Tag: ‘Monster’

Edo-period monster paintings by Sawaki Suushi

18 Feb 2008

In the sophisticated popular culture of the Edo period (1603-1868), much attention was devoted to Japan's rich pantheon of traditional monsters and apparitions, known as yokai. Sometimes frightening, sometimes humorous, these compelling Japanese folk creatures were the subject of numerous artistic and literary works. One such work was Hyakkai Zukan, a collection of picture scrolls completed in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan's colorful depictions of Japan's most notorious creatures inspired (and were copied by) yokai artists for generations. Here is a peek inside.

Yōkai: Ushioni --
Ushi-oni [Enlarge]

Ushi-oni (lit. "cow devil") is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters of western Japan, particularly in Shimane prefecture, where it is feared for its vicious attacks on fishermen. [More]

Ushi-oni is usually seen in connection with a related monster, called Nure-onna.

Youkai: Nureonna --
Nure-onna

Nure-onna (lit. "wet woman") is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. Her appearance varies slightly from story to story, but she is usually described as having beady, snake-like eyes and long, sharp claws and fangs. Nure-onna is typically seen at the water's edge, washing her long, flowing hair. In some stories, she carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby for Nure-onna, the child attaches itself to the victim's hands and grows heavy, making it nearly impossible to flee. In some stories, Nure-onna uses her long, powerful tongue to suck all the blood from her victim's body. [More]

Yōkai: Uwan--
Uwan

In ancient Aomori prefecture legends, Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing "Uwan!" (hence the name). The voice is only audible to people inside the building -- those standing outside hear nothing. Uwan consists only of sound and poses no physical danger.

Ancient Japanese legends are rife with examples of formless yokai like Uwan, which consist of nothing but sound, light or other natural phenomena. In the Edo period, however, these yokai assumed physical bodies as artists incorporated them into their work.

Yōkai: Nurarihyon, Mehitotsubou --
Nurarihyon (left), Mehitotsubou (right)

Another yokai that got a facelift in the Edo period is Nurarihyon, pictured here as as a well-dressed old man with an elongated bald head. Ancient Okayama prefecture legends describe Nurarihyon (lit. "slippery strange") as a marine creature found in the Seto Inland Sea, often seen bobbing around on the surface of the water like some sort of giant jellyfish or octopus. Nurarihyon eludes capture by diving underwater when people approach to investigate.

In the Edo period, Nurarihyon came to be known as a mysterious old man with the uncanny ability to sneak into homes and "take over." When the residents of a home encounter him sitting around drinking tea, they are unable throw him out and cannot help but treat him as the head of the household. Nurarihyon is said to be a highly respected figure in the world of yokai.

Mehitotsubou (above right), a large monk with a cyclopean eye, is a variant of the large shape-shifting monks commonly found in Japanese folk tales.

Yokai: Mikoshi-nyuudou --
Mikoshi-nyudo

Another monster monk is Mikoshi-nyudo (a.k.a. Miage-nyudo), a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. Mikoshi-nyudo grows taller when you look up at him -- and the higher you look, the taller he grows. Look up for too long and you will die, goes the legend, but say "mikoshita" ("I see higher") and he disappears. Mikoshi-nyudo's true identity is unknown, but in some areas he is believed to be a shape-shifting weasel, fox or tanuki.

Yokai: Yama-warau --
Yama-warau

Yama-warau (a.k.a. Yama-waro) are hairy, one-eyed Garappa (a variety of Kappa found in Kumamoto prefecture) who have gone into the mountains for the winter. These child-sized creatures are known to provide assistance to lumberjacks in the mountains, and they eagerly return again and again to help, as long as they are rewarded with liquor and rice balls.

Like other varieties of Kappa, Yama-warau are fond of playing tricks on people, and they enjoy sumo wrestling. They sometimes break into people's homes to take a bath, and they have a sixth sense for danger, which allows them to escape from people with evil intentions.

