
(Link: One person's visit to Myouchi Temple)

The next photo shows a mermaid mummy at Karukayado Temple outside the city of Hashimoto in Wakayama prefecture. The 50-cm long mummy has fangs that protrude from its wide open mouth, and both of its hands are raised to its cheeks, like the previous mermaid. Its lower body is covered in scales, and there appear to be the vestiges of fins on its chest, as well as a pair of nipple-like protuberances.

Mermaid (unknown)
(Link: Photos of Karukayado Temple)

The next photo (left) shows the mummy owned by a Shinto sect headquartered in the city of Fujinomiya near the base of Mt. Fuji. At 170 cm tall and 1,400 years old, it is the largest and oldest known mermaid mummy in Japan. The mermaid has an unusually large head that is bald, except for some hair growth that extends from its forehead to its nose. Its eyes and mouth are open. It has webbed hands with sharp claws, and a 20-cm long tail. The lower body has a bone structure similar to that of a fish, but it is unclear whether or not the upper body has a bone structure. The entire body shows signs of having been ravaged by moths.

Legend has it that this mermaid appeared to Prince Shotoku (Shotoku Taishi) as he was passing along the shores of Lake Biwa (about 1,400 years ago). The hideous beast told the prince about how it had been transformed into a mermaid as punishment for making a living as a fishermen within the boundaries of an animal sanctuary. The mermaid claimed that over many years it had come to a clear understanding of the horrors of destroying life, and that it was prepared to move on to the next world. As a final wish before dying, though, it asked the prince to establish a temple using the mermaid's body as a centerpiece, where it could be used to educate people about the sanctity of life. The mermaid then died. The prince took the mermaid's body and set up a temple as requested. But after a number of strange occurrences, the mummy was passed on to another temple. The mummy changed hands several times before ending up at its current location at the base of Mt. Fuji.

Fuji mermaid speaks to Shotoku Taishi
(Link: Fuji mermaid)

Also claiming a connection to this legend is Kannon Shoji Temple in Shiga prefecture, which is nicknamed the "mermaid temple." This temple professes to be the one established by Prince Shotoku at the request of the mermaid. The temple reportedly has an old, 50-cm mermaid on the premises, though no images are available online.

And finally, here are a few sketches of mermaids drawn by Keisuke Ito (1803 - 1901), a man who played an instrumental role in introducing Western medicine to Japan. In addition to establishing a method for smallpox vaccination in Japan and helping to set up what is today known as Nagoya University, he drew numerous sketches of plant and animal specimens. Buried deep in the volumes of sketches he made of marine animals, which show a variety of rather fantastic, but mostly realistic-looking fish, are the following specimens:

Mermaids depicted by Ito Keisuke
(Link: Fish volume 3, pp.23-24)

Mermaids depicted by Ito Keisuke
(Link: Fish volume 1, page 162)

You can browse the entire Ito Keisuke collection here. There is at least one more mermaid sketch buried in the book -- and lots of other surprises.

(Many thanks to mermaid hunter Juan Cabana for the inspiration to search for these mermaids. Check out his museum here and purchase his found creatures here.)

Ghost scroll collection at Zenshoan temple

01 Aug 2006

Ghost scroll at Zensho-an templeEvery August, Zenshoan temple in Tokyo opens the doors to its Yurei-ga Gallery, a private collection of Edo-period ghost scrolls. The 50 silk paintings, most of which date back 150 to 200 years, depict a variety of apparitions from the forlorn to the ghastly.

The scrolls were collected by Sanyu-tei Encho, a famous storyteller (rakugo artist) during the Edo era who studied at Zenshoan. Encho is said to have collected the scrolls as a source of inspiration for the ghostly tales he loved to tell in summer.

Telling ghost stories has long been a popular summer pastime in Japan, and many people believe that chilling tales have the power to take the edge off the dreadful heat. Stories of shadowy souls also make a nice, macabre complement to all the August rituals (bon festivals, memorial ceremonies, grave cleaning, etc.) performed to welcome the spirits of departed ancestors as they return en masse to the earthly world.

The ghost scrolls are on display from August 1 to 31, from 10 AM to 5 PM. Zenshoan temple is located a five-minute walk from Sendagi station (in Taito ward) on the Chiyoda subway line. The entrance fee is 300 yen.

If you can't make it to the temple, check out an online version of the gallery at the link below.

