Tag: ‘Art’

Photos: Tetrapod beaches of Japan

12 Aug 2008

Tetrapod --
Near Tappi Saki, Aomori (Photo: Mr_M_Montgomery)

Hit the beach anywhere in Japan, and you are likely to see endless piles of tetrapods -- enormous four-legged concrete structures intended to prevent coastal erosion. By some estimates, more than 50% of Japan?s 35,000-kilometer (22,000-mi) coastline has been altered with tetrapods and other forms of concrete. Critics, who blame the tetrapod invasion on decades of excessive government spending designed to bolster the construction industry, argue that in addition to posing a danger to swimmers, surfers and boaters, tetrapods actually accelerate beach erosion by disrupting the natural processes that shape the coastal environment. Meanwhile, others have developed an aesthetic appreciation of the tetrapod landscape, as evidenced by a host of stunning Japanese tetrapod photos on Flickr.

Tetrapod --
Location unknown (Photo: saksak)

Tetrapod --
Location unknown (Photo: f l u x)

Tetrapod --
Kawasaki (Photo: gullevek)

Tetrapod --
Kobe (Photo: Joshua Richley)

Tetrapod --
Hamamatsu, Shizuoka (Photo: seotaro)

Tetrapod --
Yakushima (Photo: TommyOshima)

Tetrapod --
River bank, Shikoku (Photo: kodama)

Tetrapod --
Amarube (Photo: shikihan)

Tetrapod --
Tetrapod molds -- Location unknown (Photo: Toru Aihara)

Tetrapod --
Location unknown (Photo: electricnude)

Tetrapod --
Location unknown (Photo: takay)

Tetrapod --
Location unknown (Photo: saksak)

[Images: Flickr photos tagged "Tetrapod" & "Tetrapods"//Further reading: Japan Times, Wikipedia]

Tokyo Fantasy: Images of the apocalypse

04 Aug 2008

These fantastic photoshopped images by Tokyo Genso (Tokyo Fantasy) show a post-apocalyptic Tokyo overtaken by nature.

Tokyo Fantasy: Post-apocalyptic Tokyo --
Shibuya

Tokyo Fantasy: Post-apocalyptic Tokyo --
Akihabara

Tokyo Fantasy: Post-apocalyptic Tokyo --
Shinjuku

Tokyo Fantasy: Post-apocalyptic Tokyo --
Shibuya Center-gai 1

Tokyo Fantasy: Post-apocalyptic Tokyo --
Shibuya Center-gai 2

Tokyo Fantasy: Post-apocalyptic Tokyo --
Shibuya Center-gai 3

[Link: Tokyo Fantasy]

Related:
- Neo-Ruins: Lithographs of post-apocalyptic Tokyo (Hisaharu Motoda)
- Mickey the Knight (Kenji Yanobe)
- PET bottle armor (Kosuke Tsumura)

19th-century ghost scrolls

01 Aug 2008

Every August, as Japanese spirits return en masse from the otherworld, Tokyo's Zenshoan temple (map) exhibits a spine-chilling collection of 19th-century ghost scroll paintings. Here are a few. (Click the "+" under each image to enlarge.)

Ghost scroll at Zenshoan temple -- Ghost scroll at Zenshoan temple --
Ghost [+] // Sea Monster [+]

"Ghost" by Iijima Koga is a portrait of a floating, kimono-clad female apparition with all the ghastly physical features you hope to find in an undead spirit -- bony hands, a head of stringy hair, and a pained grimace revealing a mouth full of black teeth. "Sea Monster" by Utagawa Hoen depicts an umi-bozu lurking near a boat anchored at shore, with the moon located precisely where the monster's mouth should be.

* * * * *

Ghost scroll at Zenshoan temple --
The Ghost of a Blind Female Street Singer [+]

Utagawa Hiroshige's "Ghost of a Blind Female Street Singer" portrays the restless spirit of a street performer, one white unseeing eye wide open, carrying a shamisen as she drifts above the surface of a river on the way to her next performance.

