Mechani-Kong and Dr. Who’s secret pyramid base

In 1967, Shōnen Magazine published a set of illustrations detailing the secret weapons of Dr. Who, an evil scientist bent on capturing King Kong who regularly appeared in “The King Kong Show,” a popular animated series on Japanese and US television at the time (not related to the British “Doctor Who”).

Mechanikong of Dr. Who --
[View full image]

“Death Battle with Robot Kong,” an illustration by Takashi Minamimura, features a cutaway diagram of Robot Kong, also known as “Mechani-Kong” in the US version of the cartoon and in the 1967 spin-off film “King Kong Escapes.” Built to defeat King Kong, the 50-meter tall remote-control robot is powered by a 200,000-kilowatt nuclear reactor and can shoot laser beams from its eyes and poison gas from its nose.

Mechanikong of evil Dr. Who -- Mechanikong of evil Dr. Who --

The accompanying text describes Dr. Who’s sinister plans to capture King Kong, place a mind-control helmet on his head, and use him to hijack ships and rob banks. He estimates King Kong can carry about 100 million yen in cash in his giant paws.

Secret pyramid base of evil Dr. Who --
[View full image]

Appearing in the same issue of Shōnen Magazine is a schematic illustration by Takayoshi Mizuki entitled “Secret Pyramid Base,” which shows Dr. Who’s secret base inside one of the Giza pyramids in Egypt.

Secret pyramid base of Dr. Who --

The pyramid is equipped with advanced military hardware, including 3D radar, jet launchers, recoilless guns, flamethrowers, rocket launchers, and military tanks that burrow underground. Dr. Who monitors all the action from a wall of TV screens in his room at the center of the pyramid. The base is powered by a nuclear reactor in the basement and surrounded by giant ant-lion sand traps.

Secret pyramid base of evil Dr. Who --

Situated nearby is a giant nuclear-powered Sphinx Tank. King Kong battles a variation of this weaponized Sphinx in an episode of “The King Kong Show.” (Watch “The Jinx of the Sphinx.”)

The diabolical Dr. Who and Mechani-Kong also appear in the 1967 film “King Kong Escapes,” which was an adaptation of some of the cartoon episodes.

King Kong Escapes --

In the film, King Kong is captured and hypnotized by Dr. Who, but he eventually snaps out of it and escapes to Tokyo. Dr. Who sends Mechani-Kong after him, and the two end up in a battle to the death atop Tokyo Tower.


+ King Kong Escapes – US trailer

[Images via: 昭和の雑誌広告・懐かしモノ]

Computopia: Old visions of a high-tech future

In 1969, Shōnen Sunday magazine featured a series of illustrated articles entitled “Computopia,” which depicted life in a pleasant future pervaded by computers. Here are three illustrations from the series (1, 2, 3).

* * * * *

- Future Classroom

Computopia, old visions of a computerized future --

“The Rise of the Computerized School,” illustrated by Shigeru Komatsuzaki, takes a peek inside the classroom of the future, where the teacher is an image on a screen and students sit at desks equipped with computers. When the teacher presents a problem, the students input the answer into their computers. If an answer is incorrect, the students use a light pen to make revisions on the monitor until the computer says it is right.

Computopia, old visions of a computerized future --

For the purpose of maintaining order, the future classroom will come equipped with watchful robots that rap students on the head if they lose focus or act up. [View full image]

* * * * *

- Future Home

This illustration by Toshio Okazaki, entitled “Computer Life in 20 Years,” depicts what the typical household might look like 20 years in the future — in 1989 — after computers have become an integral part of daily life.

Computopia, old visions of a computerized future --

In this high-tech home, dad chats on the videophone while the wall-mounted home computer spits out a newspaper and the automatic air conditioner cools the room.

Computopia, old visions of a computerized future --

Junior’s eyes are glued to the 3D TV while an autonomous vacuum robot cleans the floor nearby. A hovercraft floats in the sky outside the window.