At the spring equinox, Yama-warau return to the rivers to live as Garappa. They travel in groups, jumping from one rooftop to the next, all the way down to the water. If, along the way, they come across a new home under construction, they get angry and poke holes in the walls. Legend has it that anyone who goes to the river to catch a glimpse of a returning Yama-warau will become sick.

Youkai: Inugami --
Inugami

An Inugami (lit. "dog god") is a familiar spirit that looks like a dog and acts as a protective guardian. Inugami are extremely powerful and loyal, and they are known to carry out acts of revenge on behalf of their "owners." They can also exist independently, and under some circumstances they may turn against their owners. Inugami also have the ability to possess humans. [More]

Youkai: Ouni --
Ouni

Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. According to an old Niigata prefecture legend, Ouni appeared one day to a group of women as they were spinning hemp into yarn. After accepting the hairy hag's offer to help, the women watched in surprise as she repeatedly placed raw hemp fiber into her mouth and pulled out finished yarn. After quickly producing a large quantity in this way, Ouni stepped outside and suddenly disappeared. Legend has it that she left footprints in the nearby rocks, which can still be seen to this day.

Youkai: Kamikiri --
Kami-kiri [Enlarge]

Kami-kiri (lit. "hair-cutter") are ghostly spirits known for sneaking up on people and cutting all their hair off, particularly when they are unknowingly engaged to marry a yokai, spirit or other supernatural creature posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure. [More]

For more images from Hyakkai Zukkan, see the Sawaki Suushi collection at Wikipedia Commons.

H.R. Giger’s creatures in ’80s Pioneer ads

21 Jan 2008

In 1984-1985, Pioneer featured the designs of H.R. Giger in a series of Japanese magazine ads for their Zone home entertainment system.

H.R. Giger Pioneer ad --
[Enlarge]

H.R. Giger Pioneer ad --
[Enlarge]

Giant mechanical Onyudo doll

10 Aug 2007

Oonyuudou, Japan's largest mechanical doll --

Each August in the city of Yokkaichi in Mie prefecture, a giant mechanical effigy of Onyudo, a legendary Japanese monster, is paraded through the streets during the Grand Yokkaichi Festival. The mechanized puppet, said to be the largest karakuri ningyo in Japan, stands between 6.3 and 9 meters (20 to 30 feet) tall depending on how far its neck is extended. The giant Onyudo wows spectators by swinging its arms, bobbing its head around on its long neck, moving its eyes and mouth, and sticking out its tongue as it is wheeled through the streets to the accompaniment of taiko drums.

Here's a short video.

Onyudo, whose name literally means "large monk," appears in a number of folk tales across Japan. While his physical appearance and characteristics vary from story to story, he is always large, ranging anywhere from 2 meters (6 ft. 6 in.) tall to as large as a mountain. Onyudo usually appears as a giant person or an indistinct shadow, though he is known to have the ability to shape-shift.

In most cases, Onyudo is a malevolent figure that can cause people to fall ill simply by looking at them. Some stories identify him as being a fox or tanuki (raccoon dog) that has shape-shifted (a common ability for these animals in Japanese folklore), but in most stories, his true identity remains a mystery.

Onyudo --

The Japanese Wikipedia entry for Onyudo (大入道) includes a nice selection of stories from different areas and time periods. Here are a few.

In Hokkaido during the Kaei period (c. 1850), native Ainu communities reported seeing Onyudo near Lake Shikotsu and Mt. Fuppushidake. It is said that he could drive people to madness and cause them to lose consciousness just by looking at them with his large eyeballs.

In Toyama prefecture, people with medical conditions staying at the Kanetsuri hot springs to cure their diseases claim to have seen a 15- to 18-meter (50 to 60 feet) tall Onyudo, who was described as being surrounded by a beautiful rainbow-colored halo.

In 1937 near Akabane station in Tokyo, a military officer delivering an akagami (draft card) had a frightening encounter with Onyudo at a railroad crossing near Akabane-Hachiman Shrine. Here, Onyudo appeared as a soldier. Four days later, the officer was hit by a train at the same railroad crossing. While stories rarely identify Onyudo as a human spirit, this story suggests the Onyudo was the vengeful ghost of either a new recruit that had committed suicide or a soldier that had been accused of failure and bludgeoned to death by a superior officer.