* * * * *

Ghost scroll at Zenshoan temple -- Ghost scroll at Zenshoan temple --
Kohada Koheiji [+] // Willow and the Moon [+]

Utagawa Kunitoshi's "Kohada Koheiji" shows the main character of a famous Edo-period novel (published 1803) by Santo Kyoden. In the story, after Koheiji is killed by his wife and her lover, his gangly ghost returns to haunt them by peering through the mosquito netting surrounding their bed. (This character is also the subject of ukiyo-e artist Hokusai's famous print "The Ghost of Kohada Koheiji.") "Willow and the Moon" by Koson might at first glance appear as nothing more than a peaceful moonlit scene at the water's edge, but look again -- the moon and clouds form a menacing face in the sky, and the bare willow branches form a scraggly head of hair.

* * * * *

Ghost scroll at Zenshoan temple --
Kaidan Chibusa Enoki: The Ghostly Tale of the Wet Nurse Tree [+]

This painting by Ito Seiu, the godfather of Japanese bondage (kinbaku), depicts a scene from Kaidan Chibusa Enoki, an old horror story in which the ghost of a dead painter returns to protect his baby from his murderer, a wandering samurai who fell in love with his wife while he was away painting. This scroll shows the ghost holding the baby while standing under a waterfall at Juniso (where Tokyo's Shinjuku Chuo Park is now located).

* * * * *

Ghost scroll at Zenshoan temple -- Ghost scroll at Zenshoan temple --
Ghost [+] // Ghost of the Wharf [+]

The subject of "Ghost" by Rinrin is a spirit with an eerie blank stare and gaunt ribs visible under its clothing, and who appears to be melting away. Shibata Zeshin's "Ghost of the Wharf" depicts a feeble-looking apparition relaxing on a pier, casually glancing at something over its shoulder.

* * * * *

Ghost scroll at Zenshoan temple -- Ghost scroll at Zenshoan temple --
Ghost in the Rain [+] // Ghosts of Husband and Wife [+]

Ikeda Ayaoka's "Ghost in the Rain" shows a forlorn-looking female apparition outside in a storm, with flames rising up from where her feet should be. "Ghosts of Husband and Wife" by Otai is a portrait of what appears to be an undead married couple -- a subject rarely seen in ghost scroll paintings. The sinister pair are pictured clutching a human skull. The husband is wearing a traditional Buddhist funerary headdress worn by the dead, and he has blood smeared on his face.

* * * * *

Ghost scroll at Zenshoan temple -- Ghost scroll at Zenshoan temple --
Ghost with a Severed Head [+] // Ghost [+]

Kawakami Togai's "Ghost with a Severed Head" shows a female apparition lovingly cradling a man's decapitated head. The subject of "Ghost" by Gyoshin is a pathetic, emaciated figure with thinning hair and blackened teeth. There seems to be a hint of humor in his expression.

* * * * *

These and dozens more hanging scroll paintings of ghosts are on display throughout the month of August at Zenshoan temple, located near Nippori station in Tokyo (map).

[Images from Yureiga-shu: Zenshoan/Sanyutei Encho Collection, published by Zenshoan, 2000]

Time-lapse video of rice paddy art

22 Jul 2008

This time-lapse video of the 2008 Inakadate rice crop art is composed of still images captured daily from June 1 to July 3, 2008 via the roof webcam at the adjacent town hall. The 3.7-acre work features the images of Daikoku, god of wealth (left), and Ebisu, god of fishers and merchants (right), which were created using five different colors of rice plants. On July 4, just as the crop was beginning to mature, the organizers shut down the webcam when they removed the JAL ad portion of the artwork at the request of the rice paddy owner.

Animalistic digital art by Ryohei Hase

15 Jul 2008

These computer-generated illustrations of feral animal-headed people are from Ryohei Hase's collection of digital art (NSFW).

battle - by Ryohei Hase --
battle

Go forward and forward - by Ryohei Hase --
Go forward and forward

Child's Mind - by Ryohei Hase --
Child's Mind

Also visit his deviantArt gallery for hi-res versions of these and other works.

[Via: Drawn!]

Floodgates

10 Jul 2008

Photographer Sato Jun Ichi explores the architecture of Japan's flood control infrastructure in a huge collection of photographs taken over a period of 10+ years.