Computopia, old visions of a computerized future --

Mom performs calculations on a miniature home computer.

Computopia, old visions of a computerized future --

The home is also furnished with nifty devices such as an automatic iron, an autonomous wheeled table that keeps food warm, and a kitchen robot that sets the table and takes care of the dishes. [View full image]

* * * * *

- Future Hospital

“The Amazing Unmanned Operating Room,” illustrated by Teruya Yamamoto, takes a peek inside the computerized hospital of the future.

Computopia, old visions of a computerized future --

In this unmanned operating room, a computer-controlled robot arm is performing a heart transplant with cool precision. The patient’s heart has been removed and placed on the adjacent table. Before inserting the new artificial heart, the computer waits for instructions from the human doctor, who is monitoring the procedure on a screen in the next room. [View full image]

[Via: 昭和の雑誌広告・懐かしモノ]

Sonosheet cover art

Vintage sonosheet cover art --
Mirrorman

In the 1960s and 1970s, Japan saw an explosion in the popularity of sonosheets — cheap, flexible phonograph records printed on thin sheets of vinyl. Widely available from a variety of publishers, the most popular sonosheets featured theme music from TV anime, manga and tokusatsu, and they often came packaged inside booklets featuring colorful artwork. The sonosheet boom was short-lived, though — many companies went under as the market became flooded in the 1970s, and the phenomenon all but disappeared by the 1980s. Here is a small sample of the vast array of sonosheet cover art from that era.

Vintage sonosheet cover art --
Ultra Q [+]

Vintage sonosheet cover art --
Batman vs. Iceman

Vintage sonosheet cover art --
Vampire

Vintage sonosheet cover art --
Captain Ultra

Vintage sonosheet cover art --
Batman (front cover) [+]

Vintage sonosheet cover art --
Batman (back cover) [+]

Vintage sonosheet cover art --
Ambassador Magma [+]

Vintage sonosheet cover art --
GeGeGe no Kitaro (front cover) [+]

Vintage sonosheet cover art --
GeGeGe no Kitaro (back cover) [+]

Vintage sonosheet cover art --
Falcon of Shidenkai [+]

Vintage sonosheet cover art --
Kaiki Daisakusen (front cover) [+]

Vintage sonosheet cover art --
Kaiki Daisakusen (back cover)

Vintage sonosheet cover art --
Daikaij?sen

Vintage sonosheet cover art --
Space boy Soran [+]

Vintage sonosheet cover art --
Thunderbirds [+]

Vintage sonosheet cover art --
Tetsujin Tiger Seven/ Inazuman/ Diamond Eye

Vintage sonosheet cover art --
Ultraman (front cover)

Vintage sonosheet cover art --
Ultraman (back cover)

Vintage sonosheet cover art --
Henshin Ninja Arashi

Vintage sonosheet cover art --
Frankenstein [+]

Vintage sonosheet cover art --
Robot Detective (front cover)

Vintage sonosheet cover art --
Robot Detective (inside) [+]

Vintage sonosheet cover art --
Space Monsters

Vintage sonosheet cover art --
Ultra Seven

[More]

Psychedelic posters by Aquirax Uno

Graphic artist Aquirax Uno, a prominent figure in the Japanese underground art scene of the 1960s-1970s, is famous for creating psychedelic posters featuring strange (and occasionally grotesque) eroticism, bright colors, and elements of collage.

Poster by Aquirax Uno --
First Love Inferno, 1968 [+]

Poster by Aquirax Uno --
Keiko’s at Marubutsu Department Store, 1967 [+]

Poster by Aquirax Uno --
Michelangelo’s Expression, 1968 [+]

Poster by Aquirax Uno --
Display Exhibition, 1969 [+]

Poster by Aquirax Uno --
Untitled, from “Mono Aquirax” [+]

Poster by Aquirax Uno --
Sailor 21 Gold Fountain Pen, 1968 [+]

Poster by Aquirax Uno --
“Aquirax Uno Collection” Exhibition Poster, 1968 [+]

Poster by Aquirax Uno --
Mini Books, 1967 [+]

The images here (and more like them) are from the website of Tara Sinn, who has also posted a 2007 interview with Uno.