In some cases, Onyudo is helpful. For instance, according to an old story in the town of Ishii in the Myozai district of Tokushima prefecture, an 8.5-meter (28 feet) tall Onyudo would show up to help mill the rice whenever it accumulated at the local water mill. However, the Onyudo only worked alone, and if anyone tried to observe him while he worked, he would turn angry and frighten them away.

Onyudo -- Yokkaichi's Onyudo also appears to have been rather friendly, according to this website. One day long ago when Yokkaichi was a little merchant town, a large young man appeared at a small local shop and asked the owner to hire him. The shop owner, named Kyuroku, politely refused to employ the large man because the shop was too cramped to accommodate him. But the young man insisted, explaining to Kyuroku that he had just arrived from the countryside in search of work. Kyuroku eventually decided to hire him and gave him a room in his house behind the shop.

Mysteriously, the business began to thrive. Things went so well that after three years, Kyuroku asked the young man to marry his daughter so that he could one day inherit the shop. The young man refused the offer, saying he only wished to continue working as he had been.

Late one night the next summer, Kyuroku woke from his sleep and decided to step outside for some cool air. As he walked past the young man's room, he noticed the glow of an oil lantern inside, visible through the shoji screen. The light cast a large shadow on the shoji that stopped Kyuroku dead in his tracks. He saw the ghastly, dark shape of a head attached to a long sinuous neck, slowly twisting and turning back and forth. Kyuroku watched in horror as the shadow snaked its head to the lantern and began to lick the oil. The head at the end of that horrible neck clearly belonged to the young man.

Kyuroku passed out from fear and fell to the floor. After waking the next morning, he cautiously went to the young man's room and peeked inside. The room was empty except for the man's striped kimono, which lay neatly folded on the floor. He had disappeared without a trace.

Nobody knows what happened to the large mysterious man, but the town of Yokkaichi built the mechanical Onyudo effigy to pay him their respects and wish for his safety.

[Photos/video: 1, 2, 3, 4, 5]

Hungry (for giant prehistoric beasts)?

16 Jul 2007

Giant prehistoric beasts --

Bands of hungry primeval men hunt gigantic prehistoric creatures in these fanciful Cup Noodle commercials from the early '90s. (Stop-motion animation by Kim Blanchette.)


Sea creatures


Uintatherium


Moa


Saiga antelope

[More here, including a mammoth, pterodactyl and giant warthog.]

Edo-period kappa sketches

02 Mar 2007

Kappa --- Kappa, arguably Japan's most well-known creature of legend, are mischievous river imps notorious for luring people -- particularly children -- into the water to drown and eat them. They smell like fish, enjoy cucumbers and sumo, and are said to be very courteous despite their malicious tendencies.

Although kappa are typically about the size of a child and greenish in color, they can vary widely in appearance. They frequently have a turtle-like shell and scaly skin, but sometimes their skin is moist and slick, or coated in fur. Most walk upright on their hind legs, but they are occasionally seen on all fours. Regardless of body type, the top of the kappa's head usually features a bowl-shaped depression containing water. The water inside this bowl is the source of the kappa's power.

The Edo period (1603 to 1867) saw some serious scientific literature devoted to the study of these creatures. Suikokouryaku (1820), for example, is a compendium of kappa-related information gathered from a variety of sources from Japan and China. The book, which is housed in the Iwase Bunko Library, includes kappa sketches by artist Kurimoto Tanshu. Here are a few.

Kappa ---

The kappa on the left, sketched by Ito Chobei, was captured during the Meiwa period (1764 to 1772) in Edo, somewhere in present-day Tokyo's Edogawa ward. When the creature was shown to Ota Chogen, a noted herbalist of the time, he identified it as a kappa -- he happened to have a kappa sketch with him that showed a creature with strikingly similar features. According to the text in the book, this kappa measured 60 cm (2 ft) tall and had slippery skin like that of a catfish.