[Link: Yurei-ga Gallery]

Gallery of fantastic creatures

06 Jul 2006

Fantastic specimens

Gensou Hyouhon Hakubutsukan ("Museum of Fantastic Specimens") is an online collection of creatures "curated" by Hajime Emoto. The three-story virtual museum consists of 9 rooms chock full of water- and land-dwelling monstrosities from all corners of the globe. (Navigating the virtual museum may be a bit difficult if you cannot read Japanese, so try the links below if you get lost.)

- 1st Floor: Room 1, Room 2, Room 3

- 2nd Floor: Room 4, Room 5, Room 6, Room 7

- 3rd Floor: Room 8, Room 9

- Basement: Shop, Cafeteria

Each specimen has a clickable thumbnail that links to additional photos and historical and background information (in Japanese). The basement contains a bookshop and a cafeteria serving dishes prepared with some of the beasts featured in the museum (such as umiushi sashimi, served fresh from the tank and wriggling on your plate, with a balsamic vinegar sauce).

All of the creatures showcased in the museum are sculpted from paper, modeling paste and bamboo and are completely imaginary, claims Emoto -- perhaps a disappointment for hunters of the legendary tsuchinoko (center photo above) in search of an actual specimen, but an amazing collection of critters nonetheless.

[Link: Museum of Fantastic Specimens]

Video of Indonesian coelacanth

27 Jun 2006

A portion of the Indonesian coelacanth video shot several weeks ago has been made public.

The news report states that while more than 200 coelacanth finds have been documented off the coast of southern Africa, only 4 of the Indonesian variety had ever been confirmed before the Aquamarine Fukushima team caught theirs on video last month. According to the group's coelacanth web page, the researchers this time were able to capture a total of 7 coelacanth on video during the period from May 30 to June 5, as follows:

- May 30 (8:00 to 9:00 AM): Successfully videotaped an Indonesian coelacanth off the northern coast of Sulawesi, at a depth of 170 meters in 17 degrees Celsius water. Length of video is 5 to 10 minutes.

- May 31 (approx. 7:30 AM): Videotaped 2 more coelacanth in the same cave where the first coelacanth was videotaped.

- May 31 (approx. 10:00 AM): Videotaped another coelacanth in a different cave located at a depth of 180 meters.

- June 4 (approx. 6:40 PM): Videotaped 3 coelacanth over the span of 2 hours at a depth of 150 meters in the same area.

Beginning July 13, Aquamarine Fukushima will hold a special exhibit dedicated to the mystery of the Indonesian coelacanth, featuring video of the fish shown on a 65-inch plasma screen. The exhibit will run for an unspecified period of time.

[Source: Aquamarine Fukushima coelacanth page]

UPDATE (July 1, 2006): You can see the same coelacanth footage in this news report in English, on YouTube.

“Living fossil” coelacanth captured on video

31 May 2006

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*** Watch the VIDEO ***
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On May 30, a Japanese research team videotaped a one-meter long coelacanth in its natural habitat in the waters off the coast of Indonesia's Sulawesi island. According to the announcement by Aquamarine Fukushima -- a marine science museum located in Fukushima prefecture -- this is the first video of a coelacanth in its Indonesian habitat since a German team videotaped one in 1999.

Coelacanth

Researchers at Aquamarine have been studying the coelacanth since the facility opened in 2000, and a research team has been stationed in Indonesia since last year. Researchers used a camera mounted on a remotely operated vehicle (ROV) to shoot a 10-minute video of the coelacanth. The video reportedly shows the fish lurking in a rocky cave located about 500 meters off the coast of Buol in northern Sulawesi, at a depth of about 170 meters. The museum has not indicated when the video will be shown to the public.

"The camera light caused the fish's eyes to glow green. It was there. Its body was dark blue," the research team reported to museum director Yoshitaka Abe on the telephone.

"Congratulations. Well done," Abe told the researchers. "This is a big first step in our research."

UPDATE (June 2, 2006): This translation was referenced by Loren Coleman on Cryptomundo, where you can find a lot of interesting background info about the coelacanth. He also discusses the potential significance of the reported "dark blue" color of the one caught on this video (Latimeria menadoensis, the Indonesian species, is supposed to be brown).

The German team that first filmed the coelacanth in Indonesia in 1999 was led by one Hans Fricke (See: http://www.dinofish.com/jago.html). I could not find his video of the Indonesian coelacanth online, but I came across these fantastic videos he shot of the African species (Latimeria chalumnae). In one of them, a coelacanth displays its trademark "handstand" posture.

[Sources: Jiji, Chunichi Shimbun]