A selection of Uno’s original posters can also viewed at Kawasaki City Museum as part of the “Graphic Design in the 60s and 70s” exhibit that runs until October 4 (free).

Vintage avant-garde manga by Maki Sasaki

“A Dream To Have In Heaven” (Tengoku De Miru Yume – ??????) by Maki Sasaki is a surreal non-narrative one-shot manga published in the November 1967 issue of the now-defunct Garo, an alternative manga monthly magazine that peaked in the late 1960s and early 1970s.

A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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A Dream To Have In Heaven --
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Music (& film) posters by Tadanori Yokoo

Tadanori Yokoo, one of Japan’s most prolific and internationally recognized graphic designers, has created a number of psychedelic posters for notable musicians.

Poster by Tadanori Yokoo --
Earth, Wind & Fire, 1976 [Enlarge]

Poster by Tadanori Yokoo --
Santana – Lotus, 1974 [Enlarge]

Poster by Tadanori Yokoo --
The Beatles, 1972 [Enlarge]

Poster by Tadanori Yokoo --
Emerson, Lake & Palmer concert poster, 1972 [Enlarge]

Poster by Tadanori Yokoo --
Tangerine Dream, 1976 [Enlarge]

Poster by Tadanori Yokoo --
Beatles – Star Club, 1977 [Enlarge]

Poster by Tadanori Yokoo --
Cochin Moon, 1978 [Enlarge]

Poster by Tadanori Yokoo --
Holst – The Planets, 1979 [Enlarge]

Poster by Tadanori Yokoo --
Earth, Wind & Fire, 1993 [Enlarge]

* * * * *

Yokoo is also known to have designed the occasional movie poster, including these three psychedelic beauties for Roger Corman’s “The Trip.”

Poster by Tadanori Yokoo --
The Trip, 1968 [Enlarge]

Poster by Tadanori Yokoo --
The Trip, 1968 [Enlarge]

Poster by Tadanori Yokoo --
The Trip, 1968 [Enlarge]

Seven mysterious creatures of Japan

Bigfoot. The Loch Ness Monster. The Abominable Snowman. Tales of unidentified mysterious animals have long intrigued and captured the imagination of people around the world — and Japan is no exception. Here is a brief introduction to 7 of the island nation’s most notorious cryptids, complete with grainy photographs where available. Whether you regard these tales as fact or fiction, their impact on the culture where they were encountered is undeniable.

* * * * *

- Hibagon

Hibagon --

The Hibagon (a.k.a. Hinagon) is a cryptic hominid, similar to Bigfoot, inhabiting the area around Mt. Hiba in northern Hiroshima prefecture. According to numerous eyewitness accounts from the early 1970s, the Hibagon stands about 1.5 to 1.7 meters (about 5 ft) tall, weighs an estimated 80 to 90 kilograms (about 180 lbs), is covered in a thick coat of black or brown fur (sometimes it is reported as having a spot of white fur on its chest or arms), and has an unusually large triangular head and intelligent human-like eyes. The Hibagon received its name from the local animal control board.

Hibagon -- The first known Hibagon sighting occurred on July 20, 1970 in the area around Mt. Hiba near the border with Tottori prefecture. Three days after the initial sighting, the furry ape-like creature was seen again walking through a rice paddy in the nearby rural town of Saijo. A total of 12 sightings were reported that year, and mysterious footprints were found in the snow that December.

Numerous Hibagon sightings were reported in areas surrounding Mt. Hiba in the summers between 1971 and 1973, as increased human activity during the hunting season forced the creature down from the mountain. On August 15, 1974, the Hibagon was photographed as it hid behind a persimmon tree. Unusual footprints measuring 20 centimeters (9 in) long were found nearby. After this photo was taken, the Hibagon went back into hiding, only to be seen two more times — once in 1980 and again in 1982 — before disappearing forever.

