This video clip from Trivia no Izumi shows how frogs cope with severe indigestion. After a disagreeable meal, a frog can empty its stomach by ejecting the entire organ inside-out through its mouth and washing it with its front legs before swallowing it back down.
The host of the show explains that a frog throws up in much the same way that humans do, but its stomach pops out because of its relatively wide and soft esophagus. Incidentally, some people believe frogs are right-handed because the ejected stomach protrudes to the right and they mainly use their right front leg to wash it.
Four mutant frogs with gold skin and red eyes, found by children in a grassy field in the town of Shimanto in Kochi prefecture, have gone on display at the nearby Shimanto River Gakuyukan science center. According to a center spokesperson who says the golden specimens are highly unusual, the 2.4-centimeter (almost 1-inch) amphibians appear to be black-spotted pond frogs (Pelophylax nigromaculata, a.k.a. Rana nigromaculata) whose skin turned gold because of an albino mutation that prevents the formation of pigment cells. With a run of bad luck that has brought shrinking visitor numbers and a recent theft of 1.25 million yen (about $10,000), the center hopes the golden frogs are a sign of good fortune to come. Oddly, they look sort of like feng shui money frogs (Chan Chu), except that money frogs have three legs.
Each August in the city of Yokkaichi in Mie prefecture, a giant mechanical effigy of Onyudo, a legendary Japanese monster, is paraded through the streets during the Grand Yokkaichi Festival. The mechanized puppet, said to be the largest karakuri ningyo in Japan, stands between 6.3 and 9 meters (20 to 30 feet) tall depending on how far its neck is extended. The giant Onyudo wows spectators by swinging its arms, bobbing its head around on its long neck, moving its eyes and mouth, and sticking out its tongue as it is wheeled through the streets to the accompaniment of taiko drums.
Onyudo, whose name literally means "large monk," appears in a number of folk tales across Japan. While his physical appearance and characteristics vary from story to story, he is always large, ranging anywhere from 2 meters (6 ft. 6 in.) tall to as large as a mountain. Onyudo usually appears as a giant person or an indistinct shadow, though he is known to have the ability to shape-shift.
In most cases, Onyudo is a malevolent figure that can cause people to fall ill simply by looking at them. Some stories identify him as being a fox or tanuki (raccoon dog) that has shape-shifted (a common ability for these animals in Japanese folklore), but in most stories, his true identity remains a mystery.
The Japanese Wikipedia entry for Onyudo (大入道) includes a nice selection of stories from different areas and time periods. Here are a few.
In Hokkaido during the Kaei period (c. 1850), native Ainu communities reported seeing Onyudo near Lake Shikotsu and Mt. Fuppushidake. It is said that he could drive people to madness and cause them to lose consciousness just by looking at them with his large eyeballs.
In Toyama prefecture, people with medical conditions staying at the Kanetsuri hot springs to cure their diseases claim to have seen a 15- to 18-meter (50 to 60 feet) tall Onyudo, who was described as being surrounded by a beautiful rainbow-colored halo.
In 1937 near Akabane station in Tokyo, a military officer delivering an akagami (draft card) had a frightening encounter with Onyudo at a railroad crossing near Akabane-Hachiman Shrine. Here, Onyudo appeared as a soldier. Four days later, the officer was hit by a train at the same railroad crossing. While stories rarely identify Onyudo as a human spirit, this story suggests the Onyudo was the vengeful ghost of either a new recruit that had committed suicide or a soldier that had been accused of failure and bludgeoned to death by a superior officer.
In some cases, Onyudo is helpful. For instance, according to an old story in the town of Ishii in the Myozai district of Tokushima prefecture, an 8.5-meter (28 feet) tall Onyudo would show up to help mill the rice whenever it accumulated at the local water mill. However, the Onyudo only worked alone, and if anyone tried to observe him while he worked, he would turn angry and frighten them away.
Yokkaichi's Onyudo also appears to have been rather friendly, according to this website. One day long ago when Yokkaichi was a little merchant town, a large young man appeared at a small local shop and asked the owner to hire him. The shop owner, named Kyuroku, politely refused to employ the large man because the shop was too cramped to accommodate him. But the young man insisted, explaining to Kyuroku that he had just arrived from the countryside in search of work. Kyuroku eventually decided to hire him and gave him a room in his house behind the shop.
Mysteriously, the business began to thrive. Things went so well that after three years, Kyuroku asked the young man to marry his daughter so that he could one day inherit the shop. The young man refused the offer, saying he only wished to continue working as he had been.