Japanese floodgate photo by Sato Jun'ichi --
Ibaraki, 1997

Japanese floodgate photo by Sato Jun'ichi -- Japanese floodgate photo by Sato Jun'ichi --
Tochigi, 2006 // Saitama, 2007

Japanese floodgate photo by Sato Jun'ichi --
Saitama, 1999

Japanese floodgate photo by Sato Jun'ichi --
Chiba, 1997

Japanese floodgate photo by Sato Jun'ichi --
Saitama, 1999

Japanese floodgate photo by Sato Jun'ichi --
Saitama, 2006

Japanese floodgate photo by Sato Jun'ichi -- Japanese floodgate photo by Sato Jun'ichi --
Saitama, 2006 // Saitama, 2007

Japanese floodgate photo by Sato Jun'ichi --
Ibaraki, 1998

Japanese floodgate photo by Sato Jun'ichi --
Saitama, 1998

Japanese floodgate photo by Sato Jun'ichi --
Miyagi, 1998

Visit Sato's Floodgates site for about 600 more photos. (Use the links at the top left to scroll through the 37 galleries.) There is also a book.

Photo: JAL logo still visible in crop art

09 Jul 2008

JAL logo still visible in Inakadate rice paddy art --

This photo snapped by Aomori-based blogger Pochiko shows remnants of the JAL logo still visible in this year's Inakadate rice paddy art, several days after organizers attempted to "erase" it.

Read more: JAL logo uprooted from rice paddy art

Video: Supercar – Wonder Word

07 Jul 2008

Supercar: Wonderword --

A delightfully odd form of communication is at work here in this music video for Supercar's "Wonder Word." Directed by Koichiro Tsujikawa.

Related: Videos by Koichiro Tsujikawa (+ Cornelius)

JAL logo uprooted from rice paddy art

04 Jul 2008

Inakadate rice paddy art, 2008 --

Has Japan Airlines' crop-based advertising gone too far? For some residents of Inakadate -- a small town with a big reputation for cultivating fantastic works of multi-colored rice paddy art -- the answer is "yes."

This year's crop art, which is Inakadate's 16th work since 1993, features giant images of Daikoku (god of wealth) and Ebisu (god of fishers and merchants) alongside the corporate logo for sponsor Japan Airlines (JAL). Here are a few photos of the rice paddy taken in June from the 6th-floor roof of the adjacent town hall.

Inakadate rice paddy art, 2008 --

Inakadate rice paddy art, 2008 --

Inakadate rice paddy art, 2008 --

Inakadate rice paddy art, 2008 --

Inakadate rice paddy art, 2008 --
Daikoku (left), Ebisu (right) and JAL logo

The town committee responsible for the annual crop art project decided to incorporate advertising into this year's work to help offset rising costs associated with increased numbers of visitors. Last year more than 240,000 people came to see the crop art, and many of them used the town hall bathrooms and elevators (there is a nice view of the rice paddy from the roof), resulting in a costly utility bill.

However, the owner of the rice field, Ryuji Sato -- who also happens to be the former mayor of Inakadate and a member of the committee -- thinks the ad stinks. At the end of June he demanded the corporate logo be removed from his property.

"The idea has always been to create art that attracts lots of visitors and stimulates the economy," says Sato. "Turning it into a giant advertisement contradicts what we set out to do."

After a week of heated discussion, the committee voted to pull the ad, and on the morning of July 4, town hall employees were dispatched to the field to uproot the rice plants that make up the JAL logo. TV crews were on the scene. (Watch a Fuji TV news report.)

The video shows people removing rice plants only from the area occupied by the JAL symbol, which creates a very conspicuous negative space in the field. Ironically, this makes the logo more visible. It remains to be seen whether they can successfully remove all traces of the ad.

Workers remove JAL logo from rice paddy art --
Town hall employees remove JAL logo

Sato's critics are skeptical of his motives. Because he is on the ballot for this autumn's upcoming mayoral election, some believe he is trying to draw attention to his candidacy. Others think he may be taking revenge for the bitter 2004 mayoral election loss that removed him from office. Sato dismisses the criticism, saying that if he really wanted revenge, he would not have allowed the art to be grown in his field in the first place.

"I just can't stand the fact that they are trying to turn this into a commercial venture," says Sato, who hopes to see the rice paddy art tradition continue as it has in the past.

Meanwhile, the Aomori-based marketing agency that coordinated the advertising agreement with JAL does not know what to make of the situation. A company spokesperson says, "We obtained the committee's approval and signed a formal agreement, but yet it has come to this. We are baffled."

[Sources: Inakadate Village, To-o Nippo]