Hibagon --

The Hibagon may have disappeared long ago, but the residents of Saijo have not forgotten. The town has adopted the likeness of the creature as its mascot, and souvenir shops sell Hibagon Eggs and other cryptid ape-themed sweets. [More]

* * * * *

- Tsuchinoko

Tsuchinoko --
Tsuchinoko — Reality? Myth? Or mistaken identity?

The Tsuchinoko is a snake-like cryptid found throughout Japan, except in Hokkaido and the Okinawan islands. Reports describe the Tsuchinoko as having a thick, stubby body measuring 30 to 80 centimeters (12 to 30 in) in length, often with a distinct neck, gray, brown or black scaly skin, and venomous fangs. Some accounts suggest the Tsuchinoko has a loud, high-pitched squeak and can jump as far as one meter.

Tsuchinoko --

The earliest known written record of the Tsuchinoko dates back to the 7th century, where it appears in the Kojiki (Records of Ancient Matters), the oldest surviving book in Japan. In some legends, the Tsuchinoko can speak, has a tendency to tell lies, and enjoys the taste of alcohol.

Tsuchinoko --

Skeptics dismiss Tsuchinoko sightings as simple cases of mistaken identity, suggesting the creatures are nothing more than snakes in the process of digesting large meals, or perhaps even escaped exotic pets such as the blue-tongued lizard.

Tsuchinoko --

Regardless, local tourist boards in rural areas frequently organize Tsuchinoko hunts to attract visitors, promising large sums of money to any participant lucky enough to capture one. The town of Itoigawa in Niigata prefecture, for example, has a hunt scheduled for June 8, 2008 and is offering a 100 million yen (about $1 million) reward to whoever brings one back alive. [More]

* * * * *

- Kusshii

Kusshii --

Kusshii is a giant lake monster believed to inhabit Hokkaido’s Lake Kussharo, a large freshwater lake located in an environment and climate similar to that of the famed Loch Ness. According to eyewitness accounts, Kusshi is 10 to 20 meters (30 to 60 ft) long and has humps on its back, a long neck and a pair of horns on its head. Reports suggest it can swim as fast as a motorboat. Kusshii’s most famous appearances include a 1973 sighting by 40-member team of biologists from Hokkaido University, as well as 15 separate reports by tourists in 1974.

* * * * *

- Isshii

Isshii --

Isshii, another Japanese cryptid lake monster, is believed to inhabit Kagoshima prefecture’s 20,000-year-old Lake Ikeda, the largest caldera lake in Kyushu. The creature is similar in appearance to Kusshii, but larger.

Isshii entered the public consciousness in September 1978, after more than 20 people reportedly witnessed a giant creature moving at a blistering speed through the water. Widespread news coverage of the sighting brought a flood of tourists to the lake, and in December of the same year, a photograph was taken showing what some believe is the back of the creature poking through the water surface. Since 1990, a number of home videos have emerged showing mysterious activity just under the water surface, but none of the videos are widely seen as irrefutable proof of Isshii’s existence.

Some theories suggest Isshii could be an unidentified descendant of the Plesiosaur, while others believe it to be some sort of giant eel. Other theories suggest the sightings can be explained as rogue waves generated by winds unique to the lake.

Rogue waves cannot, however, explain what happened in 1961, when a large-scale search was conducted for a US military jet believed to have crashed in the lake. Sonar equipment used in the search reportedly revealed a large rock-shaped object moving through the water below, and records indicate that divers on the lake floor were nearly attacked by a large, unidentified creature.

* * * * *

- Giant Snake of Mt. Tsurugi

Mt. Tsurugi, the second highest peak on the island of Shikoku, is steeped in mystery. According to one local legend, the mountain is actually a giant man-made pyramid, and another legend says that a hoard of King Solomon’s secret treasure lies buried within. A giant snake believed to be guarding that treasure has been sighted on many occasions.