Late one night the next summer, Kyuroku woke from his sleep and decided to step outside for some cool air. As he walked past the young man's room, he noticed the glow of an oil lantern inside, visible through the shoji screen. The light cast a large shadow on the shoji that stopped Kyuroku dead in his tracks. He saw the ghastly, dark shape of a head attached to a long sinuous neck, slowly twisting and turning back and forth. Kyuroku watched in horror as the shadow snaked its head to the lantern and began to lick the oil. The head at the end of that horrible neck clearly belonged to the young man.
Kyuroku passed out from fear and fell to the floor. After waking the next morning, he cautiously went to the young man's room and peeked inside. The room was empty except for the man's striped kimono, which lay neatly folded on the floor. He had disappeared without a trace.
Nobody knows what happened to the large mysterious man, but the town of Yokkaichi built the mechanical Onyudo effigy to pay him their respects and wish for his safety.
One of the cooler things about summer in Japan is the centuries-old tradition of swapping ghost stories. Some argue that the fear induced by a spine-chilling story can actually lower one's body temperature, making it a great way to deal with the summer heat. With this in mind as the summer heat sets in, here is "Severed Mouth Woman," a video produced by Buildup as part of their Bizarre Creatures of Japan series.
The video recounts the well-known story of the severed-mouth woman (kuchisake-onna), a malicious blade-wielding lady with a slit mouth (which she keeps hidden behind a surgical mask) who is bent on cutting open the mouths of strangers. Apparently a modern interpretation of an old Heian period legend, this tale sparked a mass panic in Japan in the late '70s and early '80s, as news reports circulated about a slit-mouthed woman terrorizing neighborhoods across the country. In this video, produced more than two decades after the hysteria passed, a former coroner comes forward with details about the severed-mouth woman's identity. Using old skeletal records, her head is reconstructed here.
As industrial equipment manufacturer Yaskawa Electric forces the MOTOMAN robot out of its comfort zone on the factory floor, we see it quickly acquiring new skills. First the robot developed the ability to sort mail. Now it has learned to play taiko drums.
On July 21, a team of four MOTOMAN machines -- two dual-armed MOTOMAN-DIA10 robots and two MOTOMAN-HP3 welding robots -- gave a special taiko performance at the nearly 400-year-old Kokura Gion Daiko Festival in Kitakyushu, which is famous for its traditional drumming competition. Organizers invited the robots to spice up the special opening ceremony for the competition's 60th anniversary. The robots -- the first ever to play taiko drums at the ancient festival -- were paraded through the crowd of spectators on a float while they performed.
Yaskawa worked with festival organizers for four months to teach the robots the proper rhythm, technique and choreography for the performance, which was seen as a success. Here's a short video.
Each year, farmers in the town of Inakadate in Aomori prefecture create works of crop art by growing a little purple and yellow-leafed kodaimai rice along with their local green-leafed tsugaru-roman variety. This year's creation -- a pair of grassy reproductions of famous woodblock prints from Hokusai's 36 Views of Mount Fuji -- has begun to appear (above). It will be visible until the rice is harvested in September.
The residents of Inakadate have been drawing pictures with rice since 1993. Here are a few crops from the recent past, found at this site.
2006
2005
2002
While Inakadate is Japan's most famous rice paddy decorating town, a couple of other places in Japan have joined in the fun.
Yonezawa, Yamagata prefecture, 2007
Yonezawa, Yamagata prefecture, 2006
Nishio, Aichi prefecture (2005, 2006)
UPDATE (Oct 1, 2007): Check out photos of the 2007 harvest HERE.
If, over the past several years, you have had the privilege of joining the 3.3 million people that pass through Tokyo's Shinjuku station each day, you may have observed the work of Mr. Sato. A construction worker by trade, Sato uses strips of adhesive tape to create elaborate makeshift signs that help people navigate the temporary chaos of ongoing renovation work at Shinjuku station.
Sato's signs, which feature a peculiarly attractive gothic font, are the focus of a 15-minute documentary video put together by TrioFour, a small group of independent filmmakers. The video, which can be seen in two parts here (part 1, part 2), consists mainly of a long interview with Sato, entirely in Japanese (no subtitles), but it also shows lots of photos of his work from 2004. The photos below are still shots taken from the video.
With his work at Shinjuku complete, Sato has boarded the Yamanote line and taken his adhesive tape sign creation skills to the now-under-renovation Nippori station. TrioFour followed him there and is working on a new documentary.
Yokkaichi's Onyudo also appears to have been rather friendly, according to 
One of the cooler things about summer in Japan is the centuries-old tradition of swapping ghost stories. Some argue that the fear induced by a spine-chilling story can actually lower one's body temperature, making it a great way to deal with the summer heat. With this in mind as the summer heat sets in, here is "