The middle picture above shows a type of kappa with no shell, and the picture on the right shows a kappa that was caught in a net in Mito, Japan in 1801. This kappa had a prominent chest, a crooked back and three anuses.

Kappa ---

Later in the Edo period, an illustrated guide to 12 types of kappa (Suiko juni-hin no zu) was produced based on information taken from Suikokouryaku. A portion of this document is shown above. Check out the complete, high-resolution version here.

Kappa --- Kappa --- Kappa ---

Ito Keisuke, a well-known man of medicine and prolific natural history artist in the Edo period, sometimes included depictions of mysterious creatures with his animal drawings -- like the kappa on the left above, for example. The middle picture shows a kappa that was observed in one of the moats around Edo castle in the late 18th century. The picture on the right shows a kappa observed in the early 17th century in what is now the city of Hita in Oita prefecture (Kyushu). This kappa looked sort of like a turtle standing on its hind legs, and it had a depression on its head, webbed fingers, and splotches on its chest and abdomen.

Kappa --- Kappa ---

The neneko (or neko) kappa, shown on the left above, was sketched by Akamatsu Sotan in his 1855 work entitled Tonegawa zushi ("Illustrated History of the Tone River"). This kappa was known to move to a new location along the river each year, causing trouble wherever it went.

The image on the right shows a kappa scroll and kappa hand belonging to Sougenji (a.k.a. Kappa-dera, or "kappa temple") located in the Ueno-Asakusa area of Tokyo. The temple is one of countless places in Japan that has stories and legends of kappa associated with it. According to this temple's legend, the surrounding area was once a basin with poor drainage, making it prone to flooding. A local raincoat maker (the Japanese word for "raincoat" is "kappa") took it upon himself to construct a series of drainage ditches, which he was able to complete with the help of a kappa living in the Sumida River. It is said that people fortunate enough to lay eyes on this kappa were blessed with success in business.

For lots more background information and kappa links, check here.

Monsters gather in Tokyo, get X-rayed

22 Sep 2006

Monsters invade Tokyo --

This October, Japan's National Science Museum (Ueno, Tokyo) will host an exhibit of monster-related cultural artifacts, including the mummies of a mermaid and tengu (long-nosed goblin), as well as a selection of items documenting other traditional Japanese monsters like the kappa.

Scheduled to run from October 17 to November 12, the exhibit will feature about 100 historical items concerning legendary beasts and apparitions (yokai) from the Edo period to the present day. The exhibit is organized by the National Science Museum and the Ikimono Bunkashi Gakkai, whose members include Imperial Prince Akishinomiya.

On September 19, experts armed with state-of-the-art equipment began taking X-rays of the mummified tengu and mermaid, which belong to the Hachinohe City Museum in Aomori prefecture. The specimens, both of which are about 30 centimeters long, are commonly believed to be artistic creations made sometime during the first half of the 19th century. The tengu is believed to be an elaborate sculpture whose materials include paper, the head of a monkey and the body of a bird. The mermaid, also regarded as a sculptural work, is believed to consist of a wooden upper body attached to the tail of an actual fish.

The exhibit will feature the X-rays of both creatures.

[Source: Kyodo via Weekly Teinou Bee Woman]

Mermaid mummies

11 Aug 2006

In 18th- and 19th-century Edo (present-day Tokyo), sideshow carnivals known as misemono were a common feature of the landscape. These wildly popular shows featured crafts, acrobats and animals in a kaleidoscopic blend of attractions that were believed to bring luck, fortune and health to the audience. One attraction commonly featured at these shows was the mermaid.

Mermaid at misemono

Sideshow carnivals in Europe and America in the 1800s also featured mermaids, many of them from Japan and the West Indies. The most famous of these mermaids was P.T. Barnum's Feejee Mermaid, which is believed to have been created around 1810 by a Japanese fisherman. The art of creating faux mermaids was perfected by fishermen and often involved stitching the heads and upper bodies of monkeys onto the bodies of fish.