Giant snake of Mt. Tsurugi -- In May 1973, a group of 4 forestry workers reportedly encountered a 10 meter (33 ft) long snake as big around as a telephone pole. The creature was described as having shiny black scales, and it reportedly made a loud chirping sound. In the months that followed, local officials organized a large-scale hunt for the snake, enlisting the help of hundreds of volunteers. While the creature was not apprehended, the searchers did find what appeared to be giant snake tracks that measured 40 centimeters (16 in) wide and passed alongside fallen trees.

A local history museum has in its collection a large jawbone measuring 34 centimeters (13 in) across, which many believe belongs to the giant snake. Others speculate it belongs to a shark.

* * * * *

- Takitaro

Takitarou --

The Takitaro is a type of giant fish measuring up to 3 meters (10 ft) long, which is found in Yamagata prefecture’s Lake Otoriike. Located nearly 1,000 meters above sea level, the remote mountain lake was created ages ago when an earthquake triggered a massive landslide that dammed up a mountain stream.

The Takitaro appears in a number of stories throughout the 20th-century. In 1917, for example, a pair of men are said to have captured a 1.5 meter (5 ft) long fish that was large enough to feed 20 floodgate construction workers for 4 days. In 1982, a group of mountain climbers above the lake observed a fish over 2 meters (6.5 ft) long in the clear water below. This sighting grabbed headlines nationwide.

Three years later, in 1985, a team of scientists went to the lake in search of the Takitaro. Sonar equipment revealed the presence of giant fish, and the scientists identified some smaller specimens as relatives of ancient salmon that likely became trapped in the lake when it was formed long ago. The true identity of the giant Takitaro, however, remains a mystery, but some believe it is a mutant descendant of these ancient fish.

* * * * *

- Kappa

Kappa (river imps) have appeared in countless stories and folk legends for centuries, and they rank among Japan’s most well-known cryptids. While most people nowadays regard the amphibious child-sized troublemakers as pure myth, stories of kappa encounters still crop up from time to time, such as the following two reports from Japan’s southern island of Kyushu.

Kappa -- Kappa -- Kappa --

Report 1 — Slimy Footprints at the River’s Edge: At around 11 PM on August 1, 1984 in the town of Tsushima in Nagasaki prefecture, a squid fisherman named Ryu Shirozaki was walking home from the local pier after work. As he passed near the Kuta river, he came upon a small group of children playing at the water’s edge. While it was not entirely uncommon to encounter people fishing in the river at night, it was rather surprising to see youngsters there.

As Shirozaki approached the children, he was struck by how bizarre they appeared in the moonlight. He could make out swarthy faces, unusually spindly arms and legs, and glistening skin. Suspicious, Shirozaki called out to them as he neared, but they seemed startled and quickly disappeared into the water.

The next morning when he returned to the same spot, Shirozaki discovered a set of moist, teardrop-shaped footprints on the nearby pavement. The prints, which appeared to consist of a slimy substance that had begun to coagulate under the hot morning sun, stretched for about 20 meters. Each footprint measured 22 centimeters (about 10 in) long and 12 centimeters (5 in) wide, and they were spaced about 50 to 60 centimeters (about 2 ft) apart.

Shirozaki and a few curious onlookers immediately suspected the footprints belonged to a kappa. People began to gather around as the news spread quickly through town, and all agreed the prints belonged to a kappa. In the minds of many residents, the footprints confirmed the existence of the river imps they knew through local legends.

When police forensic investigators arrived on the scene, they determined that the slimy footprints consisted of an unknown secretion. They took a sample to the lab for analysis, but the results unfortunately turned out to be inconclusive because the sample was too small. The police eventually dropped their investigation, and the mystery of the slimy footprints was never solved.

Report 2 — The Unclean Guest: Another recent kappa encounter occurred on June 30, 1991 in the town of Saito in Miyazaki prefecture, when an office worker named Mitsugu Matsumoto and his wife Junko returned home for the evening. Upon opening the front door, the Matsumotos were confronted with a strange smell inside their home. Inside, they found dozens of small, wet footprints around the front door and in the hallway, bathroom, and two tatami rooms. At first they suspected a burglar, but they soon realized nothing had been stolen.

