Munich Machine (album cover), 1977 [+]

Midnight Star: “The Beginning” (album cover) 1980 [+]

ELO: “Out of the Blue” (album cover), 1977 [+]

The Humanoid (movie poster), 1979 [+]

Close Encounter of the Fifth Kind [+]

Star Trek [+]

Conceive [+]

Airplanes are not as safe as you might think (magazine announcement) [+]

Earth, Wind & Fire: “I Am” (album cover inside), 1979 [+]

The Skyliners: “The Love Bug” (album cover), 1978 [+]

Station (illustration for Tsukuba Expo ‘85), 1984 [+]

Space Flower (illustration for Tsukuba Expo ‘85), 1984 [+]

Nuclear explosion over Tokyo (for NHK’s “Earth After Nuclear War”), 1984 [+]

Monster Bird, 1972 [+]

Deep Purple: “When We Rock, We Rock…” (album cover), 1977 [+]

Sun: “Destination Sun” (album cover), 1977 [+]

The Sylvers: “New Horizons” (album cover), 1977 [+]

Hovercraft for leisure use, 1975 [+]

Humanoid (magazine cover), 1982 [+]

Bridge (poster for Mitsubishi Cordia XG), 1984 [+]

Station (poster for Mitsubishi Cordia XP), 1984 [+]

Birth (poster for Mitsubishi Starion GSR-X), 1984 [+]

Caldera: “Sky Island” (album cover), 1970 [+]

[Images from "The Works of Shusei Nagaoka" Part 1 (1981) and Part 2 (1985), NHK Publications]

In the 1960s and 1970s, Japan saw an explosion in the popularity of sonosheets — cheap, flexible phonograph records printed on thin sheets of vinyl. Widely available from a variety of publishers, the most popular sonosheets featured theme music from TV anime, manga and tokusatsu, and they often came packaged inside booklets featuring colorful artwork. The sonosheet boom was short-lived, though — many companies went under as the market became flooded in the 1970s, and the phenomenon all but disappeared by the 1980s. Here is a small sample of the vast array of sonosheet cover art from that era.

Ultra Q [+]

Batman vs. Iceman

Vampire

Captain Ultra

Batman (front cover) [+]

Batman (back cover) [+]

Ambassador Magma [+]

GeGeGe no Kitaro (front cover) [+]

GeGeGe no Kitaro (back cover) [+]

Falcon of Shidenkai [+]

Kaiki Daisakusen (front cover) [+]

Kaiki Daisakusen (back cover)

Daikaij?sen

Space boy Soran [+]

Thunderbirds [+]

Tetsujin Tiger Seven/ Inazuman/ Diamond Eye

Ultraman (front cover)

Ultraman (back cover)

Henshin Ninja Arashi

Frankenstein [+]

Robot Detective (front cover)

Robot Detective (inside) [+]

Space Monsters

Ultra Seven

[More]

In 1975, graphic artist Tadanori Yokoo produced hundreds of pen and ink drawings for Genka (”Illusory Flowers”), a historical novel by Harumi Setouchi that recounts the struggles of Tomiko Hino, the wife of shogun Yoshimasa Ashikaga (1435-1490). The fanciful illustrations, which do not appear to directly reflect the content of the story, were published along with the novel in a long series of installments in the Tokyo Shimbun newspaper.

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

This is just a small sample of the work. For 350+ more, see hiroyasu-tangerine (16 pages): 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16.

[Via: @ColinPeters, @jaypea_aitken, @assemblyman_eph, The Cabinet of the Solar Plexus]

Photograph of mini-UFO captured in Japan, 1972

The strange encounter took place in the Kera area of Kochi City. On the afternoon of August 25, 1972, a 13-year-old junior high student named Michio Seo sighted a strange object flying above a rice field while walking home from school. From a distance he watched the small, mysterious object zigzag quickly around the field like a bat chasing insects.

Later that day, Michio told his friends about the curious flying object. “UFO” had yet to become a household word in Japan in 1972, but the boys were intrigued nonetheless. At around 7:00 PM, four of them set out for the rice field in search of the object.

About an hour later, they spotted the object flying over the rice field, lighting up the night with a pulsating silver light. When one of the boys tried to approach to object, it suddenly made a loud “pop” sound and started to glow blue. Frightened, they turned and fled without looking back.

