Breakbeat duo Hifana (a.k.a. KEIZOmachine! and Juicy) mellow out in a rainy day session with Keisuke Muto (sitar), U-zhaan (tabla) and Izpon (percussion). Just chill.
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Breakbeat duo Hifana (a.k.a. KEIZOmachine! and Juicy) mellow out in a rainy day session with Keisuke Muto (sitar), U-zhaan (tabla) and Izpon (percussion). Just chill.
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In the early 1990s, Japan's Power Reactor and Nuclear Fuel Development Corporation (PNC) -- a nuclear energy research organization which is now part of the Japan Atomic Energy Agency (JAEA) -- created a pro-nuclear PR cartoon entitled "Pluto-kun, Our Reliable Friend." The aim of the animated film, which features the company mascot Pluto-kun, is to dispel some of the fears surrounding plutonium. Scroll down for a rough summary.
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[~1:30] The video begins with Pluto-kun disguised as a ghost. He explains that much of the fear surrounding plutonium is due to misconceptions. He says that it is very unfortunate that plutonium is used in nuclear weapons [like the one dropped on Nagasaki]. But he hates war! He loves to work for peace. He aspires to be like dynamite, whose power has been used for the benefit of mankind.
[1:30] Pluto-kun provides some basic information about plutonium. He explains that plutonium is created from uranium in nuclear reactors. He also says it was discovered by the US scientist Glenn T. Seaborg in 1940, and that it was named after the dwarf planet Pluto. (See Wikipedia for more.)
[2:30] Misconception #1 -- Pluto-kun addresses the fear that criminals could obtain plutonium and build a nuclear weapon. He explains two reasons why this would be virtually impossible. First, weapons require plutonium with a purity of at least 93%, but plutonium from reactors is only about 70% pure. A high level of technology would be required to produce weapons from this plutonium. Second, a high level of security is maintained around plutonium in Japan, making it all but impossible to steal.
[4:00] Misconception #2 -- Pluto-kun addresses the fear that plutonium is deadly and causes cancer. Plutonium's danger to the human body stems from the alpha radiation it emits. Because alpha radiation is relatively weak, it does not penetrate the skin, and plutonium is not absorbed into the body if it comes into contact with skin. He explains that you would not die instantly if you were to drink plutonium. If swallowed, the vast majority simply passes through the digestive tract without being absorbed. If it enters the blood stream (through a cut, for example) it cannot be removed easily from the body. It accumulates in the lymph nodes before ending up in the bones or liver, where it continues emitting alpha radiation. Plutonium can also get into the liver or bones if it is inhaled into the lungs. It is important not to breathe it in or allow it to enter the blood stream.
[6:00] No human is ever known to have died because of inhaling or ingesting plutonium.
[7:00] Pluto-kun explains what would happen if criminals dumped plutonium into a reservoir that provides our drinking water. Plutonium is heavy and it does not dissolve easily in water, so most of it would sink to the bottom. Even if you were to drink plutonium-laced water everyday, the vast majority of it would simply pass through the digestive system without being absorbed by the body.
[7:30] Pluto-kun suggests that the dangers of plutonium are often overemphasized, making it seem scarier than it actually is. He explains that most people associate plutonium with deadly radiation and nuclear weapons, but he likens this to a fear of non-existent ghosts.
[9:40] Pluto-kun explains that he is not a monster, and he asks you to understand who he truly is. As long as people use him peacefully and with care, there will never be any danger or anything to fear. He will provide an endless source of energy for a long time to come. He will be a reliable friend.
SWITL -- an impressive "robot hand" tool developed by factory equipment manufacturer Furukawa Kikou -- seems to defy the laws of nature by picking up deposits of gels, sauces and other soft semi-liquids without smearing them or altering their shape. This demo video shows how well the tool handles mayonnaise and ketchup.
Details about the technology are not available on Furukawa Kikou's website (perhaps because the patent is pending), but the tool appears to incorporate a conveyor belt design. According to the company, the magic goop scoop was originally developed for use in bakery production lines, but its unique ability to cleanly handle semi-liquids makes it suitable for a wide range of applications.
World Order -- the celebrated music/dance performance group led by former martial artist Genki Sudo -- has released a fabulously choreographed video for the track "Machine Civilization," along with some words of hope following the recent devastation in Japan.
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Sudo's message in the YouTube video description:
The unprecedented disasters unfolding in Japan; earthquakes, tsunami, and nuclear explosions, will somehow change things to come. And to send my message about this, I have expressed it here with WORLD ORDER.
These disasters can be interpreted as a turning point for civilization. I think that we have arrived at a time of revolution, shared with all the people of the world, in today's society, economy, and political systems.
