The Yomiuri Online has posted a photo of some new Olympic-themed statues on display in Beijing's financial district. The statues -- which appear about one year after Disney cried copyright infringement in response to a host of knock-off Disney characters at Beijing's Shijingshan Amusement Park -- depict five Mickey Mouse-like characters engaging in Olympic sports. When asked about the resemblance to Mickey, a spokesperson replied, "They have square holes in their ears. They are not copies." The spokesperson suggested the statues are unique because they incorporate the themes of old Chinese coins (the square holes), the year of the rat, the Olympics and the financial district into the design. However, children passing by the statues were seen pointing and saying, "Look! It's Mickey!"
This time-lapse video of the 2008 Inakadate rice crop art is composed of still images captured daily from June 1 to July 3, 2008 via the roof webcam at the adjacent town hall. The 3.7-acre work features the images of Daikoku, god of wealth (left), and Ebisu, god of fishers and merchants (right), which were created using five different colors of rice plants. On July 4, just as the crop was beginning to mature, the organizers shut down the webcam when they removed the JAL ad portion of the artwork at the request of the rice paddy owner.
In nature, it is quite rare to encounter octopi with extra tentacles (or "arms," for the purists), but a pair of aquariums in Japan's Mie prefecture have some extraordinary specimens on hand.
The permanent display at the Shima Marineland Aquarium in the town of Shima includes a 96-tentacled Common Octopus (Octopus vulgaris) that weighed 3.3 kilograms (about 7 lbs) and measured 90 centimeters (3 ft) long when it was captured in nearby Matoya Bay in December 1998. Before dying 5 months later, the creature laid eggs, making it the first known extra-tentacled octopus to do so in captivity. All the baby octopi hatched with the normal number of tentacles, but unfortunately they only survived a month.
96-tentacled octopus laying eggs
The preserved octopus actually has the normal number of 8 appendages attached to its body, but each one branches out to form the multitude of extra tentacles. Apparently there is no theory that fully explains the surplus tentacles, but they are believed to be the result of abnormal regeneration that occurred after the octopus suffered some sort of injury.
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The Toba Aquarium in the nearby town of Toba also has a few extraordinary octopus specimens, although they no longer appear to be on permanent display. Every now and then, though, the aquarium pulls them out of storage for the world to see.
85-tentacled octopus at Toba Aquarium
Their most well-known specimen is an 85-tentacled Common Octopus captured in 1957 at nearby Toshijima island. This remarkable creature -- which, like the Shima Marineland octopus, has 8 main arms that branch out to form scores of tentacles -- made quite a stir when it first went on display at Toba Aquarium a half-century ago. A few years later, the specimen was loaned to the National Museum of Nature and Science in Tokyo, where it famously caught the attention of the Showa Emperor.
The renowned creature eventually returned to Toba and went on permanent display until the aquarium moved to a new location in 1985, at which time it was placed in storage. Twenty years later, in 2005, the specimen entered the spotlight again when it was put on temporary display.
In the 50 years since the 85-tentacled octopus was captured, the Toba Aquarium has exhibited 6 other mutant octopi, most of them alive for a time, and each with between 9 and 56 tentacles.
Photographer Sato Jun Ichi explores the architecture of Japan's flood control infrastructure in a huge collection of photographs taken over a period of 10+ years.
Ibaraki, 1997
Tochigi, 2006 // Saitama, 2007
Saitama, 1999
Chiba, 1997
Saitama, 1999
Saitama, 2006
Saitama, 2006 // Saitama, 2007
Ibaraki, 1998
Saitama, 1998
Miyagi, 1998
Visit Sato's Floodgates site for about 600 more photos. (Use the links at the top left to scroll through the 37 galleries.) There is also a book.
This photo snapped by Aomori-based blogger Pochiko shows remnants of the JAL logo still visible in this year's Inakadate rice paddy art, several days after organizers attempted to "erase" it.
Has Japan Airlines' crop-based advertising gone too far? For some residents of Inakadate -- a small town with a big reputation for cultivating fantastic works of multi-colored rice paddy art -- the answer is "yes."
This year's crop art, which is Inakadate's 16th work since 1993, features giant images of Daikoku (god of wealth) and Ebisu (god of fishers and merchants) alongside the corporate logo for sponsor Japan Airlines (JAL). Here are a few photos of the rice paddy taken in June from the 6th-floor roof of the adjacent town hall.
Daikoku (left), Ebisu (right) and JAL logo
The town committee responsible for the annual crop art project decided to incorporate advertising into this year's work to help offset rising costs associated with increased numbers of visitors. Last year more than 240,000 people came to see the crop art, and many of them used the town hall bathrooms and elevators (there is a nice view of the rice paddy from the roof), resulting in a costly utility bill.
However, the owner of the rice field, Ryuji Sato -- who also happens to be the former mayor of Inakadate and a member of the committee -- thinks the ad stinks. At the end of June he demanded the corporate logo be removed from his property.
"The idea has always been to create art that attracts lots of visitors and stimulates the economy," says Sato. "Turning it into a giant advertisement contradicts what we set out to do."
After a week of heated discussion, the committee voted to pull the ad, and on the morning of July 4, town hall employees were dispatched to the field to uproot the rice plants that make up the JAL logo. TV crews were on the scene. (Watch a Fuji TV news report.)
The video shows people removing rice plants only from the area occupied by the JAL symbol, which creates a very conspicuous negative space in the field. Ironically, this makes the logo more visible. It remains to be seen whether they can successfully remove all traces of the ad.
Town hall employees remove JAL logo
Sato's critics are skeptical of his motives. Because he is on the ballot for this autumn's upcoming mayoral election, some believe he is trying to draw attention to his candidacy. Others think he may be taking revenge for the bitter 2004 mayoral election loss that removed him from office. Sato dismisses the criticism, saying that if he really wanted revenge, he would not have allowed the art to be grown in his field in the first place.
"I just can't stand the fact that they are trying to turn this into a commercial venture," says Sato, who hopes to see the rice paddy art tradition continue as it has in the past.
Meanwhile, the Aomori-based marketing agency that coordinated the advertising agreement with JAL does not know what to make of the situation. A company spokesperson says, "We obtained the committee's approval and signed a formal agreement, but yet it has come to this. We are baffled."