Over a week later, at 9:30 PM on September 4, several of the boys once again saw the bright object in the rice field. And two days after that, on September 6, the boys and a few of their friends found the object on the ground in the field. It appeared to have crash-landed.

One of boys — a 14-year-old named Hiroshi Mori (14) — picked the object up with his hands and carried it home.

The silver, hat-shaped object weighed 1.3 kilograms (3 lbs) and measured roughly 7 centimeters (3 in) tall and 15 centimeters (6 in) in diameter. The bottom surface was perforated with an array of tiny holes and imprinted with designs depicting what appeared to be a bird, some waves, and another flying object. Something rattled around inside the object when shaken.

That night, Hiroshi wrapped the curious object in a plastic bag and placed it inside his backpack. Later, however, the object mysteriously vanished without a trace.

Before long, the boys encountered the object again. They once again captured it, but it soon vanished. This happened about five or six times over the next two weeks.

On one occasion, the boys decided to pour water into the holes on the bottom. The object emitted a loud cicada-like buzzing sound and glowed brightly inside. Later, when they ran some wire through the holes and dangled the object upside-down, the top and bottom sections of the object became slightly separated. Through the opening, they could see what appeared to be electronic components.

On the night of September 22, Hiroshi was riding his bicycle with the object in the basket when it suddenly disappeared. They never saw it again.

In 2007, 35 years after the incident, the Japan Space Phenomena Society (JSPS) conducted a new investigation into the case. According to Kazuo Hayashi, head of the JSPS Osaka chapter, all of the witnesses still stand by their original story.

The mini-UFO of 1972 was not the last that would be encountered in Kochi prefecture. Nearly four years later, on the night of June 6, 1976, a 9-year-old girl named Sachiko Oyama in the village of Agawa (now called Niyodogawa-cho) stepped outside to look for her family cat. She noticed a bright yellow luminous object in the eastern sky.

When she went to the street for a better view, the object suddenly descended into the surrounding woods, struck a nearby tree, and landed at her feet. It made no sound when it hit the pavement.

The silver, hat-shaped object appeared to be about 15 centimeters (7 in) in diameter. Curious, Sachiko touched it with her index finger. The object was constructed of solid material, but it was covered in a slimy substance that stuck to her finger.

She suddenly felt afraid started to run home. Over her shoulder, she saw the object start to glow yellow, spin counter-clockwise three times, and shoot quickly back into the sky.

What could explain these mysterious mini-UFO sightings? Perhaps there is a rational explanation — or maybe they were hoaxes. It’s also possible the encounters were the products of overactive imaginations. Or perhaps, as suggested by JSPS head Kazuo Hayashi, these flying objects temporarily lost their way after slipping into our realm from another dimension.

[Source: Namiki, Shin-ichiro. Nippon No Kaiki Hyaku. Magazineland, 2007.]

In 1974, home appliance retailer Yamagiwa Corporation printed 1,974 copies of a promotional poster featuring a Jesus portrait by noted pop artist Tadanori Yokoo. The poster depicts Christ in front of a colorful mandala-like pattern centered around an inverted triangle, which Yokoo described as being a Tantric symbol of Shakti, the feminine creative energy of the universe, though it could just as well represent the Holy Trinity.

(*Auction info deleted.)

+ More posters by Tadanori Yokoo

At the 1970 World Expo in Osaka, consumer electronics maker Sanyo demonstrated their vision for the future by showcasing a series of appliances they thought would populate the home of tomorrow. Included was the Ultrasonic Bath, a pod-like human washing machine that cleans, massages and dries the user in a fully automated 15-minute process.

- Ultrasonic bath demo video

Using a ladder, the bather climbs in through an opening on top of the machine, which stands about 2 meters (6 ft) tall. Once the desired water temperature is set and the main switch is activated, the pre-rinse cycle starts, spraying the user with jets of hot water for 5 minutes.

Next, the chamber fills up with hot water for a 3-minute massage bath. High-pressure jets create a powerful whirlpool, and scores of knobby, golf ball-sized “massage balls” suspended in the water pelt the body, delivering a vigorous massage intended to stimulate blood circulation. An ultrasonic wave generator creates a ticklish cloud of tiny air bubbles that lift dirt from the skin.