P.T. Barnum's Fiji Mermaid
(P.T. Barnum's Feejee Mermaid)

A few of these old, mummified mermaids can still be found in the care of temples and shrines around Japan.

Here's a photo of a mermaid mummy at Zuiryuji Temple in Osaka, which was bestowed to the temple as an offering from a Sakai-area trader in 1682. The temple also has in its possession the mummies of a kappa and a small dragon, both of which can be found by exploring the site at the link below.

Mermaid at Zuiryuji Temple in Osaka
(Link: Nightmare's Psychiatry Examination)

Another mummified mermaid is preserved at Myouchi Temple in the city of Kashiwazaki in Niigata prefecture. The mermaid is about 30 cm long and is holding its hands up near its cheeks -- apparently a common pose for mummified mermaids. The proprietors of the temple keep the mermaid in a small wooden chest out of view, but according to the account at the link below, they will allow you to check it out if you ask nicely.

Mermaid at Myouchi
(Link: One person's visit to Myouchi Temple)

The next photo shows a mermaid mummy at Karukayado Temple outside the city of Hashimoto in Wakayama prefecture. The 50-cm long mummy has fangs that protrude from its wide open mouth, and both of its hands are raised to its cheeks, like the previous mermaid. Its lower body is covered in scales, and there appear to be the vestiges of fins on its chest, as well as a pair of nipple-like protuberances.

Mermaid (unknown)
(Link: Photos of Karukayado Temple)

The next photo (left) shows the mummy owned by a Shinto sect headquartered in the city of Fujinomiya near the base of Mt. Fuji. At 170 cm tall and 1,400 years old, it is the largest and oldest known mermaid mummy in Japan. The mermaid has an unusually large head that is bald, except for some hair growth that extends from its forehead to its nose. Its eyes and mouth are open. It has webbed hands with sharp claws, and a 20-cm long tail. The lower body has a bone structure similar to that of a fish, but it is unclear whether or not the upper body has a bone structure. The entire body shows signs of having been ravaged by moths.

Legend has it that this mermaid appeared to Prince Shotoku (Shotoku Taishi) as he was passing along the shores of Lake Biwa (about 1,400 years ago). The hideous beast told the prince about how it had been transformed into a mermaid as punishment for making a living as a fishermen within the boundaries of an animal sanctuary. The mermaid claimed that over many years it had come to a clear understanding of the horrors of destroying life, and that it was prepared to move on to the next world. As a final wish before dying, though, it asked the prince to establish a temple using the mermaid's body as a centerpiece, where it could be used to educate people about the sanctity of life. The mermaid then died. The prince took the mermaid's body and set up a temple as requested. But after a number of strange occurrences, the mummy was passed on to another temple. The mummy changed hands several times before ending up at its current location at the base of Mt. Fuji.

Fuji mermaid speaks to Shotoku Taishi
(Link: Fuji mermaid)

Also claiming a connection to this legend is Kannon Shoji Temple in Shiga prefecture, which is nicknamed the "mermaid temple." This temple professes to be the one established by Prince Shotoku at the request of the mermaid. The temple reportedly has an old, 50-cm mermaid on the premises, though no images are available online.

And finally, here are a few sketches of mermaids drawn by Keisuke Ito (1803 - 1901), a man who played an instrumental role in introducing Western medicine to Japan. In addition to establishing a method for smallpox vaccination in Japan and helping to set up what is today known as Nagoya University, he drew numerous sketches of plant and animal specimens. Buried deep in the volumes of sketches he made of marine animals, which show a variety of rather fantastic, but mostly realistic-looking fish, are the following specimens:

Mermaids depicted by Ito Keisuke
(Link: Fish volume 3, pp.23-24)

Mermaids depicted by Ito Keisuke
(Link: Fish volume 1, page 162)

You can browse the entire Ito Keisuke collection here. There is at least one more mermaid sketch buried in the book -- and lots of other surprises.

(Many thanks to mermaid hunter Juan Cabana for the inspiration to search for these mermaids. Check out his museum here and purchase his found creatures here.)