The police briefly surveyed the house, but found nothing except a floor soiled by 30 footprints, each measuring about 7 centimeters long and 6 centimeters wide, and having 4 or 5 toes. To Matsumoto, the footprints did not look human, nor did they appear to belong to any animal he could imagine.

Later that night, as Mrs. Matsumoto was putting laundry away, she discovered an unusual orange stain on some clothing. The next morning, as Matsumoto inspected the house more closely, he discovered a deposit of orange liquid on the portable stereo in the tatami room. He took a sample to the local public health center for analysis, and the results indicated the liquid had an extremely high iron content and a chemical composition resembling spring water.

Troubled by the incident, Matsumoto decided to visit a shaman. After listening to Matsumoto’s story, the shaman encouraged him not to worry, explaining that the kappa indigenous to the nearby swamp enjoyed playing the occasional prank on local residents. The kappa were harmless, the shaman told him.

Harmless, perhaps, but Matsumoto found the kappa difficult to clean up after. He tried using detergent, paint thinner and gasoline to remove the footprints and orange stains, but nothing seemed to work.

[Note: This post includes information from Shin-ichiro Namiki's Nippon No Kaiki Hyaku, 2007 (published in Japanese)]

Galaxy Boy Troop: ’60s anime-style sci-fi puppetry

Galaxy Boy Troop --

Osamu Tezuka’s “Galaxy Boy Troop,” a 92-episode children’s space opera that aired on NHK from 1963 to 1965, featured a unique blend of animation (Mushi Production) and puppetry (Takeda Puppet Troupe). The series also aired in France, where it was known as “Le Commando De La Voie Lactee” (lit. “Commando Of The Milky Way”). The original Japanese masters and films are believed to have been lost or destroyed, and the few known surviving fragments are from French sources. (Watch a clip.)

In this story, aliens on the dark side of the moon have begun bombing Earth, and the crew of heroes — led by Commander Rop & Mister 6 (his intelligent computerized transport vehicle) — go to the moon to find and destroy their lunar base. The musical score is by renowned electronic music composer Isao Tomita.

Rare old footage of Flower Travellin’ Band

Flower Travellin' Band --

In 1973, Japanese psychedelic prog rock pioneers Flower Travellin’ Band played their last show at Maruyama Park in Kyoto. The show came shortly after the release of their final album “MAKE UP,” and after the cancellation of their scheduled Japan tour with the Rolling Stones (immigration officials refused Mick Jagger a visa). Pieces of the wild final performance were captured on 8mm film. The music here is “Satori – Part II” from the legendary Satori album (1971).

A 1969 Chunichi News piece entitled “Rock and Youth” profiled eccentric frontman Joe Yamanaka, who was 22 years old at the time. In the report, Joe — a former professional boxer and fashion model who says his African-American/Japanese blood flows with the essence of rock ‘n’ roll — professes a deeper love for explosive rock than for sentimental enka. The music here is a supercharged version of Muddy Waters’ “Louisiana Blues,” from Flower Travellin’ Band’s “Anywhere” album (1970).

Flower Travellin’ Band reunited this year — 35 years after their last show in Kyoto — and are putting together a new album. They are scheduled to play at Fuji Rock Festival this summer.

[Photo: Joe Yamanaka]

Vintage vampire video by Osamu Tezuka

Vampire ---

This vintage live action/animated vampire video is the opening sequence for the pilot version of Vampire (Banpaiya), an old TV series created by Osamu Tezuka. Originally broadcast in Japan in the late ’60s, the 26-part series centers around a vampire (looks like a werewolf) who comes from a vampire village to Tokyo and lands a job as an animator with Osamu Tezuka (who plays himself). Doubtless the freaky live action/animated style blew a few minds.