The bath is then followed by a 2-minute hot rinse cycle. Finally, a 5-minute dry cycle blasts the user with warm air, while a flood of infrared and ultraviolet light destroys any lingering germs.

Developed as a concept model, the Ultrasonic Bath never made it into our homes. Several years ago, however, Sanyo unveiled the $50,000 HIRB (”Human In Roll-lo Bathing”) system, a compact version designed for use in elderly homes.

[Link]

+ Part 1: Kamen Rider X vs Starfish Hitler

+ Part 2: Kamen Rider X vs Starfish Hitler

[Link: The Echinoblog]

A trio of old-school bunraku puppet robots revived nearly 40 years after they were unveiled at the 1970 World Expo in Osaka are temporarily on display at the National Science Museum in Tokyo. Modeled after classic bunraku puppets, each pre-programmed robot is driven by around 20 pneumatic cylinders that move the arms, torso, head and face in sync with accompanying audio.

Here’s some dramatic video of one whose face transforms into that of a demon:

+ Bunraku robot

A few more photos of the other robots, which are on display at the Science Museum until February 8:

Date with Miss Venus… Travel to Mars… Brain transplant… Space restaurant… Vacation home on the moon… Time machine… Rent-a-rocket… Life extension medication… All OK with the JCB card!!?

- – - – -

“I’m back from my reconnaissance mission. This is Earth money.”

- – - – -

Cash has disappeared from Earth?

[More: SF Magazine review]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

[+]

Earth, Wind & Fire, 1976 [Enlarge]

Santana – Lotus, 1974 [Enlarge]

The Beatles, 1972 [Enlarge]

Emerson, Lake & Palmer concert poster, 1972 [Enlarge]

Tangerine Dream, 1976 [Enlarge]

Beatles – Star Club, 1977 [Enlarge]

Cochin Moon, 1978 [Enlarge]

Holst – The Planets, 1979 [Enlarge]

Earth, Wind & Fire, 1993 [Enlarge]

* * * * *

Yokoo is also known to have designed the occasional movie poster, including these three psychedelic beauties for Roger Corman’s “The Trip.”

The Trip, 1968 [Enlarge]

The Trip, 1968 [Enlarge]

The Trip, 1968 [Enlarge]

* * * * *

- Hibagon

The Hibagon (a.k.a. Hinagon) is a cryptic hominid, similar to Bigfoot, inhabiting the area around Mt. Hiba in northern Hiroshima prefecture. According to numerous eyewitness accounts from the early 1970s, the Hibagon stands about 1.5 to 1.7 meters (about 5 ft) tall, weighs an estimated 80 to 90 kilograms (about 180 lbs), is covered in a thick coat of black or brown fur (sometimes it is reported as having a spot of white fur on its chest or arms), and has an unusually large triangular head and intelligent human-like eyes. The Hibagon received its name from the local animal control board.

The first known Hibagon sighting occurred on July 20, 1970 in the area around Mt. Hiba near the border with Tottori prefecture. Three days after the initial sighting, the furry ape-like creature was seen again walking through a rice paddy in the nearby rural town of Saijo. A total of 12 sightings were reported that year, and mysterious footprints were found in the snow that December.

Numerous Hibagon sightings were reported in areas surrounding Mt. Hiba in the summers between 1971 and 1973, as increased human activity during the hunting season forced the creature down from the mountain. On August 15, 1974, the Hibagon was photographed as it hid behind a persimmon tree. Unusual footprints measuring 20 centimeters (9 in) long were found nearby. After this photo was taken, the Hibagon went back into hiding, only to be seen two more times — once in 1980 and again in 1982 — before disappearing forever.

The Hibagon may have disappeared long ago, but the residents of Saijo have not forgotten. The town has adopted the likeness of the creature as its mascot, and souvenir shops sell Hibagon Eggs and other cryptid ape-themed sweets. [More]

* * * * *

- Tsuchinoko

Tsuchinoko — Reality? Myth? Or mistaken identity?