Incidents themselves are neutral. I believe that every single one of us, wandering through this deep darkness, can overcome anything, if only we let go of our fear, and face the it all in a positive light.
The world is not going to change. Each one of us will change. And if we do, then yes, the world will be changed. It is darkest right before the dawn. Let's all rise up to welcome the morning that will be so very bright for mankind.
In Tokyo and surrounding areas, signs of electricity conservation are visible everywhere. Rolling blackouts are in effect, train services have been scaled back, stores and businesses are using fewer lights, advertising signs and escalators have been switched off, and even some pachinko parlors have cut their hours of operation. On Twitter, a community of graphic designers has sprung up to create posters encouraging people to save power. Residents of eastern Japan are encouraged to print them out and post them where they live and work. [Link: Setsuden via GaijinPot]
Everyone save electricity
Please cooperate in conserving electricity
Save power and carry on
Let's conserve electricity! Switch OFF!
Turn OFF the power. Now anybody can be Santa.
Power saving!
The amount you turn off will light someone else up.
Please conserve electricity.
Save electricity. Save somebody.
Save electricity. Switch off.
The light you turn off will light up a smile.
Now conserving power
The quickest aid you can provide now is electricity.
Saving energy & open for business
Open for business in power saving mode!
Conserve electricity to prevent massive power failures!
"Sometimes just focusing our thoughts on something, in a positive or unique way, provides the energy for new ideas to manifest themselves in the toughest of times," says Brooklyn-based sound composer Charles Edward Fambro.
On March 3 -- a week before disaster hit Japan -- he released "Vudu Ceremony On Mt. Fuji," a free improv sound composition that taps into the spirits of Haiti and Japan through analog synths, turntables, bass, low frequency oscillators and percussion. With the news from Japan growing more grim, Fambro has decided to donate all download proceeds to the Japan Society's Earthquake Relief Fund. Recommended for fans of ambient/experimental sound.
[Listen]
Hello all. Many thanks to those of you who have offered kind words of support and encouragement over the past week. Recent events in Japan have gotten in the way of blogging lately, but we are safe and sound in Tokyo and life is slowly returning to normal. Look forward to more updates here soon.
Japan is in our hearts -- Artist: Josh Geiser
In the meantime, if you would like to support the ongoing disaster relief efforts, please consider making a much-needed donation to the Red Cross Japan Earthquake and Tsunami Fund. (Small contributions are appreciated, and credit card payments are accepted.)
You can also help by purchasing any of the Japan Earthquake Relief prints by underground artists at the Poster Cause Project. 75% of profits from these prints will be donated to the Doctors Without Borders' earthquake and relief efforts in Japan.
Artist: Saner
Artist: Brent Nolasco
Artist: Oliver Kroa Cramm
Artist: SCARECROWOVEN
Artist: Joe Iurato
[Link: Japan Earthquake Relief Prints]
Local gas companies occasionally add a touch of character to the giant spherical gas containers that dot the landscape of Japan. Here are a few examples.
Nicotan (mascot of Shibata Gas) -- Shibata, Niigata prefecture [via]
Watermelon -- Tomisato, Chiba prefecture [via]
Hikari-chan and Gatto-kun -- Niigata [via]
Zen monk-poet Ryōkan -- Tsubame, Niigata prefecture [via]
Soccer ball -- Kiryū, Gunma prefecture [via]
Tokkikki (Niigata prefectural mascots) -- Niigata [via]
Ōnyūdō -- Yokkaichi, Mie prefecture
Peach -- Akaiwa, Okayama prefecture [via]
Ouchi dolls -- Yamaguchi prefecture [via]
Welcome to Isesaki -- Gunma prefecture [via]
"Taisha" wheeled fish toy -- Niigata [via]
Morioka Gas character dancing the Sansa Odori -- Morioka, Iwate prefecture [via]
Bunbuku Chagama tanuki -- Gunma prefecture [via] // Origami cranes -- Mie prefecture [via]
Japanese irises -- Niigata [via]
Watermelon -- Takizawa, Iwate prefecture [via]
Godai-chan (tourism mascot for the city of Kashihara) -- Nara prefecture [via]
Kōfu, Yamanashi prefecture [via]
Kintarō -- Saitama [via]
Flowers and butterflies -- Niigata prefecture [via]
Artist's conception of Nintendo Kirby tanks [via]
50 Watts (formerly "A Journey Round My Skull") has posted a splendid assortment of 1970s and 1980s Japanese sci-fi art from old illustration books and catalogs. [More]
Pater Sato magazine cover
Hitoshi Ikematsu book jacket illustration, 1984
Noriyoshi Ohrai
Black Space -- Shuji Tanase, 1982
Atsushi Yoshioka