The Tsuchinoko is a snake-like cryptid found throughout Japan, except in Hokkaido and the Okinawan islands. Reports describe the Tsuchinoko as having a thick, stubby body measuring 30 to 80 centimeters (12 to 30 in) in length, often with a distinct neck, gray, brown or black scaly skin, and venomous fangs. Some accounts suggest the Tsuchinoko has a loud, high-pitched squeak and can jump as far as one meter.

The earliest known written record of the Tsuchinoko dates back to the 7th century, where it appears in the Kojiki (Records of Ancient Matters), the oldest surviving book in Japan. In some legends, the Tsuchinoko can speak, has a tendency to tell lies, and enjoys the taste of alcohol.

Skeptics dismiss Tsuchinoko sightings as simple cases of mistaken identity, suggesting the creatures are nothing more than snakes in the process of digesting large meals, or perhaps even escaped exotic pets such as the blue-tongued lizard.

Regardless, local tourist boards in rural areas frequently organize Tsuchinoko hunts to attract visitors, promising large sums of money to any participant lucky enough to capture one. The town of Itoigawa in Niigata prefecture, for example, has a hunt scheduled for June 8, 2008 and is offering a 100 million yen (about $1 million) reward to whoever brings one back alive. [More]

* * * * *

- Kusshii

Kusshii is a giant lake monster believed to inhabit Hokkaido’s Lake Kussharo, a large freshwater lake located in an environment and climate similar to that of the famed Loch Ness. According to eyewitness accounts, Kusshi is 10 to 20 meters (30 to 60 ft) long and has humps on its back, a long neck and a pair of horns on its head. Reports suggest it can swim as fast as a motorboat. Kusshii’s most famous appearances include a 1973 sighting by 40-member team of biologists from Hokkaido University, as well as 15 separate reports by tourists in 1974.

* * * * *

- Isshii

Isshii, another Japanese cryptid lake monster, is believed to inhabit Kagoshima prefecture’s 20,000-year-old Lake Ikeda, the largest caldera lake in Kyushu. The creature is similar in appearance to Kusshii, but larger.

Isshii entered the public consciousness in September 1978, after more than 20 people reportedly witnessed a giant creature moving at a blistering speed through the water. Widespread news coverage of the sighting brought a flood of tourists to the lake, and in December of the same year, a photograph was taken showing what some believe is the back of the creature poking through the water surface. Since 1990, a number of home videos have emerged showing mysterious activity just under the water surface, but none of the videos are widely seen as irrefutable proof of Isshii’s existence.

Some theories suggest Isshii could be an unidentified descendant of the Plesiosaur, while others believe it to be some sort of giant eel. Other theories suggest the sightings can be explained as rogue waves generated by winds unique to the lake.

Rogue waves cannot, however, explain what happened in 1961, when a large-scale search was conducted for a US military jet believed to have crashed in the lake. Sonar equipment used in the search reportedly revealed a large rock-shaped object moving through the water below, and records indicate that divers on the lake floor were nearly attacked by a large, unidentified creature.

* * * * *

- Giant Snake of Mt. Tsurugi

Mt. Tsurugi, the second highest peak on the island of Shikoku, is steeped in mystery. According to one local legend, the mountain is actually a giant man-made pyramid, and another legend says that a hoard of King Solomon’s secret treasure lies buried within. A giant snake believed to be guarding that treasure has been sighted on many occasions.

In May 1973, a group of 4 forestry workers reportedly encountered a 10 meter (33 ft) long snake as big around as a telephone pole. The creature was described as having shiny black scales, and it reportedly made a loud chirping sound. In the months that followed, local officials organized a large-scale hunt for the snake, enlisting the help of hundreds of volunteers. While the creature was not apprehended, the searchers did find what appeared to be giant snake tracks that measured 40 centimeters (16 in) wide and passed alongside fallen trees.

A local history museum has in its collection a large jawbone measuring 34 centimeters (13 in) across, which many believe belongs to the giant snake. Others speculate it belongs to a shark.

* * * * *

- Takitaro

The Takitaro is a type of giant fish measuring up to 3 meters (10 ft) long, which is found in Yamagata prefecture’s Lake Otoriike. Located nearly 1,000 meters above sea level, the remote mountain lake was created ages ago when an earthquake triggered a massive landslide that dammed up a mountain stream.

The Takitaro appears in a number of stories throughout the 20th-century. In 1917, for example, a pair of men are said to have captured a 1.5 meter (5 ft) long fish that was large enough to feed 20 floodgate construction workers for 4 days. In 1982, a group of mountain climbers above the lake observed a fish over 2 meters (6.5 ft) long in the clear water below. This sighting grabbed headlines nationwide.

Three years later, in 1985, a team of scientists went to the lake in search of the Takitaro. Sonar equipment revealed the presence of giant fish, and the scientists identified some smaller specimens as relatives of ancient salmon that likely became trapped in the lake when it was formed long ago. The true identity of the giant Takitaro, however, remains a mystery, but some believe it is a mutant descendant of these ancient fish.

* * * * *

- Kappa

Kappa (river imps) have appeared in countless stories and folk legends for centuries, and they rank among Japan’s most well-known cryptids. While most people nowadays regard the amphibious child-sized troublemakers as pure myth, stories of kappa encounters still crop up from time to time, such as the following two reports from Japan’s southern island of Kyushu.

Report 1 — Slimy Footprints at the River’s Edge: At around 11 PM on August 1, 1984 in the town of Tsushima in Nagasaki prefecture, a squid fisherman named Ryu Shirozaki was walking home from the local pier after work. As he passed near the Kuta river, he came upon a small group of children playing at the water’s edge. While it was not entirely uncommon to encounter people fishing in the river at night, it was rather surprising to see youngsters there.

As Shirozaki approached the children, he was struck by how bizarre they appeared in the moonlight. He could make out swarthy faces, unusually spindly arms and legs, and glistening skin. Suspicious, Shirozaki called out to them as he neared, but they seemed startled and quickly disappeared into the water.

The next morning when he returned to the same spot, Shirozaki discovered a set of moist, teardrop-shaped footprints on the nearby pavement. The prints, which appeared to consist of a slimy substance that had begun to coagulate under the hot morning sun, stretched for about 20 meters. Each footprint measured 22 centimeters (about 10 in) long and 12 centimeters (5 in) wide, and they were spaced about 50 to 60 centimeters (about 2 ft) apart.

Shirozaki and a few curious onlookers immediately suspected the footprints belonged to a kappa. People began to gather around as the news spread quickly through town, and all agreed the prints belonged to a kappa. In the minds of many residents, the footprints confirmed the existence of the river imps they knew through local legends.

When police forensic investigators arrived on the scene, they determined that the slimy footprints consisted of an unknown secretion. They took a sample to the lab for analysis, but the results unfortunately turned out to be inconclusive because the sample was too small. The police eventually dropped their investigation, and the mystery of the slimy footprints was never solved.

Report 2 — The Unclean Guest: Another recent kappa encounter occurred on June 30, 1991 in the town of Saito in Miyazaki prefecture, when an office worker named Mitsugu Matsumoto and his wife Junko returned home for the evening. Upon opening the front door, the Matsumotos were confronted with a strange smell inside their home. Inside, they found dozens of small, wet footprints around the front door and in the hallway, bathroom, and two tatami rooms. At first they suspected a burglar, but they soon realized nothing had been stolen.

The police briefly surveyed the house, but found nothing except a floor soiled by 30 footprints, each measuring about 7 centimeters long and 6 centimeters wide, and having 4 or 5 toes. To Matsumoto, the footprints did not look human, nor did they appear to belong to any animal he could imagine.

Later that night, as Mrs. Matsumoto was putting laundry away, she discovered an unusual orange stain on some clothing. The next morning, as Matsumoto inspected the house more closely, he discovered a deposit of orange liquid on the portable stereo in the tatami room. He took a sample to the local public health center for analysis, and the results indicated the liquid had an extremely high iron content and a chemical composition resembling spring water.

Troubled by the incident, Matsumoto decided to visit a shaman. After listening to Matsumoto’s story, the shaman encouraged him not to worry, explaining that the kappa indigenous to the nearby swamp enjoyed playing the occasional prank on local residents. The kappa were harmless, the shaman told him.

Harmless, perhaps, but Matsumoto found the kappa difficult to clean up after. He tried using detergent, paint thinner and gasoline to remove the footprints and orange stains, but nothing seemed to work.

[Note: This post includes information from Shin-ichiro Namiki's Nippon No Kaiki Hyaku, 2007 (published in Japanese)]